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Oscar 2012: Previsões


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Sessão "surpresa" de Young Adult também em Toronto, e o coadjuvante Patton Oswalt (United States of Tara) começa a receber elogios entusiasmados.

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"Funny, endearing and terrifying. Also, anyone else have a new secret crush on Patton Oswalt?" - Timea Jakab


"It was great! Theron and Oswalt rocked it". - Matt Bahn


"Just saw a screening of Young Adult. Theron and Oswalt are amazing. Amazing. Excellent film!" - John Moe


"Just got back from a screening of YOUNG ADULT, which opens in December. Good, funny, dark-ish movie, and Oswalt is great in it". - Bill Corbett


"It was fantastic. Patton Oswalt and Charlize were great". - Matt Rorabeck
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21st Gotham Independent Film Award Nominations


 

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Best Feature:

Beginners
Mike Mills, director; Leslie Urdang, Dean Vanech, Miranda de Pencier, Jay Van Hoy, Lars Knudsen, producers (Focus Features)

The Descendants
Alexander Payne, director; Jim Burke, Alexander Payne, Jim Taylor, producers (Fox Searchlight Pictures)

Meek’s Cutoff
Kelly Reichardt, director; Neil Kopp, Anish Savjani, Elizabeth Cuthrell, David Urrutia, producers (Oscilloscope Laboratories)

Take Shelter
Jeff Nichols, director; Tyler Davidson, Sophia Lin, producers (Sony Pictures Classics)

The Tree of Life
Terrence Malick, director; Sarah Green, Bill Pohlad, Brad Pitt, Dede Gardner, Grant Hill, producers (Fox Searchlight Pictures)


Best Documentary:

Better This World
Katie Galloway and Kelly Duane de la Vega, directors; Katie Galloway, Kelly Duane de la Vega, Mike Nicholson, producers (Loteria Films, Picturebox, Motto Pictures and Passion Pictures; ITVS in association with American Documentary | POV)

Bill Cunningham New York
Richard Press, director; Philip Gefter, producer (Zeitgeist Films)

Hell and Back Again
Danfung Dennis, director; Mike Lerner, Martin Herring, producers (Docurama Films)

The Interrupters
Steve James, director; Alex Kotlowitz, Steve James, producers (The Cinema Guild)

The Woodmans
C. Scott Willis, director; Neil Barrett, Jeff Werner, C. Scott Willis, producers (Lorber Films; Kino Lorber, Inc.)


Best Ensemble Performance:

Beginners
Ewan McGregor, Christopher Plummer, Mélanie Laurent, Goran Visnjic, Kai Lennox, Mary Page Keller, Keegan Boos (Focus Features)

The Descendants
George Clooney, Shailene Woodley, Beau Bridges, Robert Forster, Judy Greer, Matthew Lillard, Nick Krause, Amara Miller, Mary Birdsong, Rob Huebel (Fox Searchlight Pictures)

Margin Call
Kevin Spacey, Paul Bettany, Jeremy Irons, Zachary Quinto, Penn Badgley, Simon Baker, Mary McDonnell, Demi Moore, Stanley Tucci, Aasif Mandvi (Roadside Attractions)

Martha Marcy May Marlene
Elizabeth Olsen, Christopher Abbott, Brady Corbet, Hugh Dancy, Maria Dizzia, Julia Garner, John Hawkes, Louisa Krause, Sarah Paulson (Fox Searchlight Pictures)

Take Shelter
Michael Shannon, Jessica Chastain, Tova Stewart, Shea Whigham, Katy Mixon, Kathy Baker, Ray McKinnon, Lisagay Hamilton, Robert Longstreet (Sony Pictures Classics)


Breakthrough Director:
Mike Cahill for Another Earth (Fox Searchlight Pictures)
Sean Durkin for Martha Marcy May Marlene (Fox Searchlight Pictures)
Vera Farmiga for Higher Ground (Sony Pictures Classics)
Evan Glodell for Bellflower (Oscilloscope Laboratories)
Dee Rees for Pariah (Focus Features)


Breakthrough Actor:
Felicity Jones in Like Crazy (Paramount Vantage)
Elizabeth Olsen in Martha Marcy May Marlene (Fox Searchlight Pictures)
Harmony Santana in Gun Hill Road (Motion Film Group)
Shailene Woodley in The Descendants (Fox Searchlight Pictures)
Jacob Wysocki in Terri (ATO Pictures)


Best Film Not Playing at a Theater Near You:

Codependent Lesbian Space Alien Seeks Same
Madeleine Olnek, director; Laura Terruso, Madeleine Olnek, producers

Green
Sophia Takal, director; Lawrence Michael Levine, producer

The Redemption of General Butt Naked
Eric Strauss, Daniele Anastasion, directors and producers

Scenes of a Crime
Blue Hadaegh & Grover Babcock, directors and producers

Without
Mark Jackson, director; Mark Jackson, Jessica Dimmock, Michael Requa, Jaime Keeling, producers

 

___________________

 

 

Martha Marcy May Marlene esnobado em Filme e Jessica Chastain de fora em Breakthrough? 09

De resto, é premio pequeno mas que gera publicidade e põe os filmes sob o radar dos votantes.

Yay por Arvore da Vida! 16
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Acabei de ver Drive! Filmaço. Para mim, tem chance de indicação em direção e, um pouco menos, em filme.

Se a Academia ignorou Gosling por Lars... e por Blue Valentine, não deve ser por esse que eles vão indicá-lo. Mas ele está excelente para variar.

Mulligan também não tem chances por esse, talvez por Shame.

Do elenco, Albert Brooks é o que mais tem chance de indicação. Ótimas cenas.

A trilha do filme é uma das melhores que ouço faz tempo. Uma delícia de escutar.

 

 

 

 

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Nos anos 60/70 o Oscar perdeu uma oportunidade única de criar categorias de filme, diretor, roteiro, ator, atriz, ator coadjuvante e atriz coadjuvante para filmes estrangeiros. Isso é o que falta no Oscar para ser realmente a "festa do cinema mundial". Mas nunca vai acontecer.

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Eu não tenho nada contra o Oscar ser um prêmio da indústria do cinema norte-americano. Se houvesse essa ampliação, Beale, a entrega duraria ainda mais tempo, prejudicando o evento, como um todo.

 

 

 

Fora que os votantes já não veem os filmes deles para votar, quanto mais os de outros países...O Oscar seria uma fábrica de injustiças em escala mundial.

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Pouca gente viu J. Edgar no pequeno Carmel Film Festival. Os top critics Todd McCarthy, Scott Foundas e Peter Bart (Variety) foram alguns deles, todos sob embargo. Mas se antes tudo se tratava de rumores, Bart adianta suas ótimas impressões - ressaltando que Eastwood é o tipo de diretor raro na indústria de hoje, e também J. Edgar um filme atípico.

Peter Bart on Clint Eastwood and J. Edgar

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"At a moment when Hollywood is flailing about with tired remakes' date=' Clint Eastwood, one of its more senior filmmakers, seems more determined than ever to stake new ground. His gripping new film “J. Edgar” is the polar opposite of contemporary studio product—a searing biopic about a megalomaniacal right-wing ideologue. Under his four-decade reign, J. Edgar Hoover used the FBI to blackmail presidents and manipulate the media to mold his image as the nation’s lone protector against gangsters and “Bolsheviks.” Top politicians and reporters were scared to reveal that J. Edgar (superbly played by Leonardo DiCaprio) was a mama’s boy with a gay lover. Eastwood’s picture opens Nov. 9, so I am not going to review it here other than to say that it’s consistent with Clint’s legacy. His protagonists are a study in surprise—who else would roam from Dirty Harry to Walt Kowalski (of “Gran Torino”), from Josie Wales to Nelson Mandela, from the troopers of Iwo Jima to a “Million Dollar Baby.”[/quote']
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