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Margot e o Casamento


texer
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Margot at the wedding foi indicado em duas categorias do Gotham Awards.Melhor Filme e Melhor trabalho de elenco(eles naum tem categorias para atores divididas, somente elenco e performance revelação).

Ou seja, pontos para Jason Leigh e Nicole Kidman!!!!!!!!!!!!

 

Vale lembrar q na lista dos Gotham Awards passados tinha Sideways,Capote,Half Nelson e Pequena Miss Sunshine.E outra, The Savages com Laura Linney e Philip Seymour Hoffman sequer foi considerado pelo prêmio...

 

Ah!Dêem uma olhada no site oficial do filme http://www.margotatthewedding.com/ tem atualizações otimas!

 

Anda rolando nos cinemas norte-americanos um novo trailer de Margot at

the wedding.Esse novo trailer apresenta novas cenas, faz menção aos

festivais e a algumas criticas positivas q o filme recebeu, e a

perfromance de Leigh e principalmente de Kidman.02

 

 

 

Ainda sobre o Gotham Awards Tom O'Neill do LA Times escreveu isso aqui:

 

 

 

Even though there are four other flicks nommed for best picture at the

Gotham Awards, the bid scored by Sean Penn's "Into the Wild" is the

most significant. Suddenly, it makes his most successful directorial

effort a Gotham-sized contender in the derby.

 

 

 

Of the five

films in the mix, it's the most Oscar-friendly. Sure, "Margot's" Nicole

Kidman and/or Jennifer Jason Leigh could be nominated in the acting

races by academy voters. Ditto Cate Blanchett in "I'm Not There" and

both pix plus "The Namesake" could be up for screenplay kudos. But,

given Sean Penn's starpower, none of them has a better chance to reap a

bid for best picture — let's be honest — than "Wild," which means it's

the frontunner to win the top Gotham prize.

 

 

 

In 2005 and 2004,

the Gotham winners were both nommed for best picture by Oscar voters:

"Capote" and "Sideways." Last year was an aberration. Winner "Half

Nelson" was nommed in the Oscar best-actor race (Ryan Gosling), but not

best pic. It won at the Gothams by default because there was such an

uproar over "The Departed" — not a little indie by any s-t-r-e-t-c-h of

the term — being included in the category, too.

 

 

 

"Great Wall of

Sound" and "The Namesake" also got big kudos bumps today, even if not

up to the top Oscar race. This makes them serious contenders in other

slots, particularly "Namesake," which is getting an aggressive campaign

push from Fox Searchlight. "I'm Not There" and "Margot" were already

securely in the derby.

 

texer2007-10-22 21:50:00

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Voltando ao Oscar, talvez seje uma das maiores injustiças da Academia.Naum li uma critica negativa ao trabalho da Kidman nesse filme, pelo contrário até agora são unânimes e exaltados os elogios a composição dela para Margot, mas infelizmente os Oscarwatchers, e acho sim q eles tem muita influência com relação as indicações a filmes e atores no Oscar, desconsideram Kidman muitas vezes por preconceito pelos seus trabalhos anteriores ou ás suas comentadas plásticas, sentenciando de vez a carreira dela...é de matar isso!

 

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exato. deixa texer, grande coisa; ano q vem ela ganha :P eu to MUITO feliz por essas criticas, TODAS falam bem dela, nao do filme, mas sobre ela é unanime - e globo de ouro é quase confirmado ja, eles a indicaram por atuaçoes nao tao comentadas como cold mountain e birth, com certeza ela é indicada de novo esse ano. ;D pena q nao veremos nem tao cedo o filme, q to super ansioso, pois adoro o noah.

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Tô acompanhando pantalaimon, mas parece q esse filme está dividindo os críticos. Os que naum gostam falam muito da "antipatia" da personagem Margot como um ponto negativo do filme, como se a platéia precisasse ter empatia com a personagem, os que defendem afirmam que mesmo q naum gostemos dela entendemos perfeitamente seus posicionamentos.Assim como a personalidade de Margot é controvertida o filme tb o é.

Ah!Tem um "FOR YOU CONSIDERATION"  de Margot no ebay:

 

http://cgi.ebay.com/MARGOT-AT-THE-WEDDING-OscarAd-NICOLE-KIDMAN-JACK-BLACK_W0QQitemZ170168173570QQihZ007QQcategoryZ18820QQcmdZViewItem#ebayphotohosti

 

Só uma atualização:

O filme tá com 53% no RottenTomatoes!!!!!!!!!!

 

 

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Parece que a avaliação de MARGOT AT THE WEDDING no RottenTomatoes estacionou mesmo, desde ontem à tarde está nos 52%, não sei se chegarão mais críticas, são 48 no total(devem chegar quando o filme estrear em mais cinemas).

 

A Box Office da semana deu Beowulf, mesmo assim, estreando em somente 2 cinemas, o desempenho de Margot at the Wedding parece ter sido muito bom, não sei de números mas parece ter sido muito bom 06:

 

EXCLUSIVE FANTASY MOGULS EARLY FRIDAY PTA ESTIMATES

1. NEW – Margot at the Wedding (Paramount Vantage) – 2 locations - $13,647 PTA

2. No Country for Old Men (Miramax) – 148 locations - $5,068 PTA

3. NEW – Beowulf (Dreamworks/Paramount) – 3,153 locations - $3,300 PTA

4. NEW – What Would Jesus Buy? (Independent) – 1 location - $3,284 PTA

5. NEW – Smiley Face (First Look) – 1 location - $1,971 PTA

6. Om Shanti Om (Eros Entertainment) – 114 locations - $1,842 PTA

7. War/Dance (Thinkfilm) – 3 locations - $1,581 PTA

8. The Assassination of Jesse James… (Warner Bros) – 84 locations - $1,250 PTA

9. American Gangster (Universal) – 3,110 locations - $1,222 PTA

10. Before the Devil Knows You’re Dead (Thinkfilm) – 175 locations - $1,000 PTA

 

EXCLUSIVE FANTASY MOGULS EARLY 3-DAY PTA ESTIMATES

1. NEW – Margot at the Wedding (Paramount Vantage) – 2 locations - $52,541 PTA

2. No Country for Old Men (Miramax) – 148 locations - $19,003 PTA

3. NEW – What Would Jesus Buy? (Independent) – 1 location - $9,852 PTA

4. NEW – Beowulf (Dreamworks/Paramount) – 3,153 locations - $9,570 PTA

5. NEW – Smiley Face (First Look) – 1 location - $6,800 PTA

6. Om Shanti Om (Eros Entertainment) – 114 locations - $6,724 PTA

7. War/Dance (Thinkfilm) – 3 locations - $4,743 PTA

8. American Gangster (Universal) – 3,110 locations - $4,148 PTA

9. The Assassination of Jesse James… (Warner Bros) – 84 locations - $4,063 PTA

10. Before the Devil Knows You’re Dead (Thinkfilm) – 175 locations - $3,850 PTA

 

EXCLUSIVE FANTASY MOGULS EARLY 3-DAY ESTIMATES

1. NEW - Beowulf (Dreamworks/Paramount) - $30.17M - $9,570 PTA - $30.17M cume

2. Bee Movie (Dreamworks/Paramount) - $13.5M - $3,389 PTA - $93M cume

3. American Gangster (Universal) - $12.9M - $4,148 PTA - $100.6M cume

4. Fred Claus (Warner Bros) - $10.37M - $2,880 PTA - $34.1M cume

5. NEW – Mr. Magorium’s Wonder Emporium (Fox) - $10.02M - $3,169 PTA - $10.02M

6. Dan in Real Life (Disney) - $4.56M - $2,400 PTA - $37.1M cume

7. No Country for Old Men (Miramax) - $2.81M - $19,003 PTA - $4.64M

8. Lions for Lambs (MGM/UA) - $2.56M - $1,155 PTA - $11.2M cume

9. Saw IV (Lionsgate) - $2.34M - $1,119 PTA - $61.8M cume

10. NEW – Love in the Time of Cholera (New Line) - $1.85M - $2,178 PTA - $1.85M cume

11. The Game Plan (Disney) - $1.18M - $865 PTA - $87.3M cume

12. Michael Clayton (Warner Bros) - $1.04M - $1,497 PTA - $37.1M cume

13. Bella (Roadside Attractions) - $993,750 - $2,179 PTA - $5M cume

14. 30 Days of Night (Sony) - $942,500 - $1,030 PTA - $39.1M cume

15. Tyler Perry’s Why Did I Get Married? (Lionsgate) - $846,000 - $1,345 PTA - $54.4M cume

16. Gone Baby Gone (Miramax) - $810,000 - $1,528 PTA - $18.4M cume

17. Om Shanti Om (Eros Entertainment) - $766,500 - $6,724 PTA - $2M cume

18. Into the Wild (Paramount Vantage) - $731,000- $1,431 PTA - $13.7M cume

19. P2 (Summit Pictures) - $725,000 - $374 PTA - $3.4M cume

20. Before the Devil Knows You’re Dead (Thinkfilm) - $673,750 - $3,850 PTA - $2.1M cume

*Across the Universe (Sony) - $561,000 - $1,209 PTA - $23.3M cume

*Lars & the Real Girl (MGM) - $503,200 - $2,062 PTA - $4.1M cume

*Darjeeling Limited (Fox Searchlight) - $474,500 - $1,665 PTA - $10.1M cume

*Martian Child (New Line) - $448,500 - $600 PTA - $7.1M cume

*The Assassination of Jesse James… (Warner Bros) - $341,250 - $4,063 PTA - $3.9M cume

*Lust Caution (Focus) - $143,500 - $1,864 PTA - $4M cume

*NEW – Southland Tales (IDP Films) - $140,700 - $2,233 PTA - $140,700 cume

*Saawariya (Sony) - $140,400 - $1,652 PTA - $795,000 cume

*NEW – Margot at the Wedding (Paramount Vantage) - $105,082 - $52,541 PTA - $105,082 cume

*Control (MGM/Weinstein) - $41,326 - $1,531 PTA - $627,000 cume

*NEW – Redacted (Magnolia) - $21,663 - $1,666 PTA - $21,663 cume

*Joe Strummer: The Future is Unwritten (IFC Films) - $18,294 - $1,407 PTA - $139,000 cume

*War/Dance (Thinkfilm) - $14,230 - $4,743 PTA - $35,418 cume

*Tim Burton’s The Nightmare Before Christmas (Disney) - $14,964 - $831 PTA - $73.5M cume

*NEW – What Would Jesus Buy? (Independent) - $9,852 - $9,852 PTA - $9,852 cume

*Darfur Now (Warner Independent) - $7,955 - $362 PTA - $86,000 cume

*NEW – Smiley Face (First Look) - $6,800 - $6,800 PTA - $6,800 cume

*The Life of Reilly (Reel Diva Consultants) – $6,503 – $1,626 PTA - $10,732 cume

 

EXCLUSIVE FANTASY MOGULS EARLY FRIDAY ESTIMATES

1. NEW - Beowulf (Dreamworks/Paramount) - $10.4M - $3,300 PTA - $10.4M cume

2. American Gangster (Universal) - $3.8M - $1,222 PTA - $91.5M cume

3. Bee Movie (Dreamworks/Paramount) - $3.43M - $862 PTA - $82.9M cume

4. Fred Claus (Warner Bros) - $3.14M - $873 PTA - $26.9M cume

5. NEW – Mr. Magorium’s Wonder Emporium (Fox) - $3.08M - $975 PTA - $3.08M

6. Dan in Real Life (Disney) - $1.4M - $738 PTA - $33.9M cume

7. Lions for Lambs (MGM/UA) - $800,000 - $361 PTA - $9.4M cume

8. No Country for Old Men (Miramax) - $750,000 - $5,068 PTA - $2.5M

9. Saw IV (Lionsgate) - $745,000 - $355 PTA - $60.2M cume

10. NEW – Love in the Time of Cholera (New Line) - $580,000 - $675 PTA - $580,000 cume

11. The Game Plan (Disney) - $330,000 - $240 PTA - $86.5M cume

12. 30 Days of Night (Sony) - $290,000 - $317 PTA - $38.4M cume

13. Michael Clayton (Warner Bros) - $285,000 - $410 PTA - $36.4M cume

14. Bella (Roadside Attractions) - $265,000 - $581 PTA - $4.3M cume

15. P2 (Summit Pictures) - $250,000 - $129 PTA - $3M cume

16. Tyler Perry’s Why Did I Get Married? (Lionsgate) - $235,000 - $374 PTA - $53.8M cume

17. Gone Baby Gone (Miramax) - $225,000 - $425 PTA - $17.8M cume

18. Into the Wild (Paramount Vantage) - $215,000- $421 PTA - $13.2M cume

19. Om Shanti Om (Eros Entertainment) - $210,000 - $1,842 PTA - $1.5M cume

20. Before the Devil Knows You’re Dead (Thinkfilm) - $175,000 - $1,000 PTA - $1.7M cume

*Across the Universe (Sony) - $170,000 - $366 PTA - $22.9M cume

*Lars & the Real Girl (MGM) - $148,000 - $607 PTA - $3.7M cume

*Darjeeling Limited (Fox Searchlight) - $146,000 - $512 PTA - $9.8M cume

*Martian Child (New Line) - $130,000 - $174 PTA - $6.8M cume

*The Assassination of Jesse James… (Warner Bros) - $105,000 - $1,250 PTA - $3.7M cume

*NEW – Southland Tales (IDP Films) - $42,000 - $664 PTA - $42,000 cume

*Lust Caution (Focus) - $41,000 - $532 PTA - $3.9M cume

*Saawariya (Sony) - $39,000 - $459 PTA - $693,000 cume

*NEW – Margot at the Wedding (Paramount Vantage) - $27,294 - $13,647 PTA - $27,294 cume

*Control (MGM/Weinstein) - $11,978 - $444 PTA - $597,000 cume

*NEW – Redacted (Magnolia) - $6,279 - $483 PTA - $6,279 cume

*Joe Strummer: The Future is Unwritten (IFC Films) - $5,629 - $433 PTA - $125,700 cume

*War/Dance (Thinkfilm) - $4,743 - $1,581 PTA - $25,900 cume

*Tim Burton’s The Nightmare Before Christmas (Disney) - $4,534 - $252 PTA - $73.4M cume

*NEW – What Would Jesus Buy? (Independent) - $3,284 - $3,284 PTA - $3,284 cume

*Darfur Now (Warner Independent) - $2,486 - $113 PTA - $80,600 cume

*NEW – Smiley Face (First Look) - $1,971 - $1,971 PTA - $1,971 cume

*The Life of Reilly (Reel Diva Consultants) – $1,941 – $485 PTA - $6,170 cume

 

www.slashfilm.com

 

 

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Também achei horroroso esse argumento dos críticos. O mesmo acontece com os filmes do Wes Anderson e eles são sempre brilhantes (e Baumbach foi "aprendiz" de Anderson, ambos escreveram o roteiro de A Vida Marinha Com Steve Zissou). Não vi A Lula e A Baleia, mas parece seguir a mesma vertente. E contando com Nicole Kidman e Jennifer Jason Leigh é um bônus para eu estar ansioso para assistir o filme.

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Pode ser q sim, mas naum levo muita fé e olha que sou um dos maiores torcedores para isso acontecer.O filme entra em cartaz nesta Sexta-Feira no resto dos EUA, vamos ver...Devem aparecer mais críticas, o grande problema é q os Oscar Watchers são muito obsessivos com determinados nomes como Cate Blanchett(ela é a atriz da vez agora) e ignoram outros desempenhos...

 

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