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Oscar 2018: Previsões


SergioB.
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Venice Film Festival 2017

Golden Lion: Guillermo del Toro, THE SHAPE OF WATER
Silver Lion: Samuel Maoz, FOXTROT
Silver Lion for Best Director: Xavier Legrand, CUSTODY
Best Actress: Charlotte Rampling, HANNAH
Best Actor: Kamel El Basha, THE INSULT
Best Screenplay: Martin McDonagh, THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
Special Jury Prize: Warwick Thornton, SWEET COUNTRY
Best Young Actor: Charlie Plummer, LEAN ON PETE

Horizon prizes, et al
Orizzonti Best Film: NICO, 1988.
Orizzonti Special Jury Prize: Verena Paravel and Lucien Castaing-Taylor, CANIBA
Orizzonti Best Screenplay winner: Rene Ballesteros, OBLIVION VERSES
Orizzonti Best Short: Céline Devaux, GROS CHAGRIN
Best Virtual Reality Experience: Laurie Anderson
Best Debut Film: Xavier Legrand, CUSTODY
Best Restored Film: COME AND SEE

 

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TIFF:

 

I, Tonya

First Reactions

E. Oliver Whitney: Completely loved I, Tonya. Takes a darkly hilarious approach that works surprisingly well. Robbie is stellar. Janney total dynamite

Jeff Sneider: Lot of parallels between I, TONYA & MOLLY’S GAME, surprisingly. Margot is excellent, but Allison Janney is the real Oscar shoo-in as Mrs H.

Matt Jacobs: I, Tonya is a kooky, darkly comedic treat. Allison Janney is an absolute showstopper as a Tonya Harding’s blistering mommy dearest.

Rebecca Ford: I, Tonya gets a 5.9 from me which if you know anything about skating is really great. Loved it.

Scott Menzel: I, Tonya was a real surprise. A fascinating and funny look into the life of Tonya Harding. Robbie is terrific as is Janney.

Brian Tallerico: I, TONYA: Takes Coenesque dark comedy approach to a story you think you know and nails it. Robbie is phenomenal. Biggest surprise so far.

Adam Chitwood: ‘I, Tonya’: A hilarious and surprisingly emotional take on Tonya Harding. Margot Robbie’s incredible. GREAT script.

Alison Willmore: I, TONYA: Duelling narrators, class rage, Margot Robbie crushing a cig out with a skate — over-obvious soundtrack aside, a total bop

Steven Weintraub: Seriously I’m floored by I, Tonya. I’ve seen a lot of the TIFF 2017 films and this is one of the best.

Benjamin Lee: I, Tonya is a cartoonish mess at times but there’s a lot of fun to be had and a towering, monstrous performance from Allison Janney

Kevin Polowy: I, TONYA: way funnier than any Tonya Harding bio has the right to be, even if uneven. Margot Robbie is great, but Allison Janney is a force.

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TIFF:

Molly’s Game

First Reactions

David Ehrlich: MOLLY’S GAME is *phenomenal,* an Erin Brockovich-level crowd destroyer. Also it’s the first good poker movie ever. Wasn’t sure we’d get one.

Kristopher Tapley: Molly’s Game: I kind of loved it. Assured transition from Sorkin. Jessica Chastain is [THREE FIRE EMOJIS]

Scott Mantz: MOLLY’S GAME: Exhilarating directorial debut by Aaron Sorkin! Tour-de-force performance by Jessica Chastain! It’s a female Goodfellas!

Erik Davis: MOLLY’S GAME is SO good; powering at a frenetic pace w/ whip-smart dialogue & killer performances from Jessica Chastain & Idris Elba

Richard Lawson: Wow, MOLLY’S GAME is an absolute blast. Chastain and Elba are terrific and Sorkin avoids most of his worst impulses. Fun!!

Mike Ryan: Sorkin’s MOLLY’S GAME. Phenomenal. And it’s the Jessica Chastain movie I’ve been waiting for since ZDT.

Alison Willmore: MOLLY’S GAME: Such fun at first the reminder Sorkin only conceives of women in relation to men in their lives more crushing than usual

Benjamin Lee: Watching Molly’s Game is like being told a really long rambling story by an over caffeinated cocaine addict. Not a fan

Steven Zeitchik: Molly’s Game is maximum Sorkin, The Social Network but with poker and feminism. Also, God-level Chastain/Elba

Josh Horowitz: I can now talk about MOLLY’S GAME! One of my favorites of the year. Everyone in it is awesome Chastain, Elba, Costner, Cera and on

Anne Thompson: Kevin Costner & Jessica Chastain are explosive in Molly’s Game.

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Stronger

First Reactions

Benjamin Lee: A moving, humane drama with a standout peformance from Jake Gyllenhaal – Oscar worthy.

Eric Kohn: STRONGER is pretty straightforward, but has some of DGG’s most emotional filmmaking since SNOW ANGELS. Gyllenhaal sells it.

Kristopher Tapley: Jake Gyllenhaal is superb once again in “Stronger.” Tatiana Maslany does quite a lot with her own familiar role as well.

Kate Erbland: STRONGER: We really don’t talk enough about how damn good Jake Gyllenhaal is.

Tyrell Lisson: STRONGER: fantastic work from Jake Gyllenhaal. Emotional and warm-hearted.

Joe Utichi: Jake Gyllenhaal is on top form with Stronger, about Jeff Bauman. A rousing, emotional story. Tatiana Maslany brilliant.

Rodrigo Perez: a serviceable, but unremarkable drama. Features respectable performances by its two leads Jake Gyllenhaal and Tatiana Maslany.

Eric Grode: STRONGER: No false notes to speak of, without a particularly truthful second in it either. Nice to have Miranda Richardson back.

Rachael Glassman: Stronger: a decent film with a few interesting set pieces. Worth a cry.

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Fui conferir o twitter dela e ela mesmo respondeu a um seguidor: "Foram indicados a e ganharam Oscars". Ora, mas isso não é beeeeeem verdade, principalmente em se tratando de Best Picture. Os últimos americanos vencedores em Veneza,  falando de cabeça, foram "Somewhere" em 2010,  que não foi indicado a nada. E "Brokeback Moutain", em 2005, que ganhou 3 estatuetas, menos a mais importante...

O vencedor de 2016, das Filipinas, eu nem vi...Nem conheço ninguém que viu. Do Oscar, passou longe.

O vencedor de 2015 foi o lindo filme da Venezuela, "Desde Allá", mas no Oscar não entrou.

O vencedor de 2014 foi o ótimo filme sueco "Um pombo pousou num ganho refletindo sobre a existência", também não teve nem cheiro de Oscar.

Então, não é beeeemmm verdade.

Quem sabe "The Shape of Water" muda o panorama?

 

 

 

 

 

 

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Resenhas no máximo razoáveis para o novo filme de Dan Gilroy: "Roman J. Israel, Esq". Alguns chamando de primeiro "flop" do ano. Denzel se salvando, não sei se a ponto de assegurar outra indicação. A hipótese da terceira estatueta parece adiada.

 

"Novitiate", ao contrário, sendo chamado de um trabalho fascinante, e, aproveitando o gancho, um trabalho DIVINO da Melissa Leo. 

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"The Disaster Artist" foi elogiado, mesmo.

"Breathe" teve uma repercurssão horrorosa, o que elimina  Andrew Garfield da disputa. Aliás, não tem disputa. Best Actor a esta altura é uma categoria praticamente morta. Oldman em longa, longa dianteira, a espera da exibição dos filmes de Hanks e Lewis.

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Atenção, atenção:

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI wins Toronto’s People’s Choice Award.

Ou seja, no entendimento da maioria, além de garantir-se em Roteiro Original e Atriz, entra em Best Picture. Relembrando alguns dos últimos vencedores: "La La Land", "12 Years a Slave", "The King`s Speech"...

Runner-up: "I, Tonya".

Second Runner-up: "Call me By Your Name".

 

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