Members Administrator Posted December 22, 2007 Members Report Share Posted December 22, 2007 Que demais seria ouvir o nome dela na hora do envelope!! Ela feliz da vida' date=' todo mundo aplaudindo ela, ela beija o carinha do Superbad, sobe ao palco super fofa e faz o discurso. [/quote'] Falando assim, realmente deu vontade de ver ela fazendo um discurso. Mais vontade do que ver a Abigail Breslin, toda guti-guti naquele vestidinho. Não sei quem disse ano passado, mas a Breslin foi muito bem vestida de menina e que se a Dakota Fanning fosse, iria de mini-mulher. Só não gostaria de ver uma babaquice como a Gwyneth Paltrow fez, babando ovo pra cima de todo o mundo e chorando sem parar. E olha que eu até gosto dela. Quote Link to comment Share on other sites More sharing options...
Members Ronny Posted December 22, 2007 Members Report Share Posted December 22, 2007 Utah Film Critics Association Best Film: No Country for Old Men by Joel and Ethan CoenRunner-up: Juno by Jason ReitmanOther runners-up (in alphabetical order): The Assassination of Jesse James by the Coward Robert Ford, I’m Not There, Into the Wild, Juno, Knocked Up, Michael Clayton, No Country for Old Men, Once, There Will Be Blood, 3: 10 to YumaBest Non-English Language Feature: The Host by Bong Joon-ho Runner-up: The Diving Bell and the Butterfly by Julian SchnabelBest Documentary Feature: The King of Kong: A Fistful of Quarters by Seth GordonRunner-up: My Kid Could Paint That by Amir Bar-LevBest Director: Joel and Ethan Coen, No Country for Old MenRunner-up: Paul Thomas Anderson, There Will Be BloodBest Actor: Daniel Day-Lewis, There Will Be BloodRunner-up: Casey Affleck, The Assassination of Jesse James by the Coward Robert FordBest Actress: Ellen Page, JunoRunner-up: Amy Adams, EnchantedBest Supporting Actor: Javier Bardem, No Country for Old MenRunner-up: Hal Holbrook, Into the WildBest Supporting Actress: Amy Ryan, Gone Baby GoneRunner-up: Cate Blanchett, I’m Not There Best Screenplay: Joel and Ethan Coen, No Country for Old MenRunner-up: Diablo Cody, JunoBest Animated Feature: Ratatouille by Brad BirdRunner-up: The Simpsons Movie by David Silverman ... Mais do mesmo, porém... Ellen Page empata com Julie Christie e se torna a favorita ao Oscar. (por esse e por outros motivos!!!)Ronny2007-12-22 22:36:02 Quote Link to comment Share on other sites More sharing options...
Members Stradivarius Posted December 22, 2007 Members Report Share Posted December 22, 2007 Já pensaram se Christie, Day-Lewis, Blanchett e Hoffman vencessem no Oscar? Todos já venceraam antes...não sei porque mais não gostaria muito se isso acontecesse, mesmo se fosse justo. Quote Link to comment Share on other sites More sharing options...
Beckin Posted December 22, 2007 Report Share Posted December 22, 2007 Verdade E também pode ocorrer a alternativa em que page (ou christie), Daniel Day-lewis, Bardem e Amy Ryan levem em suas respectivas categorias, fazendo com que seja a primeira vez em muito tempo em que nenhum dos vencedores faça parte do genêro das performances biográficas... --- Vi que o Ronny tava comentando há algumas páginas anteriores sobre a trilha sonora de Jesse James, concordo. Que coisa absolutamente foda , fiquei com vontade de comprar.Beckin2007-12-22 23:08:04 Quote Link to comment Share on other sites More sharing options...
Members Stradivarius Posted December 22, 2007 Members Report Share Posted December 22, 2007 A personagem do Day-Lewis é fictícia, no livro "Oil!"? Quote Link to comment Share on other sites More sharing options...
Members Ronny Posted December 22, 2007 Members Report Share Posted December 22, 2007 Pois é, Beckin. A trilha é de fato sensacional. E a de There Will be Blood, já ouviste? E não Vicking, o personagem Daniel Plainview, de "Oil!" não é real. Quote Link to comment Share on other sites More sharing options...
Beckin Posted December 22, 2007 Report Share Posted December 22, 2007 Eu acho que o personagem é fictício, Vicking. Mas qualquer coisa troca o day lewis pelo Depp ---- Não ouvi essa não ainda, mas já ouvi só comentários positivos também. Vou vasculhar meus meios alternativos amanha procurando -------- Falando no depp, Sweeney todd estreiou muito bem nos EUA, e Juno anda fazendo uma campanha bem boa em circuito limitado, ainda. ------ E falando nos meios alternativos... saíram dvds de Atonement, Gone baby, gone, I Am legend, The Bucket list e Before the devil knows you're dead... pro pessoal que não quer esperar. E isso é só o começo... Edit ; Ronny, dei uma apagada na tua mensagem, por via das dúvidas só Beckin2007-12-22 23:32:09 Quote Link to comment Share on other sites More sharing options...
Members bill Posted December 22, 2007 Members Report Share Posted December 22, 2007 Jonny Greenwood is my hero. Trilha fantástica, já tinha até falado aqui que me lembra o trabalho do Giacchino em Lost. Outra que eu recomendo é a de Dan in Real Life, que tem três músicas concorrendo pra melhor canção. Muito boa. Quote Link to comment Share on other sites More sharing options...
Members Ronny Posted December 23, 2007 Members Report Share Posted December 23, 2007 'Blood' bond Paul Thomas Anderson and Daniel Day-Lewis are unafraid to break new ground with "There Will Be Blood." By Michael Ordoña, Special to The TimesDecember 19, 2007 PAUL THOMAS ANDERSON is one of a handful of auteurs who is actively evolving the cinematic language. Known for his nerve-jangling urban stories (set usually in the San Fernando Valley), his new film, "There Will Be Blood," is inspired by "Oil!," an Upton Sinclair novel about the burgeoning petroleum industry in turn-of-the-century California. To star in his first period piece, a dark, propulsive character study, Anderson landed Daniel Day-Lewis.In a suite at the Four Seasons hotel in Beverly Hills to talk about the movie, which opens in Los Angeles on Dec. 26, the two notoriously media-shy artists are disarmingly loose and engaging. Day-Lewis, with shaggy, graying hair, golden hoops in his ears and tattoos covering his right arm, liberally interjects mischievous remarks into the conversation. Anderson is unshaven and rumpled, and radiates the youthful energy of someone who is still very much in love with film.So how did you two get together to make this movie?Anderson: I knew through the grapevine that Daniel had liked "Punch-Drunk Love" a lot, so I felt confident enough to ask him to read the script I was writing. It worked out really nicely just because our lives were at a good spot. He was ready to work and I was in New York at the same time he was in New York. So, long afternoon walks and really good breakfasts.Day-Lewis: We really tucked away some ham and eggs.Anderson: You get to learn a lot about somebody you might want to work with from what they order for breakfast.Day-Lewis: Yeah, yeah. What's that appetite like? [cocking an eyebrow] And do they resist the appetite? Are they really very hungry but they order the fruit plate?So did you craft the character of Plainview with Daniel in mind?Anderson: Well, yeah, certainly hoping that it would be a possibility. It didn't start that way. The character in the book had its own personality and then I sort of added to that along the way. At whatever point, I thought, if there would ever be a great time to ask Daniel to do something, this would probably be it. Whether or not he was going to do it, that kind of gave me the confidence to write something that only he's capable of doing. Which was great, because you think, there's only one person who can really do this, one person mad enough to say this stuff. [Laughter]Is it true you started the idea for the script before you came across "Oil!"? Anderson: I'm always writing and have things lying around, like wolf dust. You know the old phrase, when you don't have anything in the kitchen but you've got lots of little bits and pieces and leftovers, things in the can, and you get a meal together out of that. It's "wolf dust," so when the wolf comes knocking, you'll have at least enough to keep him away from the door. I felt like I had nothing solid to offer up but enough things that I'd written down that maybe matched up with what I saw in "Oil!" and could pair up with it.I wonder why a project with you two attached would have trouble getting financed, as this did, apart from the lack of car crashes and women being tortured. Day-Lewis: Probably someone somewhere said, "If ever we let those two . . . get together, there's going to be trouble."Anderson: Yeah, that's probably what they said.Day-Lewis: It's a bit like crunching numbers to work out whether an actor or a director is going to be a payoff. They do the same thing with all the ingredients, apparently, of any given project. And this is a period film, which apparently nobody wants to go see; there are no girls in it . . . Anderson: Length . . . [The film clocks in at 2 hours, 37 minutes.] Day-Lewis: And it's a film without a perceivable happy ending. Although I think it's quite happy.Anderson: Do you remember when we were sitting at dinner and we were kind of moping about and there was a long pause and I said, "What's the movie you were in that made the most money?" And you said, "Don't . . . blame it on me!"Back to the adaptation, if you can call it that, because your version bears so little resemblance to the book. Pretty much everything is different but the setting. The familial relationships, the plot, even the names are different. So what about that text was inspiring to you?Anderson: So many things. I mean, you can say, 'Why did you fall in love with your wife?' 'Well, she's beautiful, she's got a great sense of humor,' but I don't feel like I've said anything. I had enough books and a passing interest in that time and the oil fields of California. But this was a book that had a substantial story. Whether or not we could tell all of that story, it was enough to really get started and to piggyback on the language that was started in the book. It's a great feeling to take a scene from the book, we're talking about the real estate office, which is quite a long scene and detailed in terms of the operation of how Plainview is going to gobble up a bunch of land. We very slowly shrunk it down and shrunk it down and shrunk it down to what we needed. It was very simple. "I have just bought the Sunday ranch. Where's the map?" But it's a great feeling to know what the bigger version of that scene is for Daniel and for me; you're armed with as much information as you can.The way you pared that scene down makes Plainview seem like the model of efficiency: "Here are the pretenses under which I'm going to buy land, and here's what I really want."Day-Lewis: It kills two birds with one stone. It gives you Plainview's efficiency, it gives you an incredible sense of his momentum; but it also gives the film momentum at a time when it needs to be really going forward. You need to feel that once Plainview goes into action, everything is in his slipstream, everyone is just struggling to catch up with the man. He sees where the scam is, where dirty deeds have to be done and just gets on with it.When I think of the Sinclair book, I think of a socialist diatribe about the relationship between labor and management. But that's not present in your film. You grab the Eli story and go in a totally different direction. Was that because the Eli story was more dramatic for you, or were you not interested in that (rather timely) labor-management dynamic?Anderson: I was interested in it but certainly not as interested as I was in the juicier stuff. And while it might be interesting to read, it seemed impossible to film. I didn't know how to film that kind of struggle without it being overly talky.Were you consciously trying to get away from things you'd done before? It feels so different from your other films. Different collaborators, a period piece . . . Anderson: Definitely. But I remember feeling that way when I made "Punch-Drunk Love." "Whatever I did last time, I don't want to do that again." Desperate to not feel comfortable or to not repeat yourself. Probably secretly only happy if completely terrified. . . . But the thrill of working with new people too, I mean, to work with Daniel and Jack Fisk, a production designer I hadn't worked with before, it's great. You start out being so polite with your new collaborators, don't you?Day-Lewis: Mmm, yeah, yeah.Anderson: And then it's great when you get to that point where you're not polite anymore. You're all savages. Quote Link to comment Share on other sites More sharing options...
Members throdo Posted December 23, 2007 Members Report Share Posted December 23, 2007 Utah Film Critics Association Best Non-English Language Feature: The Host by Bong Joon-ho Best Supporting Actor: Runner-up: Hal Holbrook, Into the Wild[/quote'] Para o primeiro: Até que enfim alguém se lembrou desse maravilhoso filme! Para o segundo: é a primeira vez que ele aparece? Mas, enfim, finalmente ele ganha mais espaço... Quote Link to comment Share on other sites More sharing options...
Members Investigador L Posted December 23, 2007 Members Report Share Posted December 23, 2007 Pois é' date=' Beckin. A trilha é de fato sensacional. E a de There Will be Blood, já ouviste? E não Vicking, o personagem Daniel Plainview, de "Oil!" não é real.[/quote'] Como faz pra ouvir? Tu baixou aonde, droog? Quote Link to comment Share on other sites More sharing options...
Members Administrator Posted December 23, 2007 Members Report Share Posted December 23, 2007 A de Jesse James é incomparável. Só de ver no trailer já se ouve o belíssimo trabalho. Quote Link to comment Share on other sites More sharing options...
Members Tiago Ribeiro Posted December 23, 2007 Members Report Share Posted December 23, 2007 Por falar em Jesse James, excelente filme. Me surpreendi com a atuaçao do Brad Pitt, nao esperava aquela incrivel performance. Casey Affleck sensacional, e um otimo elenco codjuvante com destaque para Sam Rockwell. Belos dialogos, sem contar as ja comentadas trilha e fotografia. Quote Link to comment Share on other sites More sharing options...
Members Blood Drink Posted December 23, 2007 Members Report Share Posted December 23, 2007 Beckhin valeu pela postagem dos filmes que já saíram em dvd! Não vou guentar esperar ATONEMENT e mesmo quando estreiar não sei se vou poder ira ao cinema. Os outros acho que verei no cinema mesmo, afinal não são românticos como ATONEMENT, daí dá pra ver com amigos e tal. Quote Link to comment Share on other sites More sharing options...
Members andrewashere Posted December 23, 2007 Members Report Share Posted December 23, 2007 Talvez aproveite e veja The Bucket List Thanks Beckin - - - Imaginem só se o Tim Burton/PTA ganha-se como director, Depp como actor, Ellen como actriz, Casey como coad., e Amy Adams como coad. Seria ... diferente! Quote Link to comment Share on other sites More sharing options...
Members Administrator Posted December 23, 2007 Members Report Share Posted December 23, 2007 editado.Bernardo2007-12-23 17:18:14 Quote Link to comment Share on other sites More sharing options...
Members SaveFerris Posted December 23, 2007 Members Report Share Posted December 23, 2007 A IndieWire chamou 106 críticos para elegerem seus filmes favoritos de 2007, o resultado foi esse: 1. There Will Be Blood 2. Zodiac 3. No Country for Old Men 4. Syndromes and a Century 5. 4 Months, 3 Weeks and 2 Days 6. I'm Not There 7. The Assassination of Jesse James by the Coward Robert Ford 8.Colossal Youth 9. Killer of Sheep 10. Offside 11. Black Book 12. Once 13. The Diving Bell and the Butterfly 14. Eastern Promises 15. I Don't Want to Sleep Alone 16. Regular Lovers 17. The Host 18. Southland Tales 19. Into the Wild 20. Ratatouille Quote Link to comment Share on other sites More sharing options...
Members Investigador L Posted December 23, 2007 Members Report Share Posted December 23, 2007 5. 4 Months, 3 Weeks and 2 Days ROOOOOOOOOOOX. Ir prum Oscar ia ser legal demais. Quote Link to comment Share on other sites More sharing options...
Members Administrator Posted December 23, 2007 Members Report Share Posted December 23, 2007 Será que esse filme romeno consegue uma indicação em Melhor Roteiro, quero dizer, é elegível para outras categorias além de Filme Estrangeiro? Se for, sinto a possibilidade de uma surpresa no ar. By the way, alguém ainda crê na possibilidade de vitória de Sweeney Todd como Melhor Filme? Quote Link to comment Share on other sites More sharing options...
Members Sync Posted December 23, 2007 Members Report Share Posted December 23, 2007 Eu ainda acredito. Esse ano temos o No Country como mais forte nome, mas ele pode ser desbamcado facilmente. Acho que o filme de Burton, como de Wright tem chances de vencer do filme dos Coen. Quote Link to comment Share on other sites More sharing options...
Members Blood Drink Posted December 23, 2007 Members Report Share Posted December 23, 2007 Será que esse filme romeno consegue uma indicação em Melhor Roteiro, quero dizer, é elegível para outras categorias além de Filme Estrangeiro? Se for, sinto a possibilidade de uma surpresa no ar.By the way, alguém ainda crê na possibilidade de vitória de Sweeney Todd como Melhor Filme?[/quote'] Acho beeeem improvável, afinal o filme já está capengando até mesmo para conseguir a indicação. Quem dirá vencer. Quote Link to comment Share on other sites More sharing options...
Members Blood Drink Posted December 23, 2007 Members Report Share Posted December 23, 2007 É verdade, 4 Months, 3 Weeks and 2 Days pode surpreender. Em algumas premiações por aí o filme romeno venceu o francês The Diving Bell and the Butterfly, como por exemplo as de Chicago e Toronto. Acho bom abrir o olho também para The Assassination of Jesse James...Blood Drink2007-12-23 21:50:28 Quote Link to comment Share on other sites More sharing options...
Members Administrator Posted December 23, 2007 Members Report Share Posted December 23, 2007 Jesse James era o único que eu apostava desde o começo do ano para a categoria principal. Viram como eu fui tremendamente bem-sucedido nessa aposta? Agora já desisti dele, aposto apenas no Affleck e em algumas categorias técnicas. E só aposto nesse longa romeno indicação a filme estrangeiro. Agora é torcer para que O Ano em que Meus Pais Sairam de Férias não tome lugar de filmes ditos por muitos como merecedores, como ele, Persépolis e O Banheiro do Papa. Quote Link to comment Share on other sites More sharing options...
Members Investigador L Posted December 23, 2007 Members Report Share Posted December 23, 2007 O Ano não tem nem chance, coitado. Também não acredito que Tropa de Elite teria (talvez Sueli), mas pelo menos teria sido mais honesto. Nem creio em Todd. Quote Link to comment Share on other sites More sharing options...
Members Administrator Posted December 23, 2007 Members Report Share Posted December 23, 2007 Tomara mesmo. É ruim demais. E Tropa de Elite teria até menos, já que trata apenas de um tema do Brasil, diferente do filme do Hamburger (apesar de ser MUITO melhor). Quote Link to comment Share on other sites More sharing options...
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