Jump to content
Forum Cinema em Cena

A Rede Social, de David Fincher


MacGruber
 Share

Recommended Posts

  • Members

10/07/2010 13h06

Filme sobre Facebook não pode usar mídia social para propaganda

Da Redação

 

Facebook

Foto: Divulgação
Cheiro de confusão no ar. David Fincher está na pós-produção de The Social Network, filme sobre os criadores do Facebook. Porém, o longa não poderá usar a mídia social para divulgação.

Quem afirma é a Columbia, segundo o AllThingsD. “A política do Facebook não permite propagandas em referência à empresa a menos que ela tenha cooperado com o objetivo do anúncio”, afirmou o estúdio. “Ou seja, não vamos anunciar lá por causa dessas regras”.
CACO/CAMPOS2010-07-11 17:06:25
Link to comment
Share on other sites

  • 1 month later...
  • Members


Film Comment seal of approval for The Social Network


Posted by Ryan Adams On August - 19 - 2010







< ="http://api.tweetmeme.com/.js?url=http%3A%2F%2Fwww.awardsdaily.com%2F2010%2F08%2Ffilm-comment-seal-of-approval-for-the-social-network%2F&style=compact&service=ow.ly" scrolling="no" border="0" height="20" width="90">>

eisenberg.jpg

Scott Foundas steps forward with a hugely enthusiastic review for The Social Network in Film Comment.


This is very rich material for a movie on such timeless

subjects as power and privilege, and such intrinsically 21st-century

ones as the migration of society itself from the real to the virtual

sphere—and David Fincher’s The Social Network is big and brash and

brilliant enough to encompass them all. It is nominally the story of the

founding of Facebook, yes, and how something that began among friends

quickly descended into acrimony and litigation once billions of dollars

were at stake. But just as All the President’s Men—a seminal film for

Fincher and a huge influence on his Zodiac—was less interested by the

Watergate case than by its zeitgeist-altering ripples, so too is The

Social Network devoted to larger patterns of meaning. It is a movie that

sees how any social microcosm, if viewed from the proper angle, is no

different from another—thus the seemingly hermetic codes of Harvard

University become the foundation for a global online community that is

itself but a reflection of the all-encompassing high-school cafeteria

from which we can never escape. And it owes something to The Great

Gatsby, too, in its portrait of a self-made outsider marking his

territory in the WASP jungle.


Adapted by The West Wing creator Aaron Sorkin from Ben Mezrich’s

nonfiction best-seller The Accidental Billionaires, The Social Network

was one of those “buzz” scripts that seemed to be on everyone’s lips in

Hollywood for the past couple of years, and it’s easy to understand why.

The writing is razor-sharp and rarely makes a wrong step, compressing a

time-shifting, multi-character narrative into two lean hours, and,

perhaps most impressively, digests its big ideas into the kind of

rapid-fire yet plausible dialogue that sounds like what hyper computer

geeks might actually say (or at least wish they did): Quentin Tarantino

crossed with Bill Gates…

I hasten to add that The Social Network is splendid entertainment

from a master storyteller, packed with energetic incident and surprising

performances (not least from Justin Timberlake as Napster founder Sean

Parker, who’s like Zuckerberg’s flamboyant, West Coast id). It is a

movie of people typing in front of computer screens and talking in rooms

that is as suspenseful as any more obvious thriller. But this is also

social commentary so perceptive that it may be regarded by future

generations the way we now look to Gatsby for its acute distillation of

Jazz Age decadence. There is, in all of Fincher’s work, an outsider’s

restlessness that chafes at the intractable rules of “polite” society

and naturally aligns itself with characters like the journalist refusing

to abandon the case in Zodiac and Edward Norton’s modern-day Dr. Jekyll

in Fight Club. (It is also, I would argue, what makes the undying-love

mawkishness of The Curious Case of Benjamin Button seem particularly

insincere.) So The Social Network offers a despairing snapshot of

society at the dawn of the 21st century, so advanced, so “connected,”

yet so closed and constrained by all the centuries-old prejudices and

preconceptions about how our heroes and villains are supposed to look,

sound, and act.


Rooney-Jesse.jpg

Erica (Rooney Mara) to Mark Zuckerberg (Jesse Eisenberg): “Dating you is like dating a Stairmaster.”


Link to comment
Share on other sites

  • Members

24/08/2010 16h58

Cena polêmica de Justin Timberlake será mantida em A Rede Social

A%20Rede%20Social

Longa-metragem que mostra a história da criação do Facebook, uma das redes sociais mais conhecidas do mundo, já causa polêmica antes de sua estreia.

Após os criadores da mídia assumirem que desaprovam a produção, foi anunciado que a cena em que o ator Justin Timberlake cheira cocaína nos seios de algumas mulheres seria cortada do filme. Mas, de acordo com o The Hollywood Reporter, nesta terça-feira (24/8), os produtores do filme voltaram atrás e decidiram mantê-la.

Com direção de David Fincher (O Curioso Caso de Benjamin Button), o filme é uma adaptação do livro The Accidental Billionaires: The Founding of Facebook, a Tale of Sex, Money, Genius and Betrayal, de Ben Mezrich.
Link to comment
Share on other sites

  • 1 month later...
  • 1 month later...
  • Members

 

Visto. Gostei bastante. Eisenberg está impecável no papel. Só cuidado com as expectativas. Fui ao cinema achando que seria o filme a retratar uma era; na realidade' date=' o filme retrata um jovem.

[/quote']

 

E este jovem é uma era, mas normal a sua opinião, a geração Y tem dificuldades em aceitar o sucesso dos outros.

 

Link to comment
Share on other sites

  • Members

 

Comigo esse negócio de chamar um cara que "criou" acidentalmente alguma coisa de gênio não cola... coisa essa inclusive que já existia e já era usada.

 

Ele pode ter sido "gênio" em aproveitar as oportunidade$... isso sim.06

 

PS: Já tô até vendo os que viram apologia a guerra em Hurt Locker, dizer que TSN nada mais é do que uma mensagem subliminar de como "o fodão superior americano passa brasileiros e terceiros-mundistas (leia-se ralé e seres inferiores) pra trás"...06

 

 

 
Sall2010-12-04 15:11:40
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

Loading...
 Share

×
×
  • Create New...