Members Administrator Posted February 13, 2010 Members Report Share Posted February 13, 2010 Berlin Shutter Island By TODD MCCARTHY Leonardo DiCaprio and Ben Kingsley star in Martin Scorsese's 'Shutter Island' A Paramount release of a Phoenix Pictures production in association with Sikelia Prods. and Appian Way. Produced by Mike Medavoy, Arnold W. Messer, Bradley J. Fischer, Martin Scorsese. Executive producers, Chris Brigham, Laeta Kalogridis, Dennis Lehane, Gianni Nunnari, Louis Phillips. Co-producers, Joseph Reidy, Emma Tillinger, Amy Herman. Directed by Martin Scorsese. Screenplay, Laeta Kalogridis, based on the novel by Dennis Lehane. Teddy Daniels - Leonardo DiCaprio Chuck Aule - Mark Ruffalo Dr. Cawley - Ben Kingsley Dr. Naehring - Max von Sydow Dolores - Michelle Williams Rachel 1 - Emily Mortimer Rachel 2 - Patricia Clarkson George Noyce - Jackie Earle Haley Warden - Ted Levine Deputy Warden McPherson - John Carroll Lynch Laeddis - Elias Koteas Expert, screw-turning narrative filmmaking put at the service of old-dark-madhouse claptrap, "Shutter Island" arguably occupies a similar place in Martin Scorsese's filmography as "The Shining" does in Stanley Kubrick's. In his first dramatic feature since "The Departed," Scorsese applies his protean skill and unsurpassed knowledge of Hollywood genres to create a dark, intense thriller involving insanity, ghastly memories, mind-alteration and violence, all wrapped in a story about the search for a missing patient at an island asylum. A topnotch cast headed by Leonardo DiCaprio looks to lead this Paramount release, postponed from its original opening date last fall to Feb. 19, to muscular returns in all markets. As Kubrick did with Stephen King's novel, Scorsese uncustomarily ventures here into bestseller territory that obliges him to deliver certain expected ingredients for the mass audience and adhere to formula more than has been his nature over the years. Although "The Departed" and "Cape Fear" come close, "Shutter Island" is the film that most forces the director to walk the straight and narrow in terms of carefully and clearly telling a story; if testing himself within that discipline was his intention, this most devoted of cinema students among major American directors gets an "A." He also chose his material well. Dennis Lehane's 2003 novel is quite a few notches above the norm for mass-market popular fiction; ingeniously structured and populated with a rogue's gallery of intriguing, deceptive characters, the book is a real page-turner, spiked with game-changing twists, which draws upon perfectly legitimate medical, legal, historical and political issues. It even offers an ending sufficiently ambiguous enough to inspire genuine debate. At its heart, however, it's still a potboiler, smartly fashioned to yank the reader this way and that while providing a veneer of moral inquiry for respectability's sake. The script by Laeta Kalogridis (an exec producer on "Avatar" said to have worked closely with James Cameron on developing the project) faithfully hews to the letter and spirit of Lehane's tome, leaving Scorsese and his top-drawer collaborators with the largely technical task of crafting a drum-tight suspenser that won't take on too much water via the many memory flashbacks and surprise developments. Working in a format that recalls the moody, low-budget horror mysteries of the 1940s produced at RKO by Val Lewton -- most pointedly "Isle of the Dead" and "The Seventh Victim," but in a far more visually vivid and explicit style -- Scorsese employs an exquisite modern equivalent of old-fashioned process work to show U.S. Marshals Teddy Daniels (DiCaprio) and Chuck Aule (Mark Ruffalo) chugging the 11 miles on a ferry between Boston and the eponymous island that's home to Ashecliffe Hospital Warned by welcoming deputy warden (the excellent John Carroll Lynch) that the place houses only "the most dangerous, damaged patients," the two men get an eyeful of weird, zombie-like inmates doing menial work around an institution that resembles an impenetrable fortress -- because it was built as one, for use during the Civil War. It's a heavy, deeply ominous place, outfitted by production designer Dante Ferretti to instill not only menace but also unease and anxiety; it's deliberately made difficult for Teddy and Chuck, as well as for the viewer, to understand the proximity of one place to another, to know where one stands literally and figuratively, to decide where it's safe and where it's not. Cloaking the mood is the pervasive disquiet of the Cold War tension of 1954. This makes it harder to get a handle on the task at hand, which is finding Rachel Solando, the murderer of her three children, who somehow escaped from her tiny room, got past guards and presumably made her way out onto the island. The man in charge, Dr. Cawley (Ben Kingsley), is elegant, erudite and helpful, albeit only up to a point, and after interviewing staff and patients, Teddy and Chuck begin to feel they're on a fool's errand. But there are forces that keep the men on the rocky, densely forested island. Teddy, a grizzled World War II vet tormented by the fiery death of his wife (Michelle Williams in flashbacks) two years before -- as well as by visions of the corpses he found at Dachau upon helping liberate the concentration camp -- finds a cryptic note left by Rachel in her room that drives him forward. He may have hidden reasons of his own for sticking around. Then there's a gathering storm, which cuts off telephone and ferry service even before reaching full hurricane-level intensity. One can rest assured that Teddy is not alone in concealing secret motives and agendas. In fact, everyone has them and, beginning an hour in, they are parcelled out in astutely measured doses to keep you hanging on to the very end. Along the way, there are encounters with a brilliant doctor with a suspicious German accent (Max von Sydow); a perilous descent into the bowels of the notorious Ward C, home to the worst of the worst; rising suspicions about what really goes on in this place and accompanying doubt as to whether anyone who arrives on Shutter Island ever is allowed to leave. This is high-end popcorn fare adorned with a glittering pedigree by a powerhouse cast and crew. DiCaprio appears deeply into his role; a lot is asked of him, physically and emotionally, and his battle-and-tragedy-scarred veteran embodies a tangible anguish. Ruffalo is ideally cast as the older but junior agent who takes a lighter approach to serious matters. If this story had been made in the heyday of noir, Kirk Douglas could have played Teddy and Robert Mitchum would have been a perfect Chuck. Kingsley and von Sydow bring their smooth confidence to bear on their roles as institution big shots, while Jackie Earle Haley and Patricia Clarkson score in their individual big scenes. But the greatest interest lies in the craftsmanship, which is provided in spades by Ferretti, cinematographer Robert Richardson, visual effects and second-unit overseer Rob Legato, costume designer Sandy Powell, editor Thelma Schoonmaker and dozens of others. Even when it's clear Scorsese has decided to employ fakery and allow it to be obvious, it's done with elegance and beauty. Of at least equal interest is the soundtrack, supervised by Robbie Robertson, which employs mostly modern serious and classical music in the same manner of intelligent sampling that Scorsese normally uses rock and borrowed movie compositions. The sudden infusions of discordant, atonal and otherwise unsettling passages by Ligeti, Penderecki, Cage, Adams and, more traditionally, Mahler, among numerous others, further amplifies the sought-after climate of malignant ambiguity. Camera (Deluxe color, Panavision widescreen), Robert Richardson; editor, Thelma Schoonmaker; music supervisor, Robbie Robertson; production designer, Dante Ferretti; supervising art director, Robert Guerra; art directors, Christina Wilson, Max Biscoe; set decorator, Francesca Lo Schiavo; costume designer, Sandy Powell; sound (Dolgy Digital/DTS/SDDS), Petur Hliddal; supervising sound editors, Philip Stockton, Eugene Gearty; re-recording mixer, Tom Fleischman; visual effects supervisor, Rob Legato; visual effects, the Basement, the Syndicate, New Deal Studios; special effects coordinator, R. Bruce Steinheimer; special visual makeup effects, Legacy Effects; stunt coordinator, George Aguilar; assistant director, Joseph Reidy; second unit director-camera, Legato; casting, Ellen Lewis, Meghan Rafferty. Reviewed at Paramount Studios, Los Angeles, Feb. 10, 2010. (In Berlin Film Festival -- noncompeting.) MPAA Rating: R. Running time: 138 MIN. Frank_Booth2010-02-13 22:07:31 Link to comment Share on other sites More sharing options...
Members FeCamargo Posted February 17, 2010 Members Report Share Posted February 17, 2010 Louco pelo novo Scorsa... ... Assim como em Sundance, Berlim aclama o filme The Kids Are Allright, com Julianne Moore e Annete Bening. Parece que todos chegaram ao consenso que o filme, mesmo em competição mas fora dela, por ter sido convidado, elevou o nível das atuações femininas se colocando como o filme americano que mais agradou até agora. Link to comment Share on other sites More sharing options...
Beckin Posted February 19, 2010 Report Share Posted February 19, 2010 Vou procurar nem ler nada sobre Shutter island pra não estragar' date=' mas a expectativa tá lá em cima. É o meu mais aguardado do ano. E o scorsa tá a toda. Vai fazer o Hugo Cabret agora no meio do ano pra depois seguir com Silence e por ultimo The Irishman, com o De Niro [/quote'] E o Sinatra? Ah pois é, esse tá no bolo aí também... só acho que o certo é que o Hugo Cabret vai ser o primeiro a ser filmado mesmo. Link to comment Share on other sites More sharing options...
Members Administrator Posted February 19, 2010 Members Report Share Posted February 19, 2010 Early Buzz: Wall Street 2 is “a Strong Return to Form for Both Stone and Douglas” Posted on Friday, February 19th, 2010 by Peter Sciretta Apparently there was a secret Los Angeles screening last night for Oliver Stone’s Wall Street: Money Never Sleeps. It must have been pretty exclusive, because I can’t seem to find any details in all the usual places. A friend of Jeffrey Wells’ friend attended, and wrote up a short review for Hollywood Elsewhere. Here is a short excerpt: “…it’s a strong return to form for both Stone and Douglas. It also proves Shia can play with the big boys. A surprisingly satirical movie. It’s the first time I’ve heard a Stone movie described as ‘fun.’”… “It’s an entertaining movie with Shia a better match for Douglas than Sheen, who was a stiff. It’s a sardonic, slightly satirical film with Josh Brolin and particularly Frank Langella scoring well.” … “Stone handles the show without either his heavy left hand or his neutered right one that made W not what we’d hoped it. Douglas is the big-ticket item, of course, and revisiting this character is clearly a joy for him…” Read More » Read more: /Film | Blogging the Reel World http://www.slashfilm.com/#ixzz0g23h9CqW Link to comment Share on other sites More sharing options...
Beckin Posted February 20, 2010 Report Share Posted February 20, 2010 Meh, nao ando muito empolgado com esse aí não.... Roman Polanski acabou de ganhar o premio de melhor direção no festival de Berlim. . O Escritor Fantasma estréia aqui no Brasil no inicio de maio, pela Paris Filmes. O filme turco Honey venceu o urso de oruoBeckin2010-02-20 17:01:39 Link to comment Share on other sites More sharing options...
Members Nightcrawler Posted February 22, 2010 Author Members Report Share Posted February 22, 2010 Turma do RT já tá metendo o pau em Shutter Island. http://www.rottentomatoes.com/m/1198124-shutter_island/ Link to comment Share on other sites More sharing options...
Beckin Posted February 26, 2010 Report Share Posted February 26, 2010 Filme novo do Malick vai estreiar dia 12 de maio nos cinemas franceses, mesma data da abertura do festival de Cannes. I wonder why.. --- Andam saindo as reviews de Alice. Dizem que a Wasikowska foi uma ótima escolha. Link to comment Share on other sites More sharing options...
Members Stradivarius Posted March 2, 2010 Members Report Share Posted March 2, 2010 Hmm, juicy....Stradivarius2010-03-02 00:55:27 Link to comment Share on other sites More sharing options...
Members Administrator Posted March 2, 2010 Members Report Share Posted March 2, 2010 E aquele do Paul Giamatti, Cold Souls? O que houve? Link to comment Share on other sites More sharing options...
Members Administrator Posted March 2, 2010 Members Report Share Posted March 2, 2010 Já estreou faz tempo e não deu em nada. Link to comment Share on other sites More sharing options...
Members cinéfilo Posted March 9, 2010 Members Report Share Posted March 9, 2010 pelo trailer Alice no País das Maravilhas pode emplacar essas indicações - melhor fotografia - melhor direção de arte - melhor figurino - melhor efeitos visuais - melhor trilha sonora (Danny Elfman) Link to comment Share on other sites More sharing options...
Members Administrator Posted March 9, 2010 Members Report Share Posted March 9, 2010 O Danny Elfman TEM que ser indicado esse ano. Por Alice ou por The Wolfman, cuja trilha é belíssima (e o filme do Johnston ainda merece indicações para fotografia, maquiagem e direção de arte!). Link to comment Share on other sites More sharing options...
Members Administrator Posted March 9, 2010 Members Report Share Posted March 9, 2010 THE CONTENDERS (2009) This hearty list of film awards contenders, organized here by the various Oscar categories, will surely evolve over the course of the season. We learn pretty much, oh…each and every year. As new competition hits the street (and as you, the readers, send in valuable information), names will be added to the collective. As films open and disappoint (as they typically do), names will be removed. The lesson in all of this? Things…change. But no matter the twists and turns of the season, we’ll keep this hopefully comprehensive database up-to-date as the year pushes forward. Sort contenders by: Category/Studio Ben Affleck, “The Company Men” Ben Affleck, “The Town” Casey Affleck, “The Killer Inside Me” Javier Bardem, “Biutiful” Jeff Bridges, “True Grit” Vincent Cassel, “Black Swan” George Clooney, “The American” Kevin Costner, “The Company Men” Russell Crowe, “Robin Hood” Matt Damon, “The Adjustment Bureau” Matt Damon, “Green Zone” Matt Damon, “Hereafter” Bencio Del Toro, “Somewhere” Johnny Depp, “The Rum Diary” Leonardo DiCaprio, “Inception” Leonardo DiCaprio, “Shutter Island” Michael Douglas, “Wall Street: Money Never Sleeps” Robert Downey Jr., “Due Date” Robert Downey Jr., “Iron Man 2″ Robert Duvall, “Get Low” Aaron Eckhart, “Rabbit Hole” Jesse Eisenberg, “The Social Network” Zac Ephron, “Charlie St. Cloud” Colin Farrell, “London Boulevard” Colin Farrell, “The Way Back” Colin Firth, “The King’s Speech” Harrison Ford, “Morning Glory” James Franco, “Howl” James Gandolfini, “Welcome to the Rileys” Mel Gibson, “The Beaver” Ryan Gosling, “All Good Things” Ryan Gosling, “Blue Valentine” Jake Gyllenhaal, “Love and Other Drugs” Tom Hardy, “Warrior” Ciaran Hinds, “The Debt” Anthony Hopkins, “You Meet a Tall Dark Stranger” Tommy Lee Jones, “The Company Men” Joseph Gordon-Levitt, “Hesher” James McAvoy, “The Conspirator” Ewan McGregor, “The Ghost Writer” Liam Neeson, “Chloe” Jack Nicholson, “How Do You Know?” Edward Norton, “Stone” Sean Penn, “Fair Game” Brad Pitt, “The Tree of Life” John C. Reilly, “Cyrus” Sam Riley, “Brighton Rock” Sam Rockwell, “Betty Anne Waters” Mark Ruffalo, “Sympathy for Delicious” Andy Serkis, “Sex & Drugs & Rock & Roll” Michael Sheen, “The Special Relationship” Ben Stiller, “Greenberg” Channing Tatum, “The Eagle of the Ninth” Mark Wahlbert, “The Fighter” Alan Arkin, “Due Date” Christian Bale, “The Fighter” Antonio Banderas, “You Meet a Tall Dark Stranger” Javier Bardem, “Eat, Pray, Love” Ned Beatty, “The Killer Inside Me” Jamie Bell, “The Eagle of the Ninth” Orlando Bloom, “Sympathy for Delicious” Josh Brolin, “True Grit” Josh Brolin, “You Meet a Tall Dark Stranger” Chris Cooper, “The Company Men” Chris Cooper, “The Town” James Cromwell, “Secretariat” Billy Crudup, “Eat, Pray, Love” Matt Damon, “True Grit” Robert De Niro, “Stone” Aaron Eckhart, “The Rum Diary” Jamie Foxx, “Due Date” James Franco, “Eat, Pray, Love” Zach Galifianakis, “Due Date” Michael Gambon, “The King’s Speech” Andrew Garfield, “The Social Network” Scott Glenn, “Secretariat” Jeff Goldblum, “Morning Glory” Joseph Gordon-Levitt, “Inception” Richard Jenkins, “Eat, Pray, Love” Richard Jenkins, “The Rum Diary” Ed Harris, “The Way Back” Jonah Hill, “Cyrus” Samuel L. Jackson, “Mother and Child” Ben Kingsley, “Shutter Island” Elias Koteas, “My Own Love Song” Frank Langella, “All Good Things” Danny McBride, “Your Highness” Bruce McGill, “Fair Game” Matthew Macfadyen, “Robin Hood” Anthony Mackie, “The Adjustment Bureau” Max Minghella, “Agora” Jay Mohr, “Hereafter” Jeffrey Dean Morgan, “All Good Things” Cillian Murphy, “Inception” Bill Murray, “Get Low” Craig T. Nelson, “The Company Men” Nick Nolte, “Warrior” Ruben Ochandiano, “Biutiful” Guy Pearce, “The King’s Speech” Sean Penn, “The Tree of Life” Oliver Platt, “Love and Other Drugs” Bill Pullman, “The Killer Inside Me” Dennis Quaid, “The Special Relationship” Norman Reedus, “The Conspirator” Jeremy Renner, “The Town” Giovanni Ribisi, “The Rum Diary” Mickey Rourke, “Iron Man 2″ Paul Rudd, “How Do You Know?” Mark Ruffalo, “The Kids Are All Right” Geoffrey Rush, “The King’s Speech” Timothy Spall, “The King’s Speech” Terrence Stamp, “The Adjustment Bureau” Donald Sutherland, “The Eagle of the Ninth” Justin Timberlake, “The Social Network” Dylan Walsh, “Secretariat” Forest Whitaker, “My Own Love Song” Tom Wilkinson, “The Debt” Owen Wilson, “How Do You Know?” Patrick Wilson, “Morning Glory” Sam Worthington, “The Debt” Anton Yelchin, “The Beaver” Annette Bening, “Mother and Child” Annette Bening, “The Kids Are All Right” Emily Blunt, “The Adjustment Bureau” Kirsten Dunst, “All Good Things” Jodie Foster, “The Beaver” Angelina Jolie, “Salt” Diane Lane, “Secretariat” Nicole Kidman, “Rabbit Hole” Keira Knightley, “London Boulevard” Jennifer Lawrence, “Winter’s Bone” Rachel McAdams, “Morning Glory” Helen Mirren, “Brighton Rock” Helen Mirren, “The Debt” Helen MIrren, “The Tempest” Carey Mulligan, “Never Let Me Go” Julianne Moore, “Chloe” Julianne Moore, “The Kids Are All Right” Robin Wright Penn, “The Conspirator” Natalie Portman, “Black Swan” Julia Roberts, “Eat, Pray, Love” Amanda Seyfried, “Chloe” Kristen Stewart, “Welcome to the Rileys” Hilary Swank, “Betty Anne Waters” Marisa Tomei, “Cyrus” Mia Wasikowska, “The Kids Are All Right” Naomi Watts, “Fair Game” Naomi Watts, “You Meet a Tall Dark Stranger” Rachel Weisz, “Agora” Michelle Williams, “Blue Valentine” Reese Witherspoon, “How Do You Know?” Renee Zellweger, “My Own Love Song” Amy Adams, “The Fighter” Kim Basinger, “Charlie St. Cloud” Maria Bello, “The Company Men” Cate Blanchett, “Robin Hood” Alexis Bledel, “The Conspirator” Helena Bonham Carter, “The King’s Speech” Jessica Chastain, “The Tree of Life” Marion Cotillard, “Inception” Hope Davis, “The Special Relationship” Viola Davis, “Eat, Pray, Love” Elle Fanning, “Somewhere” Rebecca Hall, “The Town” Anne Hathaway, “Love and Other Drugs” Barbara Hershey, “Black Swan” Bryce Dallas Howard, “Hereafter” Diane Keaton, “Morning Glory” Keira Knightley, “Never Let Me Go” Catherine Keener, “Cyrus” Mila Kunis, “Black Swan” Jennifer Lawrence, “The Beaver” Melissa Leo, “Betty Anne Waters” Melissa Leo, “Welcome to the Rileys” Juliette Lewis, “Betty Anne Waters” Juliette Lewis, “Due Date” Juliette Lewis, “Sympathy for Delicious” Laura Linney, “Sympathy for Delicious” Bailee Madison, “Betty Anne Waters” Helen McCrory, “The Special Relationship” Jennifer Morrison, “Warrior” Carrie Mulligan, “Brighton Rock” Sandra Oh, “Rabbit Hole” Ellen Page, “Inception” Freida Pinto, “You Meet a Tall Dark Stranger” Natalie Portman, “Hesher” Saoirse Ronan, “The Way Back” Winona Ryder, “Black Swan” Hailee Steinfeld, “True Grit” Kerry Washington, “Mother and Child” Naomi Watts, “Mother and Child” Dianne Wiest, “Rabbit Hole” Evan Rachel Wood, “The Conspirator” Madeline Zima, “My Own Love Song” “Despicable Me” (Universal Pictures) “Hoodwinked Too! Hood vs. Evil” (The Weinstein Company) “Shrek Forever After” (Paramount Pictures) “Toy Story 3″ (Walt Disney Pictures) “Yogi Bear” (Warner Bros. Pictures) “Agora” (Guy Dyas; Larry Dias) “Alice in Wonderland” (Robert Stromberg; Karen O’Hara, Peter Young) “Clash of the Titans” (Martin Lang; Anna Pinnock) “The Conspirator” (Kalina Ivanov; Melissa M. Levander) “The Eagle of the Ninth” (Michael Carlin; Rebecca Alleway) “The Fighter” (Judy Becker; Gene Serdena) “Get Low” (Geoffrey Kirkland; Frank Galline) “Harry Potter and the Deathly Hallows: Part I” (Stuart Craig; Stephanie McMillan) “Inception” (Guy Dyas; Lisa Chugg, Paul Healy, Douglas A. Mowat) “Jonah Hex” (Tom Meyer; Robert Greenfield) “The King’s Speech” (Eve Stewart; Judy Farr) “The Last Airbender” (Philip Messina; Larry Dias) “Robin Hood” (Arthur Max; Sonja Laus) “Secretariat” (Thomas E. Sanders; unknown) “Shanghai” Jim Clay; Celia Bobak) “Shutter Island” (Dante Ferretti; Francesca Lo Schiavo) “The Tempest” (Mark Friedberg; Alyssa Winter) “The Tree of Life” (Jack Fisk; Jeanette Scott) “True Grit” (Jess Gonchor; unknown) “The Way Back” (John Stoddart; unknown) “Your Highness” (Mark Tildesley; Dominic Capon) “The Adjustment Bureau” (John Toll) “Agora” (Xavi Gimenez) “All Good Things” (Michael Seresin) “The American” (Martin Ruhe) “Biutiful” (Rodrigo Prieto) “Black Swan” (Matthew Libatique) “Brighton Rock” (John Mathieson) “Chloe” (Paul Sarossy) “Clash of the Titans” (Peter Menzies Jr.) “The Company Men” (Roger Deakins) “The Conspirator” (Newton Thomas Sigel) “The Eagle of the Ninth” (Anthony Dod Mantle) “The Fighter” (Hoyte Van Hoytema) “Get Low” (David Boyd) “Green Zone” (Barry Ackroyd) “Harry Potter and the Deathly Hallows: Part I” (Eduardo Serra) “Inception” (Wally Pfister) “The King’s Speech” (unknown) “The Last Airbender” (Andrew Lesnie) “London Boulevard” (Chris Menges) “Robin Hood” (John Mathieson) “Secretariat” (Dean Semler) “Shanghai” (Benoit Delhomme) “Shutter Island” (Robert Richardson) “The Special Relationship” (Barry Ackroyd) “The Tempest” (Stuart Dryburgh) “The Tree of Life” (Emmanuel Lubezki) “True Grit” (Roger Deakins) “The Way Back” (Russell Boyd) “Your Highness” (Tim Orr) “Agora” (Gabriella Pescucci) “Alice in Wonderland” (Colleen Atwood) “Clash of the Titans” (Lindy Hemming) “The Conspirator” (Louise Frogley) “The Eagle of the Ninth” (Michael O’Connor) “The Fighter” (unknown) “Get Low” (Julie Weiss) “Harry Potter and the Deathly Hallows: Part I” (Jany Temime) “Inception” (Jeffrey Kurland) “Jonah Hex” (Michael Wilkinson) “Kick-Ass” (Sammy Sheldon) “The King’s Speech” (Jenny Beaven) “The Last Airbender” (Judianna Makovsky) “Robin Hood” (Janty Yates) “Secretariat” (Michael T. Boyd) “Shanghai” (Julie Weiss) “Shutter Island” (Sandy Powell) “The Tempest” (Sandy Powell) “The Tree of Life” (Jacqueline West) “True Grit” (Mary Zophres) “The Way Back” (unknown) “Your Highness” (Hanzel Webb-Crozier) George Nolfi, “The Adjustment Bureau” Alejandro Amenabar, “Agora” Andrew Jarecki, “All Good Things” Anton Corbijn, “The American” Jodie Foster, “The Beaver” Tony Goldwyn, “Betty Anne Waters” Alejandro Gonzalez Inarritu, “Biutiful” Darren Aronofsky, “Black Swan” Derel Cianfrance, “Blue Valentine” Rowan Joffe, “Brighton Rock” Burr Steers, “Charlie St. Cloud” Atom Egoyan, “Chloe” John Wells, “The Company Men” Robert Redford, “The Conspirator” Jay Duplass, Mark Duplass, “Cyrus” John Madden, “The Debt” Todd Phillips, “Due Date” Kevin Macdonald, “The Eagle of the Ninth” Ryan Murphy, “Eat, Pray, Love” Doug Liman, “Fair Game” David O. Russel, “The Fighter” Aaron Schnedier, “Get Low” Roman Polanski, “The Ghost Writer” Paul Greengrass, “Green Zone” Noah Baumbach, “Greenberg” Clint Eastwood, “Hereafter” Spencer Susser, “Hesher” James L. Brooks, “How Do You Know?” Christopher Nolan, “Inception” Lisa Cholodenko, “The Kids Are All Right” Michael Winterbottom, “The Killer Inside Me” Tom Hooper, “The King’s Speech” William Monahan, “London Boulevard” Edward Zwick, “Love and Other Drugs” Roger Michell, “Morning Glory” Rodrigo Garcia, “Mother and Child” Olivier Dahan, “My Own Love Song” Mark Romanek, “Never Let Me Go” John Cameron Mitchell, “Rabbit Hole” Ridley Scott, “Robin Hood” Bruce Robinson, “The Rum Diary” Phillip Noyce, “Salt” Randall Wallace, “Secretariat” Mat Whitecross, “Sex & Drugs & Rock & Roll” Martin Scorsese, “Shutter Island” David Fincher, “The Social Network” Richard Loncraine, “The Special Relationship” Sofia Coppola, “Somewhere” John Curran, “Stone” Mark Ruffalo, “Sympathy for Delicious” Ben Affleck, “The Town” Terrence Malick, “The Tree of Life” Ethan Coen, Joel Coen, “True Grit” Gavin O’Connor, “Warrior” Jake Scott, “Welcome to the Rileys” Peter Weir, “The Way Back” Debra Granik, “Winter’s Bone” Woody Allen, “You Meet a Tall Dark Stranger” David Gordon Green, “Your Highness” Coming soon… “The Adjustment Bureau” (Jay Rabinowitz) “Agora” (Nacho Ruiz Capillas) “All Good Things” (Shelby Siegel) “The American” (Andrew Hulme) “The Beaver” (unknown) “Betty Anne Waters” (Jay Cassidy) “Biutiful” (Stephen Mirrione) “Black Swan” (Andrew Weisblum) “Blue Valentine” Jim Helton, Ron Patane) “Brighton Rock” (unknown) “Charlie St. Cloud” (Padraic McKinley) “Chloe” (Susan Shipton) “Clash of the Titans” (David Freeman, Vincent Tabaillon) “The Company Men” (Robert Frazen) “The Conspirator” (Craig McKay) “Cyrus” (Jay Deuby) “The Debt” (Alexander Berner) “The Eagle of the Ninth” (Justine Wright) “Eat, Pray, Love” (Bradley Buecker) “Fair Game” (unknown) “The Fighter” (Pamela Martin) “Get Low” (Aaron Schneider) “Green Zone” (Christopher Rouse) “Hereafter” (unknown) “How Do You Know?” (Richard Marks) “Inception” (Lee Smith) “Iron Man 2″ (Dan Lebenthal, Richard Pearson) “Jonah Hex” (Kent Beyda) “Kick-Ass” (Eddie Hamilton, Jon Harris) “The Killer Inside Me” (Mags Arnold) “The King’s Speech” (unknown) “The Last Airbender” (unknown) “London Boulevard” (Dody Dorn) “Love and Other Drugs” (Steven Rosenblum) “Morning Glory” (Daniel Farrell, Nick Moore) “Mother and Child” (Steven Weisberg) “Never Let Me Go” (Barney Pilling) “Rabbit Hole” (Joe Klotz) “Robin Hood” (Pietro Scalia) “Salt” (Stuart Baird, John Gilroy) “Secretariat” (unknown) “Shutter Island” (Thelma Schoomaker) “The Social Network” (Kirk Baxter, Angus Wall) “Stone” (Alexandre de Franceschi) “The Tempest” (Francoise Bonnot) “The Tree of Life” (Hank Corwin, Jay Rabinwitz, Daniel Rezende, Billy Weber, Mark Yoshikawa) “Tron: Legacy” (James Haygood) “True Grit” (Roderick Jaynes) “Unstoppable” (Robert Duffy) “Warrior” (Sean Albertson, Matt Chesse) “The Way Back” (Lee Smith) Coming soon… “Agora” “Alice in Wonderland” “Clash of the Titans” “The Conspirator” “The Eagle of the Ninth” “The Fighter” “Get Low” “Harry Potter and the Deathly Hallows: Part I” “Jonah Hex” “The King’s Speech” “The Last Airbender” “A Nightmare on Elm Street” “Robin Hood” “The Tempest” “True Grit” “Agora” (Dario Marianelli) “All Good Things” (Rob Simonsen) “Alice in Wonderland” (Danny Elfman) “The American” (unknown) “Biutiful” (Gustavo Santaolalla) “Charlie St. Cloud” (Rolfe Kent) “Chloe” (Mychael Danna) “The Conspirator” (unknown) “Cyrus” (Michael Andrews) “The Eagle of the Ninth” (unknown) “Eat, Pray, Love” (Dario Marianelli) “Get Low” (Jan A.P. Kaczmarek) “Harry Potter and the Deathly Hallows: Part I” (Alexandre Desplat) “How Do You Know?” (Hans Zimmer) “Inception” (Hans Zimmer) “The Killer Inside Me” (Marcel Zyskind) “The King’s Speech” (unknown) “The Last Airbender” (James Newton Howard) “Mother and Child” (Ed Shearmur) “Robin Hood” (Marc Streitenfeld) “Secretariat” (Nick Glennie-Smith) “The Special Relationship” (Alexandre Desplat) “The Tempest” (Elliot Goldenthal) “Toy Story 3″ (Randy Newman) “The Tree of Life” (Alexandre Desplat) “Tron: Legacy” (Daft Punk) “True Grit” (Carter Burwell) “The Way Back” (Burkhard on Dallwitz) Coming soon… “The Adjustment Bureau” (Universal Pictures) “Agora” (Newmarket Films) “All Good Things” (The Weinstein Company) “The American” (Focus Features) “The Beaver” (Summit Entertainment) “Betty Anne Waters” (Fox Searchlight Pictures) “Biutiful” (Focus Features) “Black Swan” (Fox Searchlight Pictures) “Blue Valentine” (The Weinstein Company) “Brighton Rock” (no current U.S. distribution) “Charlie St. Cloud” (Universal Pictures) “Chloe” (Sony Pictures Classics) “The Company Men” (no current U.S. distribution) “The Conspirator” (no current U.S. distribution) “Cyrus” (Focus Features) “The Debt” (Miramax Films) “Due Date” (Warner Bros. Pictures) “The Eagle of the Ninth” (Focus Features) “Eat, Pray, Love” (Columbia Pictures) “Fair Game” (no current U.S. distribution) “The Fighter” (Paramount Pictures) “Get Low” (Sony Pictures Classics) “The Ghost Writer” (Summit Entertainment) “Green Zone” (Universal Pictures) “Greenberg” (Focus Features) “Hereafter” (Warner Bros. Pictures) “Hesher” (Newmarket Films) “How Do You Know?” (Columbia Pictures) “Howl” (no current U.S. distribution) “Inception” (Warner Bros. Pictures) “Kick-Ass” (Lionsgate) “The Kids Are All Right” (Focus Features) “The Killer Inside Me” (no current U.S. distribution) “The King’s Speech” (The Weinstein Company) “London Boulevard” (no current U.S. distribution) “Love and Other Drugs” (20th Century Fox) “Morning Glory” (Paramount Pictures) “Mother and Child” (Sony Pictures Classics) “My Own Love Song” (no current U.S. distribution) “Never Let Me Go” (Fox Searchlight Pictures) “Rabbit Hole” (Fox Searchlight Pictures) “Robin Hood” (Universal Pictures) “The Rum Diary” (no current U.S. distribution) “Salt” (Lionsgate) “Secretariat” (Walt Disney Pictures) “Sex & Drugs & Rock & Roll” (no current U.S. distribution) “Shanghai” (The Weinstein Company) “Shutter Island” (Paramount Pictures) “The Social Network” (Columbia Pictures) “Somewhere” (Focus Features) “The Special Relationship” (no current U.S. distribution) “Stone” (Overture Films) “Sympathy for Delicious” (no current U.S. distribution) “The Tempest” (Miramax Films) “The Town” (Warner Bros. Pictures) “The Tree of Life” (Apparition) “True Grit” (Paramount Pictures) “Wall Street: Money Never Sleeps” (20th Century Fox) “Warrior” (Lionsgate) “Winter’s Bone” (Roadside Attractions) “Welcome to the Rileys” (no current U.S. distribution) “The Way Back” (no current U.S. distribution) “You Meet a Tall Dark Stranger” (Sony Pictures Classics) “Your Highness” (Universal Pictures) “The Adjustment Bureau” “Agora” “Alice in Wonderland” “The American” “Biutiful” “The Book of Eli” “Clash of the Titans” “The Eagle of the Ninth” “The Expendables” “Green Zone” “Harry Potter and the Deathly Hallows: Part I” “Inception” “Iron Man 2″ “Jonah Hex” “The Last Airbender” “Prince of Persia” “Robin Hood” “Salt” “Secretariat” “Shrek Forever After” “The Tempest” “Toy Story 3″ “Tron: Legacy” “True Grit” “Unstoppable” “The Way Back” “The Adjustment Bureau” “Agora” “Alice in Wonderland” “The American” “Biutiful” “The Book of Eli” “Clash of the Titans” “The Conspirator” “The Eagle of the Ninth” “The Expendables” “Green Zone” “Harry Potter and the Deathly Hallows: Part I” “Inception” “Iron Man 2″ “Jonah Hex” “The Last Airbender” “Prince of Persia” “Robin Hood” “Salt” “Secretariat” “Shrek Forever After” “The Tempest” “Toy Story 3″ “The Tree of Life” “Tron: Legacy” “True Grit” “Unstoppable” “The Way Back” “Alice in Wonderland” “The Book of Eli” “Clash of the Titans” “The Eagle of the Ninth” “Green Zone” “Harry Potter and the Deathly Hallows: Part I” “Inception” “Iron Man 2″ “Jonah Hex” “The Last Airbender” “Prince of Persia” “Robin Hood” “Salt” “The Tempest” “Tron: Legacy” “Unstoppable” “The Adjustment Bureau” (George Nolfi) “The American” (Rowan Joffe) “Brighton Rock” (Rowan Joffe) “Charlie St. Cloud” (Lewis Colick, Craig Pearce, James Schamus, Burr Steers) “Chloe” (Erin Cressida Wilson) “The Eagle of the Ninth” (Jeremy Brock) “Eat, Pray, Love” (Ryan Murphy, Jennifer Salt) “Fair Game” (Jez Butterworth, John Butterworth) “The Ghost Writer” (Robert Harris, Roman Polanski) “Green Zone” (Brian Helgeland) “The Killer Inside Me” (John Curran, Michael Winterbottom) “London Boulevard” (William Monahan) “Love and Other Drugs” (Marshall Herskovitz, Charles Randolph, Edward Zwick) “Never Let Me Go” (Alex Garland) “Rabbit Hole” (David Lidsay-Abaire) “Robin Hood” (Brian Helgeland, Ethan Reiff, Cyrus Voris) “The Rum Diary” (Bruce Robinson) “Shutter Island” (Laeta Kalogridis) “The Social Network” (Aaron Sorkin) “The Town” (Ben Affleck, Peter Craig, Sheldon Turner) “True Grit” (Ethan Coen, Joel Coen) “The Way Back” (Peter Weir) “Winter’s Bone” (Debra Granik, Anne Rosellini, Daniel Woodrell) “Agora” (Alejandro Amenabar, Mateo Gil) “All Good Things” (Marcus Hunchey, Marc Smerling) “The Beaver” (Kyle Killen) “Betty Anne Waters” (Pamela Gray) “Biutiful” (Armando Bo, Nicolas Giacobone) “Black Swan” (Darren Aronofsky, Mark Heyman) “Blue Valentine” (Derek Cianfrance, Joey Curtis, Cami Delavigne) “The Company Men” (John Wells) “The Conspirator” (Gregory Bernstein, James D. Solomon) “Cyrus” (Jay Duplass, Mark Duplass) “The Debt” (Assaf Bernstein, Jane Goldman, Ido Rosenblum, Peter Straughan, Matthew Vaughn) “Due Date” (Alan R. Cohen, Alan Freedland, Adam Sztykiel) “The Fighter” (Paul Attanasio, Lewis Colich, Eric Johnson, Scott Silver, Paul Tamasy) “Get Low” (Chris Provenzano, C. Gaby Mitchell, Scott Seeke) “Greenberg” (Noah Baumbach) “Hereafter” (Peter Morgan) “Hesher” (Brian Charles Frank, David Michod, Spencer Susser) “How Do You Know?” (James L. Brooks) “Inception” (Christopher Nolan) “The Kids Are All Right” (Stuart Blumberg, Lisa Cholodenko) “The King’s Speech” (David Speidler) “Morning Glory” (Aline Brosh McKenna) “Mother and Child” (Rodrigo Garcia) “My Own Love Song” (Olivier Dahan) “Secretariat” (Mike Rich) “Sex & Drugs & Rock & Roll” (Paul Viragh) “Somewhere” (Sofia Coppola) “The Special Relationship” (Peter Morgan) “Stone” (Angus MacLachlan) “Sympathy for Delicious” (Christopher Thornton) “Toy Story 3″ (Michael Arndt) “The Tree of Life” (Terrence Malick) “Warrior” (Cliff Dorfman, Gavin O’Connor, Anthony Tambakis) “Welcome to the Rileys” (Ken Hixon) “You Meet a Tall Dark Stranger” (Woody Allen) “Your Highness” (Ben Best, David Gordon Green) Link to comment Share on other sites More sharing options...
Members Nightcrawler Posted March 9, 2010 Author Members Report Share Posted March 9, 2010 pelo trailer Alice no País das Maravilhas pode emplacar essas indicações - melhor fotografia - melhor direção de arte - melhor figurino - melhor efeitos visuais - melhor trilha sonora (Danny Elfman) Esses 2 são mais garantidos. Se bem que depois da tela azul de Avatar, sei não Link to comment Share on other sites More sharing options...
Members FeCamargo Posted March 9, 2010 Members Report Share Posted March 9, 2010 Eu de cara já saio torcendo por Blue Valentine, Black Swan, Mother And Child, The Kids Are All Right, Somewhere e claro, Shutter Island. Não sei muito o que esperar de The Tree Of Life, do Mallick. Tem até dinossauros... FeCamargo2010-03-09 15:51:09 Link to comment Share on other sites More sharing options...
Members Stradivarius Posted March 9, 2010 Members Report Share Posted March 9, 2010 Não sei muito o que esperar de The Tree Of Life' date=' do Mallick. Tem até dinossauros...[/quote'] Mesmo se tivessem anões vestidos de palhaço eu ainda estaria com altas expectativas. Eu aposto numa categoria "loira" de melhor ator: DiCaprio/Gosling/Pitt/Dafoe e Kevin Bacon ou Ralph Fiennes, caso um deles apareça num projeto ainda não anunciado. Link to comment Share on other sites More sharing options...
Members FeCamargo Posted March 9, 2010 Members Report Share Posted March 9, 2010 Galera, Só postando aqui o cartaz do meu curta, Eulália, para vocês verem. Link to comment Share on other sites More sharing options...
Members Thiago Lucio Posted March 9, 2010 Members Report Share Posted March 9, 2010 Puts, Fernando... muito legal o pôster do seu curta... ótimo pra criar a expectativa... me lembrou aquele filme nacional... com aquele ator francês... À Deriva... não que o pôster seja parecido.... mas me pareceu aquele estilo de filme. Do que se trata o seu? Link to comment Share on other sites More sharing options...
Members Stradivarius Posted March 9, 2010 Members Report Share Posted March 9, 2010 Futura... adoro essa fonte. Link to comment Share on other sites More sharing options...
Members saulomeri Posted March 9, 2010 Members Report Share Posted March 9, 2010 Esses me chamaram atenção: “Biutiful” (Focus Features), “Black Swan” (Fox Searchlight Pictures), “Blue Valentine” (The Weinstein Company), “Get Low” (Sony Pictures Classics), “The Kids Are All Right” (Focus Features), “Mother and Child” (Sony Pictures Classics), “The Tree of Life” (Apparition) e “True Grit” (Paramount Pictures) saulomeri2010-03-09 21:55:31 Link to comment Share on other sites More sharing options...
Members FeCamargo Posted March 9, 2010 Members Report Share Posted March 9, 2010 Puts' date=' Fernando... muito legal o pôster do seu curta... ótimo pra criar a expectativa... me lembrou aquele filme nacional... com aquele ator francês... À Deriva... não que o pôster seja parecido.... mas me pareceu aquele estilo de filme. Do que se trata o seu?[/quote'] Graças que não tem nada haver com o filme do Heitor... O filme fala sobre encontrar um caminho para se seguir... Encontrar a sua liberdade. Link to comment Share on other sites More sharing options...
Members Thiago Lucio Posted March 9, 2010 Members Report Share Posted March 9, 2010 Hummmm .... interessante.... parece promissor..... parabéns, boa sorte e sucesso !!!!! Thiago Lucio2010-03-09 22:03:38 Link to comment Share on other sites More sharing options...
Members Administrator Posted March 9, 2010 Members Report Share Posted March 9, 2010 Pior que parece mesmo com À Deriva, hahaha! Eu pensava que o filme do Aménabar já havia estreado. Foi exibido ano passado em Cannes, se não me engano. Enfim, aguardo por esse. Link to comment Share on other sites More sharing options...
Members Thico Posted March 9, 2010 Members Report Share Posted March 9, 2010 Não parece com À Deriva nem fudendo. Enfim, é lindo! Link to comment Share on other sites More sharing options...
Members MacGruber Posted March 9, 2010 Members Report Share Posted March 9, 2010 Credo, À Deriva? Aquele comercial de margarina que andou sendo exibido em circuito? Link to comment Share on other sites More sharing options...
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