Members FeCamargo Posted September 11, 2009 Members Report Share Posted September 11, 2009 Queria ver a Connelly de volta a briga por algo. Ela é tão boa atriz. Link to comment Share on other sites More sharing options...
Members FeCamargo Posted September 11, 2009 Members Report Share Posted September 11, 2009 Putz' date=' não consigo imaginar Avatar concorrendo depois daquele trailer.. Espero que indiquem District 9 ou Star Trek.[/quote'] District 9 tem uma linguagem documental interessante e o começo é realmente bom. Mas a partir do final do segundo ato até o fim do filme, ele passa a ser algo tipicamente "blockbusteriano" com direito há atos heróicos bizarros e constrangedores... FeCamargo2009-09-11 16:42:01 Link to comment Share on other sites More sharing options...
Members Administrator Posted September 11, 2009 Members Report Share Posted September 11, 2009 ‘Up in the Air’ wowing press in Toronto Posted by Kristopher Tapley · 12:46 pm · September 11th, 2009 I’ve been keeping a steady eye on the reactions to a press screening of Jason Reitman’s “Up in the Air” this morning via Twitter. The film will play to the masses tomorrow night, but so far, it seems to be landing just right across the board. ComingSoon’s Ed Douglas noted swiftly, “Believe the Hype. This is a very special film. Loved it!” MSN’s James Rocchi, meanwhile, chimed in with, “Up in the Air: Don’t believe the anti-hype. Funny, tough, real; a big step up from all involved, and a touch of The Music Man, too.” Finally HitFix’s Drew McWeeny seemed almost speechless, offering, “Just out of ‘Up In The Air.’ Devastated. Didn’t expect that emotional response at all” and “I walked ten blocks to the hotel, unable to look a single person in the eye. I am shredded.” All of that was fine and good and, to a large extent, expected. But who would have anticipated a crotchety soul like Jeff Wells to call it the year’s best film and fawn over it like so… Continue reading » Link to comment Share on other sites More sharing options...
Members saulomeri Posted September 11, 2009 Members Report Share Posted September 11, 2009 É tanta gente elogiada: Viggo, Clooney, Bettany, Damon, Firth e agora até Robert De Niro já reapareceu. E olha que Toronto só começou, e ainda tem aqueles filmes que ficaram pro fim do ano.saulomeri2009-09-11 17:51:12 Link to comment Share on other sites More sharing options...
Members Administrator Posted September 11, 2009 Members Report Share Posted September 11, 2009 Por mais que goste do Clooney e anseie por Up in the Air, não gostaria de vê-lo indicado novamente. Nem Firth, péssimo em praticamente tudo o que já fez. Link to comment Share on other sites More sharing options...
Members Ginger Posted September 11, 2009 Members Report Share Posted September 11, 2009 Quero ver o De Niro com seu Terceiro OSCAR. Link to comment Share on other sites More sharing options...
Members Tiago Ribeiro Posted September 11, 2009 Members Report Share Posted September 11, 2009 Mas é sempre bom ver um ator considerado fraco ou mediano surpreender repentinamente a todos com uma grande atuação. E continuo torcendo pela volta de DeNiro a elite. Link to comment Share on other sites More sharing options...
Members MacGruber Posted September 11, 2009 Author Members Report Share Posted September 11, 2009 Por mais que goste do Clooney e anseie por Up in the Air' date=' não gostaria de vê-lo indicado novamente. [/quote'] Isso pq vc gosta do cara, hein? A Academia é doida por ele, até por isso estou achando que ele é o candidato a ser batido. Jonny Greenwood2009-09-11 20:13:50 Link to comment Share on other sites More sharing options...
Members guilbj Posted September 11, 2009 Members Report Share Posted September 11, 2009 Gente, eu to por fora... É VERDADE QUE SERÃO DEZ INDICADOS A MELHOR FILME?? Link to comment Share on other sites More sharing options...
Members saulomeri Posted September 11, 2009 Members Report Share Posted September 11, 2009 Prévia do filme do Tom Ford. Link to comment Share on other sites More sharing options...
Members -felipe- Posted September 11, 2009 Members Report Share Posted September 11, 2009 Gente' date=' eu to por fora... É VERDADE QUE SERÃO DEZ INDICADOS A MELHOR FILME?? [/quote'] Sim. Link to comment Share on other sites More sharing options...
Members Administrator Posted September 11, 2009 Members Report Share Posted September 11, 2009 Por mais que goste do Clooney e anseie por Up in the Air' date=' não gostaria de vê-lo indicado novamente. [/quote'] Isso pq vc gosta do cara, hein? A Academia é doida por ele, até por isso estou achando que ele é o candidato a ser batido. Eu não especifiquei. Não quero vê-lo indicado este ano. Acho que ele já recebeu indicações demais nesses últimos anos e sem merecê-las. E mesmo sem achar que ele ainda não bateu a marca de ser um dos cinco melhores do ano, gosto muito dele, acho que ele sempre entrega ótimos trabalhos e considero sua persona cinematográfica absolutamente irresistível. Link to comment Share on other sites More sharing options...
Members Administrator Posted September 12, 2009 Members Report Share Posted September 12, 2009 Não sei se isto é novo: Link to comment Share on other sites More sharing options...
Members MacGruber Posted September 12, 2009 Author Members Report Share Posted September 12, 2009 The Coens’ ‘A Serious Man’ is a miracle movie I wanted to sit down and write a full review of Joel and Ethan Coen’s “A Serious Man,” but structuring my thoughts around a paradigm such as that seems folly at this stage. I need to see it again — and will certainly do so many more times — before any sort of authoritative personal take will begin to surface. But a few things stand out that are worth conveying. In my view, it is the finest Coen film since “Fargo” and, perhaps, since “Barton Fink.” It is without question the siblings’ most personal film to date, an exploration of the “What does it all mean?” thoughts that plague each of us on a daily basis. (The repetition of the line, “What’s going on?,” is by no means incidental.) However, despite the film’s heavy dosage of the particulars of the Jewish faith, it is also curiously universal. After all, I don’t know from Hashem, but the film affected me deeply, it’s themes and ideas resonating from start to finish. The film is beautifully abstract, making the impact of its thought-provoking ideas all the more profound. It features a central performance that could seem merely capbale at first notice, but has a certain refined quality the more one considers it. And there is a remarkable rhythm to the film, a reminder of the Coens’ brilliance at orchestration and craft. That’s all I’ll say for now. “A Serious Man” is a work of art, plain and simple. I’m smitten. http://incontention.com/ Link to comment Share on other sites More sharing options...
Members Administrator Posted September 12, 2009 Members Report Share Posted September 12, 2009 Se as reações seguirem essa linha, uma indicação de Roteiro (e quiçá Filme), pelo menos, estará no papo! Link to comment Share on other sites More sharing options...
Members Administrator Posted September 12, 2009 Members Report Share Posted September 12, 2009 TIFF #5: The man who didn't land By Roger Ebert on September 11, 2009 7:02 PM| Permalink | Comments (20) Itwas two years ago on Saturday night that Jason Reitman's "Juno" had itsworld premiere here at Toronto. The standing ovation that night was themost spontaneous and joyous I can remember. Still vibrating, Reitmanstood on the stage of the Ryerson Theater and vowed, "I'm gonna openall of my films right here in this theater at Toronto." True to hisword, his new film "Up in the Air" played the Ryerson at 6 p.m.,Saturday--same time, same place. It stars George Clooney in one of his best performances, as afrequent flyer. During the course of the movie he passes the 10million-mile mark in the American Airlines Aadvantage Program, becomingthe seventh such person in history. Asked on an airplane where helives, he replies, "Here." He's a Termination Facilitator. He firespeople for a living. When corporations need to downsize quickly, heflies in and breaks the news to the new former employees. In a lousyeconomy, his business is great. The film has a lot to say about unemployment, but it isn't about the economy or living on the road. It's about loneliness, a feeling the Clooney character thought he would never experience. To fellow road warrior (Vera Farmiga), he insists he never wants to get married, never wants to have children, and doesn't own a home. He gives inspirational talks on how to empty the backpack of your life of all those people and possession you've been lugging around. This is Reitman's third feature. Still only 32, the son of the Canadian producer-director Ivan Reitman ("Ghost Busters"), he grew up behind the counter of the family store, to speak. All of his films are very funny, but none of them is a comedy. That's not easy to do. Nor has he made a film aimed only at his generation, although Juno, to be sure, is 16. All three are about social issues. "Thank You for Smoking" (2005) was about the promotional strategies of the tobacco industry. "Juno" (2007) was about teenage pregnancy. "Up in the Air" is about the so-called Bowling Alone Generation, professional people who make a lot of money for themselves and their corporations, and value that above families and relationships. They may not even much care about where they live. Jason Reitman the day after "Juno" landed (Ebert) The rise of Jason Reitman is in a way emblematic of the Toronto Film Festival. It was founded before he was born. His father was instrumental in it from the beginning--and his family, indeed, owned the land on which the Bell Lightbox, the festival's new permanent home, is rising. Over the years Jason attended dozens of festival movies, not as his father's son, but as another one of those kids gung-ho for movies and lining up outside theatres, topping up from their bottles of mineral water. He represents the hope of the cinema. By that I don't mean Reitman, personally, carries the future on his shoulders. I mean that from his first film he has held himself to a high and worthy standard. He might have made teen sex comedies, buddy movies, horror, anything. He decided to make films for people who think. Not intellectuals or movie snobs, but people who seek films about characters who have something to express and a style of expressing it. It's too bad the term "adult movies" means "X-rated films." It should mean "movies for the mature." You can be 12 years old and be mature. You can be 30, 40, 50, and you'll never be mature. Every summer brings the usual "tentpole movies," expensive action fantasies filled with CGI special effects. They open with multi-million-dollar media campaigns, fast food tie-ins, toys, video games, t-shirts. They gross 100, 200 million dollars, and fade from sight like a hurricane--leaving damage behind, but little of value. Nobody in Hollywood ever got fired for making one of these movies. They turn a profit. They have to. The system is gamed. If you spend enough money promoting a movie, you can guarantee yourself a profit. George Clooney and Vera Farmiga: Road warriors For 34 years, in Toronto on the weekend after Labor Day, moviesfor the mature come back into season. Several of next year's Oscarnominees invariably open. Most of the 361 films here will not winnominations, or maybe even make money. But very few of them were madefor cynical reasons. You can be 32 and already have three good films under yourbelt. Look at Spielberg. You need to find the financing, of course, butthat's not the hard part. The hard part, as wise men have said forgenerations, is story, story, story. Reitman's films are not in thebusiness of following formulas. All three have pointedly ended in wayswe probably didn't expect. All three have insights deservingconsideration. All three require actors who can deliver complex andfascinating dialogue. All three make us care. That with Reitman we alsousually laugh a good deal is so much the better. I've seen a lot of wonderful films here already. Lone Scherfig's"An Education." Steven Soderberg's "Informant!" The Coen brothers' "ASerious Man." Michael Haneke's "The White Ribbon." Lee Daniels'"Precious." Several others. More to come. Last July as I was watching"Transformers: Revenge of the Fallen," I knew this season would come.After that film was over, I was 150 minutes closer to it. Link to comment Share on other sites More sharing options...
Members Jefferies Posted September 12, 2009 Members Report Share Posted September 12, 2009 Como fã incondicional dos irmãos Coen, quero muito que eles sejam indicados. Com as críticas dos jornaistas lá em Toronto, me animei mais ainda. Sobre "Up in the Air", talvez seja o queridinho da crítica este ano (como foi com "Quem Quer Ser um Milionário?" no ano passado). Mas o trailer é ótimo, não tem aquele "clímax" que na minha opinião estraga o trailer e às vezes até o filme. É um monólogo interessante do personagem do Clooney. Esse parece ser bom mesmo. Sobre o george Clooney, é bem provável que ele seja indicado. Mas tem uma coisa que não entendo: ele ganhou o Oscar de ator coadjuvante por "Syriana", ma ele é um dos protagonistas da história! Como isso pode acontecer? A Academia comete os seus erros de vez em quando... Link to comment Share on other sites More sharing options...
Members saulomeri Posted September 12, 2009 Members Report Share Posted September 12, 2009 Colin Firth levou a Copa Volpi em Veneza. O Leão de Ouro foi para o israelense Lebanon de Samuel Maoz. saulomeri2009-09-12 15:06:38 Link to comment Share on other sites More sharing options...
Members MacGruber Posted September 12, 2009 Author Members Report Share Posted September 12, 2009 Agora só falta uma boa bilheteria para Up in the Air se tornar um monstro papa-prêmios. Link to comment Share on other sites More sharing options...
Members Jefferies Posted September 12, 2009 Members Report Share Posted September 12, 2009 Se Roger Ebert, um dos melhores críticos americanos, gostou, então o filme deve ser ótimo. Achei interessante o último parágrafo da crítica dele, que é mais ou menos assim: "Assistindo a 'Transformers - A Vingança dos Derrotados', sabia que viria muitos filmes bons a partir de setembro. Acertei." Ou seja, a disputa para o Oscar do ano que vem promete ser uma das mais acirradas dos últimos tempos. Link to comment Share on other sites More sharing options...
Members MacGruber Posted September 12, 2009 Author Members Report Share Posted September 12, 2009 O Ebert não é garantia de nada. Esse ano mesmo ele disse que Presságio é um dos melhores thrillers de todos os tempos. O que está transformando Up in the Air em um nome certo - talvez o favorito que o ano não tinha até agora - é o fato de ter sido praticamente unanimidade. Acho que hoje podemos dizer que temos Up in the Air, An Education, The Hurt Locker e Up como "certezas" e Invictus, Avatar e Tree of Life como incógnitas promissoras. Link to comment Share on other sites More sharing options...
Members FeCamargo Posted September 12, 2009 Members Report Share Posted September 12, 2009 Elogios aumentados começam a surgir para a Julie por "A Single Man". Seria lindo vê-la indicada novamente.... e quão bizarro pode ser que o Ford tenha feito um filme foda!? Eu fiquei chocado... to doido para ver o filme. Link to comment Share on other sites More sharing options...
Members Jefferies Posted September 12, 2009 Members Report Share Posted September 12, 2009 O Ebert não é garantia de nada. Esse ano mesmo ele disse que Presságio é um dos melhores thrillers de todos os tempos. É mesmo? Bem, não posso falar nada sobre "Presságio" porque evito filmes-catástrofe. Aliás, ultimamente ando evitando o máximo possível filmes-pipoca, como "Transformers" e "Harry Potter". Mas crítico de cinema não garante nada mesmo. Disse isso porque ele é um dos críticos mais respeitados do mundo. Ou seja, disse por dizer mesmo... Link to comment Share on other sites More sharing options...
Members texer Posted September 12, 2009 Members Report Share Posted September 12, 2009 Elogios aumentados começam a surgir para a Julie por "A Single Man". Seria lindo vê-la indicada novamente.... . Sem falar que estão começando a falar coisas boas do trabalho dela em Chloe tb... Seria um sonho vê-la indicada e vê-la vencer...Depois disso só falta mesmo a vitória da Annette Bening. Link to comment Share on other sites More sharing options...
Members MacGruber Posted September 12, 2009 Author Members Report Share Posted September 12, 2009 O Ebert não é garantia de nada. Esse ano mesmo ele disse que Presságio é um dos melhores thrillers de todos os tempos. É mesmo? Bem' date=' não posso falar nada sobre "Presságio" porque evito filmes-catástrofe. Aliás, ultimamente ando evitando o máximo possível filmes-pipoca, como "Transformers" e "Harry Potter". Mas crítico de cinema não garante nada mesmo. Disse isso porque ele é um dos críticos mais respeitados do mundo. Ou seja, disse por dizer mesmo...[/quote'] Pois é, e particularmente admiro muito o Ebert mas o crítico infalível não existe. Por isso dei o exemplo. Sobre "filmes-pipoca", existem os bons e os ruins (do mesmo jeito que os "filmes de arte"). Meu filme predileto esse ano é Star Trek, inclusive. Link to comment Share on other sites More sharing options...
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