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Beckin
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Eu sei que o cachê da Reese é altíssimo' date=' mas o Vaughn tá com essa bola toda?[/quote']

Eu sei que ele ganhou 20 milhões pra fazer aquele Titio Noel ano passado, mas como esse meio que flopou não sei se ele conseguiu manter um cachê tão alto pro novo filme.

 

---

 

Madagascar batendo a estréia de Batman?1309 E com larga vantagem ainda...

 

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Eu sei que o cachê da Reese é altíssimo' date=' mas o Vaughn tá com essa bola toda?[/quote']
Eu sei que ele ganhou 20 milhões pra fazer aquele Titio Noel ano passado, mas como esse meio que flopou não sei se ele conseguiu manter um cachê tão alto pro novo filme.

Really?! Que desperdício, dava pra contratar até o Tom Hanks. 06

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Filme de Keanu Reeves arrasa nas bilheterias norte-americanas

Refilmagem de ficção científica arrecada US$ 31 milhões na estréia.
'Surpresas do amor', com Reese Witherspoon, está em segundo.O filme de ficção científica "The day the Earth stood still" conquistou a liderança das bilheterias norte-americanas em seu fim de semana de estréia, de acordo com números preliminares divulgados pela Exhibitor Relations, no domingo (14).

O remake do filme "cult" de 1951 ("O dia em que a Terra parou") é protagonizado por Keanu Reeves, que interpreta um alienígena na Terra. Neste fim de semana, o filme arrecadou US$ 31 milhões.

Em segundo lugar, ficou a comédia "Surpresas do amor", estrelada por Reese Witherspoon e Vince Vaughn, com US$ 13,3 milhões, chegando a US$ 88 milhões desde seu lançamento, há três semanas.

Já o filme de vampiros para adolescentes "Crepúsculo" ficou na terceira posição, com US$ 8 milhões, acumulando US$ 150 milhões desde a estréia, há quatro semanas.

O quarto lugar foi para o filme animado da Disney "Bolt - Supercão", em cartaz há um mês, com US$ 7,5 milhões no fim de semana e US$ 89 milhões acumulados. "Austrália", o épico romântico com Nicole Kidman e Hugh Jackman, aparece em quinto, com US$ 4,2 milhões.

O thriller de James Bond "Quantum of solace" vem em sexto, com US$ 3,8 milhões e US$ 157,6 milhões desde a estréia, há cinco semanas.

Em seu primeiro fim de semana, a comédia "Nothing like the holidays" aparece em sétimo, com US$ 3,5 milhões, seguida da animação "Madagascar 2 - A grande escapada", com US$ 3,2 milhões. Completam a lista dos mais vistos do fim de semana: "Milk" (US$ 2,6 milhões) e "Carga explosiva 3" (US$ 2,25 milhões).

Foto 
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'Delgo' é longa com pior estréia da história nos EUA

Animação digital tem o pior faturamento entre grandes lançamentos .
Estreando em 2.160 salas, o filme faturou US$ 511.920.

“Delgo”, longa-metragem de animação digital que conta com a dublagem de atores famosos de Hollyowood (como Val Kilmer, Jennifer Love Hewitt e Freddie Prinze Jr.), conseguiu bater um recorde negativo na sua estréia nos EUA: foi o filme com pior desempenho em estréias feitas em mais de 2.000 salas.

O recorde foi registrado pelo site Box Office Mojo, e diz respeito apenas a filmes lançados depois de 1982. Lançado em 2.160 salas, o filme faturou US$ 511.920 (uma média de US$ 237 por sala). O segundo lugar, “P2 – Sem saída”, de 2007, faturou US$ 2 milhões estreando em 2.131 salas – ou seja, uma média de U$ 977 por sala, quatro vezes a atingida por “Delgo”.

“Delgo” conta a história do romance proibido entre Delgo (Freddie Prinze Jr.), membro da raça bípede Lokni, e a princesa Kyla (Jennifer Love Hewitt), da raça alada Nohrin, que invadiu o planeta de Jahmora.

Detalhe%20do%20cartaz%20da%20animação%20digital %20%20%20%20%20%20%20%20%20%20%20%20%20%20%20%20Delgo.%20%28Foto:%20Divulgação%29 
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Os números desse final de semana...

 

Box Office Brasil - Público

12 de Dezembro de 2008 a 14 de Dezembro de 2008

Filme

Número de Cópias

Público na Semana

Semanas em Cartaz

Market Share

Público Total

Arrecadação (em R$)

Arrecadação Total (em R$)

1. (-)

Madagascar 2 - A Grande Escapada

578

858.303

estréia

70,34%

1.082.608

7.501.787

9.441.431

2. (1)

Queime Depois de Ler

103

53.062

3

4,35%

335.920

589.886

3.293.236

Orçamento: US$37.000.000 (estimado)

3. (-)

Carga Explosiva 3

100

57.727

estréia

4,73%

57.727

548.699

548.699

4. (2)

Rede de Mentiras

100

44.780

3

3,67%

298.968

470.850

2.854.289

Orçamento: US$70.000.000 (estimado)

5. (5)

Vicky Cristina Barcelona

80

23.791

5

1,95%

459.546

260.922

4.664.412

Orçamento: US$15.500.000 (estimado)

6. (3)

007 Quantum of Solace

200

23.777

6

1,95%

1.804.833

222.794

15.986.950

Orçamento: US$225.000.000 (estimado)

7. (6)

Entre Lençóis

112

21.339

2

1,75%

89.335

206.761

789.100

Orçamento: R$ 1.000.000 (estimado)

8. (4)

Colegiais em Apuros

132

22.488

2

1,84%

126.772

205.077

1.034.945

Orçamento: US$8.000.000 (estimado)

9. (-)

O Menino do Pijama Listrado

20

14.447

estréia

1,18%

14.845

165.397

168.278

10. (7)

High School Musical 3 - Ano de Formatura

203

18.711

8

1,53%

1.684.347

126.039

12.513.880

Orçamento: US$33.000.000 (estimado)

11. (9)

Max Payne

99

13.667

4

1,12%

265.535

112.580

2.179.584

Orçamento: US$35.000.000 (estimado)

12. (8)

Os Estranhos

76

11.998

4

0,98%

270.239

106.330

2.219.372

Orçamento: US$10.000.000 (estimado)

13. (10)

A Lista - Você Está Livre Hoje?

37

8.358

2

0,68%

41.729

88.270

407.960

Orçamento: US$25.000.000 (estimado)

14. (12)

A Mulher do Meu Amigo

47

8.888

4

0,73%

134.732

83.935

984.288

15. (11)

Romance

66

9.972

5

0,82%

273.048

80.180

1.837.826

16. (-)

Rebobine, Por Favor

10

6.655

estréia

0,55%

10.118

70.820

100.710

Orçamento: US$20.000.000 (estimado)

17. (15)

A Duquesa

32

6.404

4

0,52%

90.089

62.755

925.470

18. (14)

Eu, Meu Irmão e Nossa Namorada

38

6.818

7

0,56%

200.312

57.714

1.801.075

Orçamento: US$25.000.000 (estimado)

19. (16)

Jogos Mortais 5

73

4.850

7

0,40%

706.718

32.428

5.598.377

Orçamento: US$10.800.000 (estimado)

20. (17)

Última Parada 174

52

4.121

8

0,34%

510.238

27.078

3.638.459

Fonte: Filme B / e-Pipoca

 

 

 

 

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ABBA Sinks Titanic In U.K.

17 December 2008 1:49 AM, PST

 

MV5BMTIzMDI3NDI5MF5BMl5BanBnXkFtZTcwMzczOTEwMg@@._V1._SY90_.jpg

 

The 10-year-old box-office record held by Titanic in the U.K. has

been broken by the oddest of challengers, the ABBA musical Mamma

Mia!, starring Meryl Streep. As of Monday, the movie had earned $107.7

million, edging out the $107.5 million that Titanic walked away with.

Titanic's worldwide record remains safe, however. It took in $1.8

billion versus $571.7 million for Mamma Mia!

 

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Estréia de 'Madagascar 2' supera novo 'Batman' na bilheteria brasileira

Animação atraiu cerca de 843 mil espectadores no primeiro fim de semana.
Longa infantil lidera lista dos maiores lançamentos do cinema em 2008.

A animação 'Madagascar 2 - A grande escapada', que entrou em cartaz na última sexta-feira (12), teve a maior bilheteria de estréia de 2008.

O filme infantil atraiu cerca de 843 mil espectadores, superando o resultado da estréia de "Batman - O cavaleiro das trevas", que teve público de aproximadamente 775 mil em seu primeiro fim de semana nos cinemas brasileiros, em julho. Os dados são da empresa Nielsen Edi.

Ainda entre as estréias da sexta-feira, "Carga explosiva 3" garantiu o terceiro lugar no ranking, com público de 56 mil, e "O menino do pijama listrado" ficou em nono, com 14 mil.

A comédia "Queime depois de ler", dos irmãos Coen, manteve a segunda posição da lista dos mais vistos e "Rede de mentiras", com Leonardo DiCaprio, caiu para a quarta. Já a produção nacional "Entre lençóis", com Reynaldo Gianecchini e Paola de Oliveira caiu da sétima para a oitava posição.

Confira abaixo o ranking completo.

1. "Madagascar 2 - A grande escapada"

2. "Queime depois de ler"

3. "Carga explosiva 3"

4. "Rede de mentiras"

5. "Vicky Cristina Barcelona"

6. "007 - Quantum of Solace"

7. "Colegiais em apuros"

8. "Entre lençóis"

9. "O menino do pijama listrado"

10. "High school musical 3"

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boxofficeyesman-440x248.jpg

The weekend box office battle boils down to Jim Carrey vs. Will Smith. This is a match-up between the former “World’s Biggest Box Office Star” and the reigning champ, and I am giving a slight advantage to the challenger. Either Yes Man (Warner Bros) or Seven Pounds (Sony) could score the weekend-before-Christmas win, but I am predicting a victory for Carrey.

These are two of the most successful movie stars in history. Only Tom Hanks, Tom Cruise and Eddie Murphy have more $100M hits on their resume than Will Smith with 12, and Carrey is only one behind at 11 blockbusters to clear the magical threshold.

MOST $100M+ HITS IN A CAREER
-including animated films & excluding cameos -
1. Tom Hanks – 15
2. Tom Cruise - 14
3. Eddie Murphy - 13
4. Will Smith – 12
4. Harrison Ford – 12
6. Jim Carrey – 11
6. Robin Williams - 11
8. Mel Gibson – 10
9. Matt Damon - 9
10. Bruce Willis – 8
10. Jack Nicholson – 8

Will Smith, however, has done something unprecedented – a feat never done by the Toms - Hanks and Cruise. Hancock was his 8th consecutive $100M+ grossing blockbuster. Hanks and Cruise both had career-best streaks of 7 films topping $100M.

2002 – Men in Black II - $52.1M opening - $190.4M cume
2003 – Bad Boys II - $46.5M opening - $138.6M cume
2004 – I, Robot - $52.1M opening - $144.8M cume
2004 – Shark Tale - $47.6M opening - $160.8M cume
2005 – Hitch - $43.1M opening - $179.4M cume
2006 – The Pursuit of Happyness - $26.5M opening - $163.5M cume
2007 – I Am Legend - $77.2M opening - $256.4M cume
2008 – Hancock - $62.6M opening - $227.9M cume

For comparison, 5 of Carrey’s past 8 films have scored at least $100M domestic, including this year’s animated Dr. Suess’ Horton Hears a Who! ($154.5M cume), but he has veered away from the purely commercial with 2001’s poorly-reviewed drama The Majestic ($27.8M cume), the Academy Award winning Eternal Sunshine of the Spotless Mind ($24.4M cume) in 2004 and 2007’s misguided horror release The Number 23 ($35.1M cume).

Neither picture is getting help from critics with Yes Man at 35% Fresh on Rotten Tomatoes and Seven Pounds registering a meager 30% Fresh as of Thursday night. Given the generally poor notices, I say Yes Man wins for 3 reasons:

1. More playdates 3,434 to 2,758
2. Tone – People are more interested in a couple of laughs than they are in a “heavy” spiritual message, even if it is generally optimistic
3. Warner Bros can do no wrong in 2008
4. Will Smith backlash

Lou Lumenick from the New York Post points out on his blog that on November 4, Will was informed by his 16-year old son that the Presidential race was over. The first-ever election of an African American to be the Leader of the Free World hadn’t reached the rarified air of the World’s Biggest Movie Star. Lumenick says he can’t imagine Paul Newman, a great movie star and philanthropist, ever being that out-of-touch with what’s important in the life of everyday people.

And there’s the brutally scathing Todd McCarthy review in Variety who rips Seven Pounds for its pretentiousness and self-importance. He reports that Smith doesn’t shy away from, “the saintlike status conferred upon his character. Indeed, he embraces it in a way so convincing that it proves disturbing as an indication of how highly this or any momentarily anointed superstar may regard himself.”

Just because media types think Will is a little “full of himself,” does not mean that the rank-and-file moviegoer will agree. In Australia, there is something called “Tall Poppy Syndrome.” As my always-credible friends at Wikipedia say, “Someone is said to be a target of ‘Tall Poppy Syndrome’ when his or her assumption of a higher economic, social or political position is criticized as being presumptuous, attention seeking, or without merit.”

Then again, it may all be a case of sour grapes. When a star of Smith’s caliber takes a risk – and make no mistake, this is a risky, challenging film – he should be accorded some respect for his effort. Let’s face it. If Will Smith wanted to crank out generic action movies for the rest of his life, Hollywood would give him big bags of money.

I believe that, even though Seven Pounds may not win its opening weekend, its heart wrenching-yet-hopeful story will connect with enough moviegoers to make it Will’s 9th consecutive $100M-grossing movie, which would be the 13th of his career. My final prediction is for a $24.78M opening. Meanwhile, the cheerful, if-not-hilarious high-concept comedy of Yes Man could win the weekend with a possible $26.35M.

Meanwhile, the other new wide release is Universal’s animated Tale of Despereaux, receiving fair-to-middling reviews as of Thursday night (43% Fresh on Rotten Tomatoes). With Madagascar: Escape 2 Africa nearing the end of its run and Bolt tailing off, industry tracking points to an opening in the mid-teens for Despereaux. My final call is for about $15.19M, which could set it up for a decent little Christmas week run.

Fox’s holdover The Day the Earth Stood Still will crash-and-burn this weekend, possibly dropping by as much as 67% for a disastrous $10.11M and a 10-day cume of only $48.6M. Close-behind at #5 will be Four Christmases (Warner Bros), which may drop as little as 25% to a possible $9.75M. By Monday morning, the Vince Vaughn-Reese Witherspoon holiday comedy will pass the $100M mark.

Among the specialty releases, Slumdog Millionaire (Fox Searchlight) adds 420 locations and may deliver as much as $4.64M. Danny Boyle’s modern masterpiece is riding a huge wave of acclaim including Golden Globe nominations for Best Picture – Drama and Best Director and SAG Awards nominations for Best Ensemble and Best Supporting Actor: Dev Patel. No company is better at the “science” of a platform release than Searchlight, and I am forecasting a PTA of $7,891 for this gutty little Best Picture contender.

Other award favorites expand to varying degrees. Milk (Focus) adds 28 locations and could reach $2.8M for a $7,876 PTA. Miramax’s excellent Doubt, with Golden Globe and SAG Award nominations for Meryl Streep, Phillip Seymour Hoffman, Amy Adams and Viola Davis, expands to 39 playdates, and I am anticipating just over $1M for a Per Theatre Average of $27,341. Clint Eastwood’s Gran Torino (Warner Bros), which won him the National Board of Review’s Best Actor notice, but has been completely shut out of major categories at the Golden Globes and SAG Awards, adds 13 carefully chosen screens. I am calling for about $687,000 by Monday with a PTA of just over $36,000.

Oscar contenders Frost/Nixon (Universal) and The Reader (Weinstein) are holding off on expansion until Christmas Day. Powered by Frank Langella’s remarkable performance, Frost/Nixon seems headed for a $14,600 or so weekend PTA while Stephen Daldry’s meditation on Germany’s sense of guilt over the Holocaust should deliver just over $16,000 per location.

The new limited release this week is the critically-hailed Darren Aronofsky-directed Mickey Rourke vehicle The Wrestler (Fox Searchlight). The movie opened on 4 screens Wednesday churning up an $11,732 PTA on opening day alone. There is clearly more-than-a-little anticipation for this unexpected awards contender, and it may achieve just over $310,000 in just 5 days. That would mean a 3-day Per Theatre Average of almost $58,000, just shy of the year’s best weekend PTA mark set by Frost/Nixon 2 weeks ago.

FINAL WEEKEND PREDICTIONS FOR THE WEEKEND OF 12/19
1. NEW – Yes Man (Warner Bros) - $26.35M
2. NEW – Seven Pounds (Sony) - $24.78M
3. NEW – Tale of Despereaux (Universal) - $15.19M
4. The Day the Earth Stood Still (Fox) – $10.11M
5. Four Christmases (Warner Bros) - $9.75M
6. Bolt (Disney) - $5.49M
7. Twilight (Summit) - $4.78M
8. Slumdog Millionaire (Fox Searchlight) - $4.64M
9. Milk (Focus) - $2.8M
10. Australia (Fox) - $2.57M
11. Quantum of Solace (Sony) - $2.24M
12. Madagascar: Escape 2 Africa (Dreamworks/Paramount) - $1.84M
13. Nothing Like the Holidays (Overture) - $1.69M
*Doubt (Miramax) - $1.06M
*Gran Torino (Warner Bros) - $687,000
*Frost/Nixon (Universal) - $602,000
*NEW – The Wrestler (Fox Searchlight) - $232,000
*The Reader (Weinstein) - $131,000

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Jim Carrey deve vencer o Smith.

 

EXCLUSIVE STEVE MASON EARLY FRIDAY ESTIMATES
1. NEW – Yes Man (Warner Bros) - $6.7M, $1,951 PTA, $6.7M cume
2. NEW – Seven Pounds (Sony) - $5.3M, $1,922 PTA, $5.3M cume
3. NEW – Tale of Despereaux (Universal) - $3.8M, $1,224 PTA, $3.8M cume
4. The Day the Earth Stood Still (Fox) - $3.1M, $871 PTA, $41.57M cume
5. Four Christmases (Warner Bros) - $3.06M, $871 PTA, $95.47M cume
6. Twilight (Summit) - $1.55M, $521 PTA, $154.79M cume
7. Bolt (Disney) - $1.31M, $443 PTA, $92.06M cume
8. Slumdog Millionaire (Fox Searchlight) - $1.24M, $2,120 PTA, $10.23M cume
9. Milk (Focus) - $804,000, $2,257 PTA, $9.48M cume
10. Australia (Fox) - $763,000, $345 PTA, $40.38M cume

 
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<< PREVIOUS

Stay tuned for daily updates...

NEXT >>

Rank*

Title
(Click to view chart)

Friday
12/19

(Estimates)

Saturday
12/20

Sunday
12/21

Monday
12/22

1

YES MAN
Warner Bros.

3,434

$6,450,000

-- / $1,878
$6,450,000 / 1


N/A


N/A


N/A

2

SEVEN POUNDS
Sony / Columbia

2,758

$5,250,000

-- / $1,904
$5,250,000 / 1


N/A


N/A


N/A

3

THE TALE OF DESPEREAUX
Universal

3,104

$3,523,000

-- / $1,135
$3,523,000 / 1


N/A


N/A


N/A

4

THE DAY THE EARTH STOOD STILL (2008)
Fox

3,560

$2,850,000

+60.5% / $801
$41,327,000 / 8


N/A


N/A


N/A

5

FOUR CHRISTMASES
Warner Bros. (New Line)

3,515

$2,250,000

+88.7% / $640
$94,659,000 / 24


N/A


N/A


N/A

6

TWILIGHT
Summit Entertainment

2,991

$1,620,000

+77.4% / $542
$154,854,000 / 29


N/A


N/A


N/A

7

BOLT
Buena Vista

2,968

$1,035,000

+84.6% / $349
$91,788,000 / 29


N/A


N/A


N/A

8

SLUMDOG MILLIONAIRE
Fox Searchlight

589

$755,000

+207.5% / $1,282
$9,739,000 / 38


N/A


N/A


N/A

9

AUSTRALIA
Fox

2,212

$625,000

+34.6% / $283
$40,247,000 / 24


N/A


N/A


N/A

10

QUANTUM OF SOLACE
Sony / Columbia

1,874

$565,000

+38.2% / $301
$159,714,000 / 36


N/A


N/A


N/A

11

MILK
Focus Features

356

$425,000

+60.8% / $1,194
$9,106,000 / 24


N/A


N/A


N/A

13

MADAGASCAR: ESCAPE 2 AFRICA
Paramount (DreamWorks)

2,007

$360,000

+38.8% / $179
$171,182,000 / 43


N/A


N/A


N/A

12

NOTHING LIKE THE HOLIDAYS
Overture Films

1,671

$360,000

+35% / $215
$4,981,000 / 8


N/A


N/A


N/A

-

DOUBT
Miramax

39

$185,000

+251.6% / $4,744
$904,000 / 8


N/A


N/A


N/A

-

GRAN TORINO
Warner Bros.

19

$117,000

+329.1% / $6,158
$509,000 / 8


N/A


N/A


N/A

-

FROST/NIXON
Universal

39

$95,000

+66.5% / $2,436
$1,208,000 / 15


N/A


N/A


N/A

-

THE WRESTLER
Fox Searchlight

4

$57,000

+47.8% / $14,250
$143,000 / 3


N/A


N/A


N/A

 

 

The Wrestler começando uma trajetória que vai ser de MUITO sucesso, não tenho dúvida nenhuma.

 
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1

N

Yes Man

WB

$18,160,000

-

3,434

-

$5,288

$18,160,000

-

1

2

N

Seven Pounds

Sony

$16,000,000

-

2,758

-

$5,801

$16,000,000

$55

1

3

N

The Tale of Despereaux

Uni.

$10,507,000

-

3,104

-

$3,385

$10,507,000

-

1

4

1

The Day the Earth Stood Still (2008)

Fox

$10,150,000

-66.7%

3,560

-

$2,851

$48,627,000

$80

2

5

2

Four Christmases

WB (NL)

$7,745,000

-40.8%

3,515

-25

$2,203

$100,154,000

$80

4

6

3

Twilight

Sum.

$5,227,000

-34.3%

2,991

-658

$1,748

$158,461,000

$37

5

7

4

Bolt

BV

$4,256,000

-43.0%

2,968

-165

$1,434

$95,009,000

-

5

8

11

Slumdog Millionaire

FoxS

$3,150,000

+44.8%

589

+420

$5,348

$12,134,000

-

6

9

5

Australia

Fox

$2,325,000

-44.2%

2,212

-491

$1,051

$41,947,000

$130

4

10

6

Quantum of Solace

Sony

$2,150,000

-42.1%

1,874

-761

$1,147

$161,300,000

$200

6

11

9

Milk

Focus

$1,641,000

-36.9%

356

+28

$4,610

$10,322,000

-

4

12

8

Madagascar: Escape 2 Africa

P/DW

$1,510,000

-52.5%

2,007

-761

$752

$172,332,000

$150

7

13

7

Nothing Like the Holidays

Over.

$1,319,000

-62.7%

1,671

-

$789

$5,940,000

-

2

14

19

Doubt

Mira.

$729,000

+43.7%

39

+24

$18,692

$1,448,000

-

2

15

12

Cadillac Records

Sony

$650,000

-59.0%

701

+13

$927

$7,090,000

$12

3

 

18

20

Gran Torino

WB

$468,000

+72.2%

19

+13

$24,632

$859,000

-

2

19

17

Frost/Nixon

Uni.

$365,000

-41.7%

41

+2

$8,902

$1,478,000

$25

3

-

16

The Boy in the Striped Pajamas

Mira.

$285,000

-58.4%

403

-276

$707

$8,390,000

-

7

-

N

The Wrestler

FoxS

$209,000

-

4

-

$52,250

$295,000

-

1

 

25

The Reader

Wein.

$100,000

-40.5%

8

-

$12,500

$357,000

-

2

 

 

Milk não tá tendo a força que alguns esperavam, a média por sala já anda menor que a de Slumdog que estreiou quase um mês antes e tá em maior número de cópias ainda por cima. The Wrestler acho que foi a melhor estréia do ano em circuito limitado.

 

Semana que vem estréiam uns 500 filmes lá, mas provavelmente a nova comédia do Adam Sandler deve ficar no topo

 

Filme pra família + Disney + Natal + Adam Sandler = $$$$.
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Marley & Eu vai lidera com certeza' date=' já Spirit acho que nem tanto e Button... vamos ver no que dá estrear em mais de 2900 salas!!!
[/quote']

 

 

Infelizmente não deve dar em nada. :(

 

Palpites:

 

1. Marley & Eu (22 milhões) - O público feminino mostrou força nas bilheterias esse ano. Sex and the City, Twilght... aposto que esse da Aniston é o próximo movie-girl.

 

2. Bedtime Stories (20 milhões) - pois é. Sandler, natal... vai fazer dinheiro tb.

 

3. The Spirit (18 milhões) - tinha tudo pra arrebentar,  mas deve contar só com a presença dos nerds.

 

4. Benjamin Button (12 milhões) - já foram as mulheres, a criançada, os nerds... sobra qual público-alvo mesmo? Ah, sim: as pessoas com bom gosto. Mas essas são poucas.

 
BrnoSoares2008-12-21 21:25:23
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The Wrestler ficará atrás de Frost/Nixon como a segunda melhor estréia em circuito limitado no ano...

 

--------------------------------------------------------------------------------

 

BILHETERIA MUNDIAL

 

Overseas audiences find 'Escape'

'Earth' straddles foreign box office

 

By DAVE MCNARY

 

 

 

 

 

 

Madagascar:%20Escape%202%20Africa

'Madagascar: Escape 2 Africa'

The%20Day%20the%20Earth%20Stood%20Still

Keanu Reeves starrer 'The Day the Earth Stood Still' came in a respectable No. 2 overseas the weekend before Christmas.

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“Madagascar: Escape

2 Africa” stampeded to the top spot of the pre-Christmas weekend

international box office with $33.5 million at 5' date='959 playdates in 56

territories.

“The

Day the Earth Stood Still” finished a respectable second with $21

million at 7,850 in 92 markets, led by a solid $4.9 million launch in

Japan. And with a $3.9 million Brit debut, “Twilight” continued to bite

into sizable foreign coin with $11 million at 3,140 in 27 territories.

Domestic

winner “Yes Man” opened decently in a limited foreign launch with $3.5

million at 653 in half a dozen markets, led by Spain with $1.3 million

and South Korea with $1.2 million. But “The Tale of Despereaux” found

less traction, with $1.7 million at 792 in the U.K., Spain and

Portugal.

Underlining the power of animated sequels overseas,

“Escape 2 Africa” posted the top per-location at $5,631. With the pic

now midway through its foreign release, Paramount took advantage of the

pre-Christmas frame to generate the weekend’s best opening with $6.5

million in Italy -- slightly better than that of the 2005 original.

 

The toon also topped Australia with $4.4 million in its opening and

racked up impressive holdovers in its third weekends in Germany with

$4.8 million, down only 34%, and in France with $4.1 million, off 36%.

“Escape 2 Africa” sequel has cumed $218.5 million internationally,

topping the domestic total by $46 million and leaving it $120 million

away from matching the final foreign take of 2005’s “Madagascar.”

 

It’s the 14th film to top the $200 million mark outside the U.S. in

2008, and it caps an impressive year that’s seen the six Hollywood

studios in line to match last year’s record-setting total of $9.5

billion. Top grossers are “Indiana Jones and the Kingdom of the Crystal

Skull,” "Wanted," “The Dark Knight,” “Mamma Mia!,” “Kung Fu Panda,”

“Hancock,” “Quantum of Solace,” “The Mummy: Tomb of the Dragon

Emperor,” “The Chronicles of Narnia: Prince Caspian,” “Wall-E,” “Iron

Man,” “Sex and the City” and French sensation “Bienvenue chez les

Ch’tis.”

Par, which has opted for a staggered release pattern

for the “Madagascar” sequel to take advantage of local holidays,

launches it in Thailand and Indonesia on Christmas, followed by China

and Poland on New Year’s Day.

“Escape 2 Africa” won the first

December frame at the foreign box office with $50 million, then ceded

first place last weekend to “The Day the Earth Stood Still,” which

launched with $39 million.

“Day” took in more than $1 million in

half a dozen markets in their second frame, led by Russia and followed

by the U.K., Spain, Germany, France and Mexico. The sci-fier has cumed

$72.3 million outside the U.S. -- $24 million ahead of the domestic

total.

In other weekend highlights, Disney’s “Bolt”

fetched $5.3 million at 2,300 in 15 markets, including a $1.8 million

Mexican launch, while the third weekend of the Mouse House’s “Wall-E” declined only 28% in Japan to $3.3 million, pushing the international total to $283 million.

Fox’s “Australia”

took in $2.6 million at 1,100 in Australia, South Korea, Belgium and

Holland to lift its foreign cume to $19.4 million. Baz Luhrmann’s

pricey epic launches on Christmas in many key international markets.

Christmas

will also see Disney open family comedy “Bedtime Stories” day-and-date

in France, Germany, Spain and the U.K., while “Yes Man” launches in the

U.K.

[/quote']

 

 

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