beagle

Não concordo. O filme é excelente, brilhante. Adorei.

Apoiado. Também odeio esses esnobes, que não são somente o povo cult. Um dia acho que ainda vou falar sobre essa gente.

Profecia cumprida. US$ 500 milhões já foram. Agora estão buscando os US$ 600 milhões e talvez 1 bilhão com a chegada dos DVDs. Mamma Mia! crosses $500 million worldwide http://www.rediff.com//movies/2008/oct/06mamma.htm Arthur J Pais The biggest hit of the year so far The Dark Knight is slowly approaching the $1 billion milestone worldwide but it is the continuing success of Mamma Mia! that is astounding Hollywood. For the film, which cost just about $60 million (one third the budget of The Dark Knight) crossed $500 million mark worldwide this weekend, and with several territories including Japan to open in the next few months, the musical could end its run with $600 million worldwide. And that would make the feel good musical one of the most profitable films of the decade, with plenty of money to flow from ancillary sales including DVD. Universal, which distributed the film worldwide, could easily see more than a $1 billion gross from the theatrical and ancillary sales. The great success the film is enjoying has given a boost to the theatrical production of the show of the same name on Broadway in New York and several other venues including Berlin and Stockholm across the world. "We have seen the film and now we want to watch it live," is the comment you hear from the audiences in New York who pay about $85 to see the show live, eight times the money they would see spend seeing it on the screen. The film which uses some of the best songs of ABBA, the Swedish pop sensation of the 1970s and 1980s has by now grossed more than two times the solid take of the Oscar-winning musical Chicago. The songs include SOS, Money, Money, Money and Dancing Queen. A sing-along edition with the subtitles of all the songs in the film was released in North America and reportedly brought an extra $10 million at the box-office. Sing along editions are being readied for many countries. Mamma Mia! has not only become the highest grossing film in Meryl Streep's three decade long career but also for the former James Bond, Pierce Brosnan. Though critics found his singing very awkward, the audiences love him playing one of the three men who could be the father of the soon would be bride. What has surprised Hollywood is that unlike most American musicals which do less business abroad than at home, Mamma Mia! gross abroad, especially in the United Kingdom, has dwarfed its performance in America. According to the trade publication, Variety, the movie starring Meryl Streep as an American mother living in a small Greek island and hiding a secret from her soon to be married daughter, is generating unprecedented repeat audiences in the United Kingdom. While the movies is ending its North American run with a strong $145 million could reach that level in the United Kingdom. Variety reported that the holdover biz continued to be exceptions there rising over the weekend 25 percent to $1.4 million in its 13th week for a cume of $123.3 million. The film has done strong business in countries such as France and Italy that are not enthusiastic for American musicals. The film is inspired by the Broadway and West End hit of the same name which was also directed by Phyllida Lloyd responsible for the Broadway and West End shows. Over the last decade the theatre version has become a major musical phenomenon: from smash hit in London to global sensation, the stage production of Mamma Mia! has already been seen by more than 30 million people in over 170 cities in eight languages around the world. It has generated over $3 billion in ticket sales alone in theatres in cities including New York, Denver, San Francisco, Toronto, London, Paris, Berlin, Athens and Moscow. The show has been seen by more than 750,000 people in Korea alone in the past three years where it has played in three cities including Seoul. The show makes Korean musical theatre history as having played the highest number of performances to the most number of people. In addition to the box-office gross at the theatres, the show has also generated nearly $500 million in sales of CDs, shirts and other souvenirs connected to the musical. In North America, where the stage musical has played in more than 120 cities, it is the Broadway production which is the flag-carrier. Even in the fall months, when the box-office dips, Mamma Mia! is proving to be an exception grossing nearly $1 million a week in a theatre with nearly 1500 seats; on an average, 90 percent of the seats have been sold in September. Now that the movie musical is getting ready to end its theatrical run in North America, it would be take a few weeks for the DVD and the Blue-Ray version to hit the market. DVD stores are expecting a record breaking performance in DVD sales and rentals that could exceed the theatrical gross of $145 million by a significant margin.

Profecia cumprida! Mamma mia ultrapassa os US$ 500 milhões. Já começam a pensar em US$ 600 milhões e talvez 1 bilhão com a venda de DVDs. Veja abaixo. Mamma Mia! crosses $500 million worldwide Arthur J Pais < = =text/> A still from Mamma Mia! < ="/uim/include/movies_top.htm" =text/> < ="http://www.rediff.com/uim/include/flash.htm" =text/> Top Emailed Features • Special: The Best Films of the 60s • Ameesha turns on the heat! • Spotted! Priety Zinta's school photograph Have you tried this? • Ask a question • News on your Desktop Advertisements • DVD/VCD - take a pick • Building Construction - click • Advertise ur service here Get Movies updates: What's this? < id=banner2 name=banner2>> Advertisement Dress Your Baby With Love. All the must have goodiesfor the high maintenance baby. www.babyvogueindia.co.in Call centre Calling! Find Call centre Jobs on P4C Classifieds! Find me a Job! 5Rediff P4C Classifieds October 06, 2008 15:27 IST Last Updated: October 06, 2008 16:47 IST The biggest hit of the year so far The Dark Knight [Images] is slowly approaching the $1 billion milestone worldwide but it is the continuing success of Mamma Mia! that is astounding Hollywood. For the film, which cost just about $60 million (one third the budget of The Dark Knight) crossed $500 million mark worldwide this weekend, and with several territories including Japan [Images] to open in the next few months, the musical could end its run with $600 million worldwide. Also Read: Sing along with Mamma Mia! And that would make the feel good musical one of the most profitable films of the decade, with plenty of money to flow from ancillary sales including DVD. Universal, which distributed the film worldwide, could easily see more than a $1 billion gross from the theatrical and ancillary sales. The great success the film is enjoying has given a boost to the theatrical production of the show of the same name on Broadway in New York and several other venues including Berlin and Stockholm across the world. "We have seen the film and now we want to watch it live," is the comment you hear from the audiences in New York who pay about $85 to see the show live, eight times the money they would see spend seeing it on the screen. The film which uses some of the best songs of ABBA, the Swedish pop sensation of the 1970s and 1980s has by now grossed more than two times the solid take of the Oscar-winning musical Chicago. The songs include SOS, Money, Money, Money and Dancing Queen. A sing-along edition with the subtitles of all the songs in the film was released in North America and reportedly brought an extra $10 million at the box-office. Sing along editions are being readied for many countries. Also Read: Mamma Mia! here we go again! Mamma Mia [Images]! has not only become the highest grossing film in Meryl Streep's [Images] three decade long career but also for the former James Bond [Images], Pierce Brosnan [Images]. Though critics found his singing very awkward, the audiences love him playing one of the three men who could be the father of the soon would be bride. What has surprised Hollywood is that unlike most American musicals which do less business abroad than at home, Mamma Mia! gross abroad, especially in the United Kingdom, has dwarfed its performance in America. According to the trade publication, Variety, the movie starring Meryl Streep as an American mother living in a small Greek island and hiding a secret from her soon to be married daughter, is generating unprecedented repeat audiences in the United Kingdom. While the movies is ending its North American run with a strong $145 million could reach that level in the United Kingdom. Variety reported that the holdover biz continued to be exceptions there rising over the weekend 25 percent to $1.4 million in its 13th week for a cume of $123.3 million. The film has done strong business in countries such as France [Images] and Italy [Images] that are not enthusiastic for American musicals. The film is inspired by the Broadway and West End hit of the same name which was also directed by Phyllida Lloyd responsible for the Broadway and West End shows. Also Read: Why Meryl Streep took up Mamma Mia! Over the last decade the theatre version has become a major musical phenomenon: from smash hit in London [Images] to global sensation, the stage production of Mamma Mia! has already been seen by more than 30 million people in over 170 cities in eight languages around the world. It has generated over $3 billion in ticket sales alone in theatres in cities including New York, Denver, San Francisco, Toronto, London, Paris, Berlin, Athens and Moscow [Images]. The show has been seen by more than 750,000 people in Korea alone in the past three years where it has played in three cities including Seoul. The show makes Korean musical theatre history as having played the highest number of performances to the most number of people. In addition to the box-office gross at the theatres, the show has also generated nearly $500 million in sales of CDs, shirts and other souvenirs connected to the musical. In North America, where the stage musical has played in more than 120 cities, it is the Broadway production which is the flag-carrier. Even in the fall months, when the box-office dips, Mamma Mia! is proving to be an exception grossing nearly $1 million a week in a theatre with nearly 1500 seats; on an average, 90 percent of the seats have been sold in September. Now that the movie musical is getting ready to end its theatrical run in North America, it would be take a few weeks for the DVD and the Blue-Ray version to hit the market. DVD stores are expecting a record breaking performance in DVD sales and rentals that could exceed the theatrical gross of $145 million by a significant margin.

Eu pensei em tentar fazer uma enquete com os momentos musicais preferidos do filme. Os meus foram: 1 - Voulez Vouz - é um dos momentos mais animados do filme. Gostei também do modo como a música foi cantada. 2 - Slipping through my fingers - é a música de um dos momentos mais bonitos do filme. Além disso, é a música que sintetiza a relação entre mãe e filha. 3 - Our last summer - gostei da interpretação da música e pelo fato de haver várias vozes se revezando na interpretação da música.

Uma vez que o poema Substituiu a prosa Eis agora A minha crítica oposta. <?:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /> Liberecas, liberecas Quando argumentam Não há nada que resta. Julgam, menosprezam Sempre desprezam E já argumentam: Não gosto, não presta. Se Beatles é o melhor E ABBA é o pior Por que a comparação? Jogar a melhor carta do baralho Com risco de desmoralização? Mamma-mia, trabalho original Across the universe, cópia bem mal Bem mal feita, bem mal redigida Se em Mamma-mia, a filha quer o pai Em Across, o filho é que vai. Vai às origens, mas não ao equilíbrio Em milhões, Across custou 45 Arrecadou só 28 Hum, que prejuízo! O pior vem depois Mamma custou 52 E já arrecadou 450 Hum, não tentei rimar 450 Ih, já devem ser 460 Ou 470 – vê, tudo rima! Sou um poeta E também um profeta. Mamma-mia Que maravilha! Rumo às quinhentas Quinhentas milhões de doletas E à Meryl uma estatueta. Cheers!

Se os clipes são toscos (corrijo, tosquíssimos), por que tem o DVD? Admita, você adora os clipes e não os acha nada tosco. SORRIAM, O ABBA É ALEGRIA (até 1980, pelo menos) Eu sou fã do ABBA (todos eles), principalmente da princesa aí da direita. Questão política interna do ABBA: também adoro a dama aí da direita, o maior símbolo sexual da histórida da música. Mas eu acho a da direita mais bonita. Melhor parar por aqui senão eu não termino. É muito delicada a questão Agnetha e Anni-Frid. errata: Questão política interna do ABBA: também adoro a dama aí da esquerda, o maior símbolo sexual da histórida da música. Mas eu acho a da direita mais bonita. Melhor parar por aqui senão eu não termino. É muito delicada a questão Agnetha e Anni-Frid.

Se os clipes são toscos (corrijo, tosquíssimos), por que tem o DVD? Admita, você adora os clipes e não os acha nada tosco. SORRIAM, O ABBA É ALEGRIA (até 1980, pelo menos) Eu sou fã do ABBA (todos eles), principalmente da princesa aí da direita. Questão política interna do ABBA: também adoro a dama aí da direita, o maior símbolo sexual da histórida da música. Mas eu acho a da direita mais bonita. Melhor parar por aqui senão eu não termino. É muito delicada a questão Agnetha e Anni-Frid.

O filme é ótimo. Muito bom. Vou assistir de novo. Se arte for manifestação de um estado de espírito/sentimento, Mamma Mia é artístico por manifestar a alegria. Podia-se ouvir claramente os pezinhos batendo no chão durante a sessão. É o famoso efeito Prozac do ABBA

Acabei de chegar do cinema e tenho um comentário: Muito bom! Assistam. É muito engraçado e divertido. A cena final é hilária quando todos cantam juntos. Uma excelente pedida é assistir o filme no domingo à noite para levantar o astral para encarar a segunda-feira.

Eu vi essa crítica da revista época e posso dizer uma coisa: medíocre é a crítica. Ainda não vi o filme e nem sei se vou gostar, mas essa crítica é uma repetição das mesmas baboseiras que dizem sobre o Abba. A velha corrente de esnobismo que critica a todos - só eles estão certos - e depois reclama que os outros não seguem as suas opiniões "iluminadas"; quando não raro seguem a oposta só para fazer raiva. Por isso, go John Maccain! Por exemplo, chama o Benny Anderson e o Björn Ulvaeus de a dupla Lennon e Mcartney da banalidade. Olha, eu não sei o que é banal mas se está se referindo a romance/amor, eu digo que não tem nada mais importante que isso e todas as bandas cantaram sobre romance/amor. Já que o crítico iluminado da Época se referiu a Lennon e Macartney, eu tenho algumas observações a fazer. "Nós todos vivemos em um submarino amarelo, submarino amarelo, submarino amarelo" (Beatles) Dah! Muito profundo! "Eu quero segurar a sua mão, eu quero segurar a sua mão" (Beatles) Ah, são os beatles, é o máximo MAS SE A LETRA FOR "Se você estiver só quando os pássaros bonitos se forem, eu ainda estou livre, dê uma chance a mim" (Abba) OU "Eu já passei por todos os grandes romances, você estava, eu sinto, roubando as minhas oportunidades, tudo parecia tão fácil" ah, aí não! Aí é brega, banal, etc Tenho CD dos beatles mas não gosto desse tipo de esnobismo, ainda mais quando fala sem conhecimento de causa. Na reportagem o ser iluminado diz que se deve deixar o cérebro em casa. Bem, agora eu sei onde fica o bom senso. Fica no mesmo cérebro que ele deixou em casa e não pôs de volta na cabeça quando escreveu a crítica.