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Oscar 2017: Previsões


SergioB.
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Arrival ficou de fora da lista de 145 trilhas originais para o Oscar.

 

Agora, o porquê, vai entender

 

 

Que tristeza! "Silence" de fora também. Desde o início, estava muito estranho quem era os responsáveis. Parece que não há tanta música no filme. "Manchester By The Sea" também de fora.

 

Vou colocar a longa lista para fins de registro.

 

The Abolitionists, Tim Jones, composer

Absolutely Fabulous The Movie, Jake Monaco, composer

The Accountant, Mark Isham, composer

Alice through the Looking Glass, Danny Elfman, composer

Allied, Alan Silvestri, composer

Almost Christmas, John Paesano, composer

American Pastoral, Alexandre Desplat, composer

The Angry Birds Movie, Heitor Pereira, composer

Anthropoid, Robin Foster, composer

Armenia, My Love, Silvia Leonetti, composer

Assassin’s Creed, Jed Kurzel, composer

Autumn Lights, Hugi Gudmundsson and Hjörtur Ingvi Jóhannsson, composers

The BFG, John Williams, composer

Believe, Michael Reola, composer

Ben-Hur, Marco Beltrami and Buck Sanders, composers

Bilal, Atli Ӧrvarsson, composer

Billy Lynn’s Long Halftime Walk, Mychael Danna and Jeff Danna, composers

The Birth of a Nation, Henry Jackman, composer

Bleed for This, Julia Holter, composer

The Boss, Christopher Lennertz, composer

Bridget Jones’s Baby, Craig Armstrong, composer

The Bronze, Andrew Feltenstein and John Nau, composers

Captain America: Civil War, Henry Jackman, composer

The Charnel House, Todd Haberman, composer

The Choice, Marcelo Zarvos, composer

Collateral Beauty, Theodore Shapiro, composer

The Conjuring 2, Joseph Bishara, composer

Criminal, Bryan Tyler and Keith Power, composers

Deadpool, Tom Holkenborg, composer

Deepwater Horizon, Steve Jablonsky, composer

Denial, Howard Shore, composer

Doctor Strange, Michael Giacchino, composer

The Dressmaker, David Hirschfelder, composer

Eddie the Eagle, Matthew Margeson, composer

The Edge of Seventeen, Atli Ӧrvarsson, composer

Elle, Anne Dudley, composer

Eye in the Sky, Paul Hepker and Mark Kilian, composers

Fantastic Beasts and Where to Find Them, James Newton Howard, composer

Fences, Marcelo Zarvos, composer

Finding Dory, Thomas Newman, composer

The First Monday in May, Ian Hultquist and Sofia Hultquist, composers

Florence Foster Jenkins, Alexandre Desplat, composer

Floyd Norman: An Animated Life, Ryan Shore, composer

The Founder, Carter Burwell, composer

Free State of Jones, Nicholas Britell, composer

Ghostbusters, Theodore Shapiro, composer

The Girl on the Train, Danny Elfman, composer

Gleason, Dan Romer and Saul Simon MacWilliams, composers

Gold, Daniel Pemberton, composer

Greater, Stephen Raynor-Endelman, composer

Hacksaw Ridge, Rupert Gregson-Williams, composer

Hail, Caesar!, Carter Burwell, composer

The Handmaiden, Cho Young-wuk, composer

Hands of Stone, Angelo Milli, composer

Hell or High Water, Nick Cave and Warren Ellis, composers

Hidden Figures, Pharrell Williams and Benjamin Wallfisch, composers

High-Rise, Clint Mansell, composer

How to Be Single, Fil Eisler, composer

Hunt for the Wilderpeople, Lukasz Buda and Samuel Scott, composers

The Huntsman: Winter’s War, James Newton Howard, composer

Ice Age: Collision Course, John Debney, composer

Independence Day: Resurgence, Thomas Wander and Harald Kloser, composers

Indignation, Jay Wadley, composer

The Invitation, Theodore Shapiro, composer

Ithaca, John Mellencamp, composer

Jack Reacher: Never Go Back, Henry Jackman, composer

Jackie, Mica Levi, composer

Julieta, Alberto Iglesias, composer

The Jungle Book, John Debney, composer

Keeping Up with the Joneses, Jake Monaco, composer

Kicks, Brian Reitzell, composer

Krisha, Brian McOmber, composer

Kubo and the Two Strings, Dario Marianelli, composer

La La Land, Justin Hurwitz, composer

Land of Mine, Sune Martin, composer

Landfill Harmonic, Michael A. Levine, composer

The Legend of Ben Hall, Ronnie Minder, composer

The Legend of Tarzan, Rupert Gregson-Williams, composer

Life, Animated, Dylan Stark and T. Griffin, composers

The Light between Oceans, Alexandre Desplat, composer

Lights Out, Benjamin Wallfisch, composer

Lion, Dustin O’Halloran and Hauschka, composers

The Little Prince, Hans Zimmer and Richard Harvey, composers

Live by Night, Harry Gregson-Williams, composer

Loving, David Wingo, composer

Maggie’s Plan, Michael Rohatyn, composer

Me Before You, Craig Armstrong, composer

The Meddler, Jonathan Sadoff, composer

Midnight Special, David Wingo, composer

Mike and Dave Need Wedding Dates, Jeff Cardoni, composer

Miracles from Heaven, Carlo Siliotto, composer

Miss Peregrine’s Home for Peculiar Children, Mike Higham and Matthew Margeson, composers

Miss Sloane, Max Richter, composer

Mr. Church, Mark Isham, composer

Moana, Mark Mancina, composer

Money Monster, Dominic Lewis, composer

The Monkey King 2, Christopher Young, composer

A Monster Calls, Fernando Velázquez, composer

Moonlight, Nicholas Britell, composer

Morgan, Max Richter, composer

My Big Fat Greek Wedding 2, Christopher Lennertz, composer

The Neon Demon, Cliff Martinez, composer

The Nice Guys, John Ottman, composer

No Letting Go, Alain Mayrand, composer

Nocturnal Animals, Abel Korzeniowski, composer

Now You See Me 2, Brian Tyler, composer

O.J.: Made in America, Gary Lionelli, composer

Off the Rails, Steve Gernes and Duncan Thum, composers

The Other Side of the Door, Joseph Bishara, composer

The Ottoman Lieutenant, Geoff Zanelli, composer

Ouija: Origin of Evil, Taylor Stewart and John Andrew Grush, composers

Our Kind of Traitor, Marcelo Zarvos, composer

Passengers, Thomas Newman, composer

Paterson, Carter Logan and Jim Jarmusch, composers

Patriots Day, Trent Reznor and Atticus Ross, composers

Pelé: Birth of a Legend, A. R. Rahman, composer

Pete’s Dragon, Daniel Hart, composer

Po, Burt Bacharach, composer

Queen of Katwe, Alex Heffes, composer

Race, Rachel Portman, composer

The Red Turtle, Laurent Perez Del Mar, composer

Ride Along 2, Christopher Lennertz, composer

Rogue One: A Star Wars Story, Michael Giacchino, composer

Sausage Party, Alan Menken and Christopher Lennertz, composers

The Secret Life of Pets, Alexandre Desplat, composer

Silicon Cowboys, Ian Hultquist, composer

Sing, Joby Talbot, composer

Snowtime!, Eloi Painchaud and Jorane, composers

Southside with You, Stephen James Taylor, composer

Star Trek Beyond, Michael Giacchino, composer

Storks, Mychael Danna and Jeff Danna, composers

Suicide Squad, Steven Price, composer

Sully, Christian Jacob, composer

Swiss Army Man, Andy Hull and Robert McDowell, composers

Teenage Mutant Ninja Turtles: Out of the Shadows, Steve Jablonsky, composer

10 Cloverfield Lane, Bear McCreary, composer

10 Days in a Madhouse, Jamie Hall, composer

13 Hours: The Secret Soldiers of Benghazi, Lorne Balfe, composer

Trolls, Christophe Beck, composer

20th Century Women, Roger Neill, composer

Warcraft, Ramin Djawadi, composer

Whiskey Tango Foxtrot, Nick Urata, composer

X-Men: Apocalypse, John Ottman, composer

Zoolander 2, Theodore Shapiro, composer

Zootopia, Michael Giacchino, composer

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O motivo dado para Arrival é um tanto imbecil:

 

"Arrival has a score by JóhannJóhannsson and only samples one other piece of music, Max Richter's "On the Nature of Daylight," which has been used in several other films. According to Variety, the Academy determined that audiences would be unable to distinguish between Richter's cues and Jóhannsson's. "

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O motivo dado para Arrival é um tanto imbecil:

 

"Arrival has a score by JóhannJóhannsson and only samples one other piece of music, Max Richter's "On the Nature of Daylight," which has been used in several other films. According to Variety, the Academy determined that audiences would be unable to distinguish between Richter's cues and Jóhannsson's. "

 

 É impressionante como as pessoas tratam as outras como se fossem burras! Depois do filme, cheguei em casa, busquei na internet, descobri o que era do Max Richter e o que era do Jóhansson. Pronto e acabou. Detesto essa postura de se fazer bilu teteia nas pessoas o tempo todo. As pessoas precisam de bem menos tutela do que se imagina.

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2017 SAG FILM NOMINATIONS:

 

Melhor Elenco em Filme

Captain Fantastic
Fences
Hidden Figures
Manchester by the Sea
Moonlight

Melhor Ator
Casey Affleck por Manchester By the Sea
Andrew Garfield por Hacksaw Ridge
Ryan Gosling por La La Land
Viggo Mortensen por Captain Fantastic
Denzel Washington por Fences

 

Melhor Atriz
Amy Adams por Arrival
Emily Blunt por The Girl on the Train
Natalie Portman por Jackie
Emma Stone por La La Land
Meryl Streep por Florence Foster Jenkins

 

Melhor Performance por Ator Coadjuvante
Mahershala Ali po Moonlight
Jeff Bridges po Hell or High Water
Hugh Grant por Florence Foster Jenkins
Lucas Hedges por Manchester by the Sea
Dev Patel por Lion

 

Melhor Performance por Atriz Coadjuvante
Viola Davis por Fences
Naomie Harris por Moonlight
Nicole Kidman por Lion
Octavia Spencer por Hidden Figures
Michelle Williams por Manchester by the Sea

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Então, cabeçada, a história do dia é a ausência de "La La Land" em Elenco. E aí nos lembramos da conhecida história de "Braveheart" e blá-blá-blá. Bom, além do SAG ser um prêmio estranho (lembrando do ridículo do ano passado), as regras do que bate com o que não bate com o Oscar, ano a ano, vêm sendo quebradas. Mas se quem importa no filme foi indicado, qual o problema do elenco de apoio não aparecer aqui?

 

Eu tinha algumas convicções no início deste 2016 que foram se esfarelando: "No Dames" seria indicada em Canção (Não foi nem submetida); Liam Neeson dono da estatueta ( completamente ignorado); Direção de Arte para um filme de fantasia (todos foram filmes medianos tendendo ao ruim); o islandês fodão finalmente com a estatueta em Trilha Sonora (foi garfado na seleção!). É dura a vida de um observador do Oscar! Fala-se muita bobagem. Mas desde o princípio pus fé em Meryl Streep e Hugh Grant (que, aliás, está em todas as festas de L.A, também, promovendo e desejando a vaga).

 

Queria falar da Octavia Spencer. Todo mundo vai celebrar o fato da Viola Davis ganhar, e ser a única atriz negra com 3 indicações na história, certo? Mas a Octavia Spencer será - até onde eu me lembro - a única atriz negra vencedora do Oscar a ser indicada novamente. Ela é extremamente querida em Hollywood, e, além do mais, ela é boa atriz. Não torci por ela em "The Help", no qual ela está só...bem...mas gosto de tudo que ela fez depois, destacando-se "Fruitvalle Station". A chance desta lista de coadjuvante ornar com a do Oscar é bem grande. Assim como Ator Coadjuvante, mas eu ainda acredito que alguém de "Silence" surja. 

 

 Atriz...Isabelle Huppert no lugar da Blunt (lá no início do ano apontei o potencial desse sub "Gone Girl" - tive até que ler o livro)?

 

 Esperava "Hell Or High Water" em elenco no lugar de "Hidden Figures", mas tudo bem...

 

 Tom Hanks ficar ausente aqui é bem significativo. Não é todas as ausências no SAG que contam, mas essa aqui é forte. É um silêncio eloquente.

 

 "Loving" indo muito mal. Ruth Negga sucumbiu ao longo da temporada. "Fences", ao contrário, recuperou-se bem.

 

Casey Affleck tem um grande adversário contra ele, e não estou me referindo a Denzel nunca ter ganhado um SAG Award. Estou me referindo ao seu jeitão low-profile, de perfil baixo, inclusive quando recebe prêmios. As pessoas/os votantes querem ver alegria no rosto de quem tem um troféu nas mãos! Senão fica parecendo a Dilma Rousseff com a taça da Copa do Mundo nas mãos, querendo se livrar daquilo o mais rápido possível. É um Oscar, poxa! Não é prêmio de redação do colégio. Bota um sorriso no rosto, mermão. O Matt Damon desistiu de interpretar esse personagem e o embrulhou pra presente pra você.

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Dallas-Fort Worth Film Critics Association:

 

(Choices listed in order of votes received)

BEST PICTURE

  • Winner: MOONLIGHT
  • Runners-up: MANCHESTER BY THE SEA; LA LA LAND; HELL OR HIGH WATER; ARRIVAL; JACKIE; LOVING; 20TH CENTURY WOMEN; HACKSAW RIDGE; SILENCE

BEST DIRECTOR

  • Winner: Barry Jenkins, MOONLIGHT
  • Runners-up: Damien Chazelle, LA LA LAND; Kenneth Lonergan, MANCHESTER BY THE SEA; David Mackenzie, HELL OR HIGH WATER; Denis Villeneuve, ARRIVAL

BEST ACTOR

  • Winner: Casey Affleck, MANCHESTER BY THE SEA
  • Runners-up: Denzel Washington, FENCES; Joel Edgerton, LOVING; Ryan Gosling, LA LA LAND; Tom Hanks, SULLY

BEST ACTRESS

  • Winner: Natalie Portman, JACKIE
  • Runners-up: Emma Stone, LA LA LAND; Ruth Negga, LOVING; Amy Adams, ARRIVAL; Annette Bening, 20TH CENTURY WOMEN

BEST SUPPORTING ACTOR

  • Winner: Mahershala Ali, MOONLIGHT
  • Runners-up: Jeff Bridges, HELL OR HIGH WATER; Michael Shannon, NOCTURNAL ANIMALS; Lucas Hedges, MANCHESTER BY THE SEA; Ben Foster, HELL OR HIGH WATER

BEST SUPPORTING ACTRESS

  • Winner: Viola Davis, FENCES
  • Runners-up: Naomie Harris, MOONLIGHT; Michelle Williams, MANCHESTER BY THE SEA; Greta Gerwig, 20TH CENTURY WOMEN; Judy Davis, THE DRESSMAKER

BEST FOREIGN LANGUAGE FILM

  • Winner: THE HANDMAIDEN
  • Runners-up: TONI ERDMANN; ELLE; NERUDA; THE SALESMAN

BEST DOCUMENTARY

  • Winner: TOWER
  • Runners-up: 13TH; GLEASON; I AM NOT YOUR NEGRO; WEINER

BEST ANIMATED FILM

  • Winner: ZOOTOPIA
  • Runners-up: KUBO AND THE TWO STRINGS; MOANA

BEST SCREENPLAY

  • Winner: Kenneth Lonergan, MANCHESTER BY THE SEA
  • Runner-up: Barry Jenkins, MOONLIGHT

BEST CINEMATOGRAPHY

  • Winner: Linus Sandgren, LA LA LAND
  • Runner-up: Rodrigo Prieto, SILENCE

BEST MUSICAL SCORE

  • Winner: Justin Hurwitz, LA LA LAND
  • Runner-up: Mica Levi, JACKIE

RUSSELL SMITH AWARD (best low-budget or cutting-edge independent film)

  • Winner: MOONLIGHT

===

(Press Release) The Dallas-Fort Worth Film Critics Association voted the intimate drama MOONLIGHT as the best film of 2016, according to the results of its 23rd annual critics’ poll released today.

Rounding out the composite list of the top 10 films of the year were MANCHESTER BY THE SEA (2), LA LA LAND (3), HELL OR HIGH WATER (4), ARRIVAL (5), JACKIE (6), LOVING (7), 20TH CENTURY WOMEN (8), HACKSAW RIDGE (9) and SILENCE (10).

For Best Actor, the association named Casey Affleck for MANCHESTER BY THE SEA. Runners-up included Denzel Washington for FENCES (2), Joel Edgerton for LOVING (3), Ryan Gosling for LA LA LAND (4) and Tom Hanks for SULLY (5).

Natalie Portman was voted Best Actress for JACKIE. Next in the voting were Emma Stone for LA LA LAND (2), Ruth Negga for LOVING (3), Amy Adams for ARRIVAL (4) and Annette Bening for 20TH CENTURY WOMEN (5).

In the Best Supporting Actor category, the winner was Mahershala Ali for MOONLIGHT. He was followed by Jeff Bridges for HELL OR HIGH WATER (2), Michael Shannon for NOCTURNAL ANIMALS (3), Lucas Hedges for MANCHESTER BY THE SEA (4) and Ben Foster for HELL OR HIGH WATER (5).

For Best Supporting Actress, the association named Viola Davis for FENCES. Runners-up were Naomie Harris for MOONLIGHT (2), Michelle Williams for MANCHESTER BY THE SEA (3), Greta Gerwig for 20TH CENTURY WOMEN (4) and Judy Davis for THE DRESSMAKER (5).

Barry Jenkins was voted Best Director for MOONLIGHT. Next in the voting were Damien Chazelle for LA LA LAND (2), Kenneth Lonergan for MANCHESTER BY THE SEA (3), David Mackenzie for HELL OR HIGH WATER (4) and Denis Villeneuve for ARRIVAL (5).

The association voted THE HANDMAIDEN as the best foreign-language film of the year. Runners-up included TONI ERDMANN (2), ELLE (3), NERUDA (4) and THE SALESMAN (5).

TOWER won for Best Documentary over 13TH (2), GLEASON (3), I AM NOT YOUR NEGRO (4) and WEINER (5).

ZOOTOPIA was named the best animated film of 2015, with KUBO AND THE TWO STRINGS and MOANA as runners-up. Kenneth Lonergan won the Best Screenplay award for MANCHESTER BY THE SEA over Barry Jenkins for MOONLIGHT.

The award for Best Cinematography went to Linus Sandgren for LA LA LAND, followed by Rodrigo Prieto for SILENCE. The association gave its award for Best Musical Score to Justin Hurwitz for LA LA LAND, beating out Mica Levi for JACKIE.

The association also voted MOONLIGHT as the winner of the Russell Smith Award, named for the late Dallas Morning News film critic. The honor is given annually to the best low-budget or cutting-edge independent film.

The Dallas-Fort Worth Film Critics Association consists of 33 broadcast, print and online journalists from throughout North Texas. For more information, visit www.dfwcritics.com or follow us on Facebook or Twitter @dfwfilmcritics.

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Detroit Film Critics Society 2016 Nominations:

 

BEST PICTURE
The Edge of Seventeen
Hell or High Water
Manchester by the Sea
Moonlight
La La Land

 

BEST DIRECTOR
Damien Chazelle – La La Land
Barry Jenkins – Moonlight
Kenneth Longergan – Manchester by the Sea
David Mackenzie – Hell or High Water
Denzel Washington – Fences

 

BEST ACTOR
Casey Affleck – Manchester by the Sea
Joel Edgerton – Loving
Andrew Garfield – Hacksaw Ridge
Ryan Gosling – La La Land
Denzel Washington – Fences

 

BEST ACTRESS
Amy Adams – Arrival
Annette Bening – 20th Century Women
Rebecca Hall – Christine
Ruth Negga – Loving
Natalie Portman – Jackie
Emma Stone – La La Land

 

BEST SUPPORTING ACTOR
Mahershala Ali – Moonlight
Jeff Bridges – Hell or High Water
Alden Ehrenreich – Hail, Caesar!
Ralph Fiennes – A Bigger Splash
Lucas Hedges – Manchester by the Sea

 

BEST SUPPORTING ACTRESS
Viola Davis – Fences
Elle Fanning – 20th Century Women
Greta Gerwig – 20th Century Women
Felicity Jones – A Monster Calls
Michelle Williams – Manchester by the Sea

 

BEST ENSEMBLE
20th Century Women
Everybody Wants Some!!
Hell or High Water
Manchester by the Sea
Moonlight

 

BEST BREAKTHROUGH
Mahershala Ali – Moonlight, Hidden Figures – Actor
Kelly Fremon Craig – Edge of Seventeen – Director/Writer
Lucas Hedges – Manchester by the Sea – Actor
Barry Jenkins – Moonlight – Director/Writer
Trevante Rhodes – Moonlight – Actor
Trey Edward Shults – Krisha – Director/Writer

 

BEST SCREENPLAY
Damien Chazelle – La La Land
Eric Heisserer – Arrival
Barry Jenkins – Moonlight
Kenneth Lonergan – Manchester by the Sea
Taylor Sheridan – Hell or High Water

 

BEST DOCUMENTARY
13th
Gleason
Life, Animated
O.J.: Made in America
Tickled
Weiner

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2016 Phoenix Film Critics Society Nominations:

 

BEST PICTURE
A Monster Calls
Arrival
Florence Foster Jenkins
Hacksaw Ridge
Hell or High Water
La La Land

Manchester By The Sea
Moonlight
Nocturnal Animals
Sing Street

 

BEST DIRECTOR
Mel Gibson – Hacksaw Ridge
David Mackenzie – Hell or High Water
Damien Chazelle – La La Land
Kenneth Lonergan – Manchester By The Sea
Barry Jenkins – Moonlight

 

BEST ACTOR IN A LEADING ROLE
Andrew Garfield – Hacksaw Ridge
Casey Affleck – Manchester By The Sea
Denzel Washington – Fences
Ryan Gosling – La La Land
Tom Hanks – Sully

 

BEST ACTRESS IN A LEADING ROLE
Amy Adams – Arrival
Emma Stone – La La Land
Meryl Streep – Florence Foster Jenkins
Natalie Portman – Jackie
Ruth Negga – Loving

 

BEST ACTOR IN A SUPPORTING ROLE
Ben Foster – Hell or High Water
Hugh Grant – Florence Foster Jenkins
Jeff Bridges – Hell or High Water
Mahershala Ali – Moonlight
Michael Shannon – Nocturnal Animals

 

BEST ACTRESS IN A SUPPORTING ROLE
Felicity Jones – A Monster Calls
Greta Gerwig – 20th Century Women
Michelle Williams – Manchester by the Sea
Naomie Harris – Moonlight
Viola Davis – Fences

 

BEST ENSEMBLE ACTING
Fences
Hell or High Water
Hidden Figures
La La Land
Manchester by the Sea
Moonlight

 

BEST ORIGINAL SCREENPLAY
Hell or High Water
La La Land
Manchester by the Sea
Moonlight
The Lobster

 

BEST SCREENPLAY ADAPTED
FROM OTHER MATERIAL
Arrival
Fences
Hacksaw Ridge
Lion
Love & Friendship

 

THE OVERLOOKED FILM OF THE YEAR
Anthropoid
Captain Fantastic
Hunt for the Wilderpeople
Sing Street
The Lobster

 

BEST ANIMATED FILM
Finding Dory
Kubo and the Two Strings
Moana
Trolls
Zootopia

 

BEST FOREIGN LANGUAGE FILM
A Man Called Ove
Between Sea and Land
Desierto
Elle
The Handmaiden

 

BEST DOCUMENTARY
13th
Gleason
Oasis: Supersonic
OJ: Made in America
Weiner

 

BEST ORIGINAL SONG
La La Land – Audition (The Fools Who Dream)
La La Land – City Of Stars
Moana – How Far I’ll Go
Rules Don’t Apply – The Rules Don’t Apply
Sing Street – Drive it Like You Stole It

 

BEST ORIGINAL SCORE
Arrival
Jackie
La La Land
Lion
Nocturnal Animals

 

BEST CINEMATOGRAPHY
Arrival
Hacksaw Ridge
La La Land
Lion
Silence

 

BEST FILM EDITING
Hacksaw Ridge
La La Land
Moonlight
Nocturnal Animals
Sully

 

BEST PRODUCTION DESIGN
Fantastic Beasts and Where to Find Them
Hacksaw Ridge
Jackie
La La Land
Silence

 

BEST COSTUME DESIGN
Fantastic Beasts and Where to Find Them
Florence Foster Jenkins
Hacksaw Ridge
Jackie
La La Land

 

BEST VISUAL EFFECTS
Arrival
Captain America: Civil War
Doctor Strange
Fantastic Beasts and Where to Find Them
The Jungle Book

 

BREAKTHROUGH PERFORMANCE
Anya Taylor-Joy – The Witch
Lewis MacDougall – A Monster Calls
Lucas Hedges – Manchester by the Sea
Mahershala Ali – Moonlight
Ruth Negga – Loving

 

BEST PERFORMANCE BY A YOUTH
Alex R. Hibbert – Moonlight
Lewis MacDougall – A Monster Calls
Lucas Hedges – Manchester by the Sea
Neel Sethi – The Jungle Book
Sunny Pawar – Lion

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Austin Film Critics Association (AFCA) Nominations:

 

Best Film

Arrival
The Handmaiden
La La Land
Manchester by the Sea
Moonlight

 

Best Director
Barry Jenkins, Moonlight
Damien Chazelle, La La Land
Denis Villeneuve, Arrival
Kenneth Lonergan, Manchester by the Sea
Park Chan-wook, The Handmaiden

 

Best Actor
Casey Affleck, Manchester by the Sea
Colin Farrell, The Lobster
Denzel Washington, Fences
Joel Edgerton, Loving
Ryan Gosling, La La Land

 

Best Actress
Amy Adams, Arrival
Annette Bening, 20th Century Women
Isabelle Huppert, Elle
Natalie Portman, Jackie
Ruth Negga, Loving

 

Best Supporting Actor
Ben Foster, Hell or High Water
Jeff Bridges, Hell or High Water
Mahershala Ali, Moonlight
Michael Shannon, Nocturnal Animals
Trevante Rhodes, Moonlight

 

Best Supporting Actress
Greta Gerwig, 20th Century Women
Michelle Williams, Manchester by the Sea
Min-hee Kim, The Handmaiden
Naomie Harris, Moonlight
Viola Davis, Fences

 

Best Original Screenplay
Barry Jenkins, Moonlight
Damien Chazelle, La La Land
Kenneth Lonergan, Manchester by the Sea
Mike Mills, 20th Century Women
Yorgos Lanthimos, Efthymis Filippou, The Lobster

 

Best Adapted Screenplay
Eric Heisserer, Arrival
Luke Davies, Lion
Park Chan-wook, Jeong Seo-kyeong, The Handmaiden
Tom Ford, Nocturnal Animals
Whit Stillman, Love & Friendship

 

Best Cinematography
Bradford Young, Arrival
Chung Chung-hoon, The Handmaiden
James Laxton, Moonlight
Linus Sandgren, La La Land
Stéphane Fontaine, Jackie

 

Best Score
Cliff Martinez, The Neon Demon
Jóhann Jóhannsson, Arrival
Justin Hurwitz, La La Land
Mica Levi, Jackie
Nick Cave, Warren Ellis, Hell or High Water

 

Best Foreign-Language Film
The Brand New Testament
Elle
The Handmaiden
Things to Come
Toni Erdmann

 

Best Documentary
13TH
I Am Not Your Negro
O.J.: Made in America
Tower
Weiner

 

Best Animated Film
Kubo & The Two Strings
Moana
The Little Prince
Tower
Zootopia

 

Best First Film
The Birth of a Nation
The Edge of Seventeen
Krisha
Swiss Army Man
The Witch

 

The Robert R. “Bobby” McCurdy Memorial Breakthrough Artist Award
Anya Taylor Joy, The Witch
Barry Jenkins, Moonlight
Keith Maitland, Tower
Sasha Lane, American Honey
Trevante Rhodes, Moonlight

 

Best Austin Film
Loving
Midnight Special
Slash
Tower
Transpecos

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Las Vegas Film Critics Society Nominations:

 

Best Picture

Moonlight
La La Land
Manchester by the Sea
Nocturnal Animals
Hell or High Water

 

Best Actor
Chris Pine – Hell or High Water
Jake Gyllenhaal – Nocturnal Animals
Casey Affleck – Manchester by the Sea
Ryan Gosling – La La Land
Denzel Washington – Fences

 

Best Actress
Emma Stone – La La Land
Natalie Portman – Jackie
Taraji P. Henson – Hidden Figures
Amy Adams – Arrival
Annette Bening – 20th Century Women

 

Best Supporting Actor
Jeff Bridges – Hell or High Water
Mahershala Ali – Moonlight
Lucas Hedges – Manchester by the Sea
Michael Shannon – Nocturnal Animals
Ben Foster – Hell or High Water

 

Best Supporting Actress
Octavia Spencer – Hidden Figures
Naomie Harris – Moonlight
Viola Davis – Fences
Greta Gerwig – 20th Century Women
Michelle Williams – Manchester by the Sea

 

Best Director
Garth Davis – Lion
Theodore Melfi – Hidden Figures
Barry Jenkins – Moonlight
J.A. Bayona – A Monster Calls
Tom Ford – Nocturnal Animals

 

Best Original Screenplay
Manchester by the Sea
The Witch
Hell or High Water
Moonlight
La La Land

 

Best Adapted Screenplay
Hidden Figures
Lion
Nocturnal Animals
Arrival
A Monster Calls

 

Best Cinematography
Moonlight
Nocturnal Animals
Arrival
La La Land

Rogue One

 

Best Editing
La La Land
Moonlight
Nocturnal Animals
Arrival
Hacksaw Ridge

 

Best Score
Jackie
Nocturnal Animals
Arrival
Lion
La La Land

 

Best Song
“City of Stars” (La La Land)
“How Far Will I Go” (Moana)
“I See Victory” (Hidden Figures)
“The Great Beyond” (Sausage Party)
“Finest Girl (Bin Laden Song) (Popstar: Never Stop Never Stopping)

 

Best Action Film
Deadpool
Captain America: Civil War
Rogue One
Hacksaw Ridge

Doctor Strange

 

Best Documentary
8 Days a Week
Weiner
OJ: Made in America
13
The Eagle Huntress

 

Best Costume Design
Jackie
The Witch
Fantastic Beasts
Love & Friendship
La La Land

 

Best Visual Effects
Jungle Book
Doctor Strange
Fantastic Beasts
Arrival
A Monster Calls

 

Best Art Direction
Jackie
La La Land
Arrival
A Monster Calls
Fantastic Beasts

 

Best Animated Film
Kubo and the Two Strings
Sausage Party
Finding Dory
Zootopia
Moana

 

Best Foreign Film
Elle
Neruda
The Handmaiden
Toni Erdmann
The Salesman

 

Best Comedy
Deadpool
Don’t Think Twice
The Edge of Seventeen
Sausage Party
The Nice Guys

 

Best Horror/Sci-Fi
The Witch
The Neon Demon

Arrival
10 Cloverfield Lane
Don’t Breathe

 

Best Family Film
The Hunt for the Wilderpeople
Moana
Zootopia
The Jungle Book
Kubo and the Two Strings

 

Best Ensemble
Hidden Figures
Manchester by the Sea
Moonlight
Fences
Hell or High Water

 

Breakout Filmmaker
Barry Jenkins – Moonlight
Robert Eggers – The Witch
Kelly Fremon Craig – Edge of Seventeen
Daniel Kwan & Daniel Scheinert – Swiss Army Man
Nate Parker – Birth of a Nation

 

Youth in Film
Madina Nalwanga – Queen of Katwe
Lewis MacDougall – A Monster Calls
Lucas Hedges – Manchester by the Sea
Hailee Steinfeld – Edge of Seventeen
Alex R. Hibbert – Moonlight

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Hell or High Water é aquele típico neo-western texano, como foi com Onde os fracos não tem vez, que aparentemente é só um filme de perseguição, mas que traz muitas outras camadas nele. Aliás, se Onde os Fracos representava bem o final da era Bush, este Hell pode representar o início da era Trump (sem trocadilho).

 

Uma coisa que me chama atenção sobre estes filmes: já morei no Texas. Não voltaria pra lá. Só gente louca, mas é incrível como eu me fascino pelos códigos peculiares da região. Não sei se é a cadência, imagens, sons, mas há algo muito cativante nestas produções.

 

Acho que eu não me lembro de ter visto um personagem do Ben Foster que não fosse um completo demente.

 

Gostei bastante.

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E eu acabei assistindo àquele "Divines", indicado ao Globo de Ouro. Como eu nunca estudei cinema, fico sem saber por que razão objetiva eu não gostei, já que tudo é extremamente bem feito. Não é só uma questão subjetiva, não, é que...sei lá..Parece um programa da Globo, da Monique Gardenberg, elevado à décima potência. Ou talvez por que o audiovisual brasileiro já explorou até onde deu esse universo de traficantes.

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Nine features will advance to the next round of voting in the Foreign Language Film category for the 89th Academy Awards. 

 

 

Australia, “Tanna,” Bentley Dean, Martin Butler, directors;
Canada, “It’s Only the End of the World,” Xavier Dolan, director;
Denmark, “Land of Mine,” Martin Zandvliet, director;
Germany, “Toni Erdmann,” Maren Ade, director;
Iran, “The Salesman,” Asghar Farhadi, director;
Norway, “The King’s Choice,” Erik Poppe, director;
Russia, “Paradise,” Andrei Konchalovsky, director;
Sweden, “A Man Called Ove,” Hannes Holm, director;
Switzerland, “My Life as a Zucchini,” Claude Barras, director.

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"Neruda", "Julieta", e "Elle" de fora!! Parece que o da Dinamarca é muito bom (aliás, todo ano eles mandam bem!).  Em maio eu já falava que Brasil e Coreia do Sul sempre conseguem a proeza de se complicarem, quando possuem ótimos filmes, ótimos cineastas! De novo, não entraram! É incrível! Os dois países têm de aprender muito com os nórdicos a como fazer campanha! "Fire at sea" em Documentário?

 

 Fiquei sabendo que Isabelle Huppert não pode concorrer ao BAFTA.

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 Chicago Film Critics Association Awards:

 

 

Best Picture: MOONLIGHT

Best Director: Barry Jenkins, MOONLIGHT

Best Actress: Natalie Portman, JACKIE

Best Actor: Casey Affleck, MANCHESTER BY THE SEA

Best Supporting Actress: Michelle Williams, MANCHESTER BY THE SEA

Best Supporting Actor: Mahershala Ali, MOONLIGHT

Best Adapted Screenplay: THE HANDMAIDEN, Chan-wook Park and Seo-kyeong Jeong

Best Original Screenplay: MANCHESTER BY THE SEA, Kenneth Lonergan

Best Original Score: Mica Levi, JACKIE

Best Cinematography: Linus Sandgren, LA LA LAND

Best Editing: Tom Cross, LA LA LAND

Best Art Direction/Production Design: THE HANDMAIDEN

Best Foreign Language Film: THE HANDMAIDEN

Best Animated Feature: KUBO AND THE TWO STRINGS

Best Documentary: OJ: MADE IN AMERICA

Most Promising Filmmaker: Robert Eggers, THE WITCH

Most Promising Performer: Lucas Hedges, MANCHESTER BY THE SEA

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"Neruda", "Julieta", e "Elle" de fora!! Parece que o da Dinamarca é muito bom (aliás, todo ano eles mandam bem!).  Em maio eu já falava que Brasil e Coreia do Sul sempre conseguem a proeza de se complicarem, quando possuem ótimos filmes, ótimos cineastas! De novo, não entraram! É incrível! Os dois países têm de aprender muito com os nórdicos a como fazer campanha! "Fire at sea" em Documentário?

 

 Fiquei sabendo que Isabelle Huppert não pode concorrer ao BAFTA.

 

Eita... Elle é o que me surpreende por ser maravilhoso. Fogo ao Mar, estava numa situação mais difícil, teria que vencer não só seus concorrentes como os detratores de documentários nestas categorias. O que a meu ver é uma estupidez, pois é um dos filmes mais belos do ano.

 

Esse Land of Mine da Dinamarca (procurem pelo nome original nas locadoras web) achei um pouco sem sal. Ele até consegue manter a tensão em boa parte do filme mas parece tomar as decisões mais simples sempre e há momentos que não passam de "tearjerkers" da pior espécie. Conhecendo Elle e Fogo ao Mar, diria que é uma tremenda injustiça.

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Uma coisa que me chama atenção sobre estes filmes: já morei no Texas. Não voltaria pra lá. Só gente louca, mas é incrível como eu me fascino pelos códigos peculiares da região. Não sei se é a cadência, imagens, sons, mas há algo muito cativante nestas produções.

 

 

 Fico imaginando sua reação diante de "Giant", "Rio Vermelho", "Rio Bravo"... Pelos quais sou totalmente apaixonado!

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10 Contenders Advance in Visual Effects Race for the 89th Academy Awards:

 

“Arrival”
“The BFG”
“Captain America: Civil War”
“Deepwater Horizon”
“Doctor Strange”
“Fantastic Beasts and Where to Find Them”
“The Jungle Book”
“Kubo and the Two Strings”
“Passengers”
“Rogue One: A Star Wars Story”
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Assisti finalmente a "Fire at Sea", urso de Ouro em Berlim. Uma abordagem muito madura, não sensacionalista, não melodramática, sem absolutamente nenhum clichê, do candente tema da imigração ilegal. Em certo sentido, é mais sobre quem recebe do que sobre quem é recebido.

 

Vou divagar um pouco. Quando surge esse assunto, sempre me lembro de uma frase presente em "Amor Líquido", do Bauman, "Refugiados são arautos de más notícias", uma frase de Brecht; e em contraposição lembro-me do modo como Gilberto Freyre chamava os negros que chegaram ao país pelo flagelo da escravidão de "colonizadores africanos". Se passarmos a entender as pessoas egressas de outras culturas como "colonizadores" (mesmo que venham fugindo, expulsas, contra à própria vontade, nas piores condições, não importa) alguém que vem pra somar, já muda algo em nossa sensibilidade - pra quem ainda tem esse negócio aí. Nesse sentido de colonização, não soa pertinente a leitura por uma criança de um texto escolar sobre Colombo no meio do documentário?

 

E, bem, já que voltei ao documentário, me impressionou como ele é ..."quieto". Poucas falas, quase todas "desimportantes". Não há ninguém apresentando o tema, ou apresentando os retratados. Ninguém aponta o dedo e explica: "isso é a vida real; essa mulher grávida desidratada ficou dias sem comer em um bote em mar aberto, qual o seu nome, minha filha? de onde você é?", etc. Isso talvez seja um vício do gênero, que nesta produção é evitado com sucesso. Não fez falta e o aproximou um pouco dos caminhos da ficção. Se por acaso alguém nos vendesse a ideia de que se trata de uma ficção, um filme com atores amadores, quantos de nós não acreditariam? Então, proponho um libelo, "Por mais documentários sem didatismo!" Repito o que escrevi aqui um dia desses: Não tratem as pessoas como burras, as pessoas são inteligentes! Elas entendem!

 

Não é por nada não, mas que montagem!! Eu fui até checar os dados, e fiquei contente que ele tenha sido indicado e ganhado prêmios nessa categoria. Jacopo Quadri. Sabem que é? Ahrá!! Montador de "Bicho de Sete Cabeças", até hoje um dos nossos melhores filmes! Montador do estupendo "Os Sonhadores", e do lindinho "Io e Te"!  

 

Por essas e outras características, tenho dúvidas se entra em uma das 5 disputadíssimas vagas de Documentário. A seu lado, o prêmio em Berlim, as críticas excelentes, suas virtudes, sua relevância, mas...não sei se basta. Como disse no início, estrangeiros, arautos de más notícias, não costumam ser bem recebidos.

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St. Louis Film Critics Association:

 

 

BEST FILM
Winner: La La Land
Runners-up: Hell or High Water and Manchester by the Sea (tie)

BEST DIRECTOR
Winner: Damien Chazelle – La La Land
Runners-up: Kenneth Lonergan – Manchester by the Sea andDenis Villeneuve – Arrival (tie)

BEST ACTOR
Winner: Casey Affleck – Manchester by the Sea
Runner-up: Joel Edgerton – Loving

BEST ACTRESS
Winner: Isabelle Huppert – Elle
Runner-up: Natalie Portman – Jackie

BEST SUPPORTING ACTOR
Winner: Mahershala Ali – Moonlight
Runner-up: Lucas Hedges – Manchester by the Sea

BEST SUPPORTING ACTRESS
Winner: Viola Davis – Fences
Runner-up: Michelle Williams – Manchester by the Sea

BEST ORIGINAL SCREENPLAY
Winner: Hell or High Water – Taylor Sheridan
Runner-up: Manchester by the Sea – Kenneth Lonergan

BEST ADAPTED SCREENPLAY
Winner: Love and Friendship – Whit Stillman (Screenplay); Jane Austen (Novel)
Runner-up: Arrival – Eric Heisserer (Screenplay); Ted Chiang (Short Story)

BEST EDITING
Winner: Jackie – Sebastián Sepúlveda
Runners-up: Hacksaw Ridge – John Gilbert and La La Land – Tom Cross

BEST CINEMATOGRAPHY
Winner: La La Land – Linus Sandgren
Runner-up: Moonlight – James Laxton

BEST PRODUCTION DESIGN
Winner: The Handmaiden – Seong-hie Ryu
Runners-up: Fantastic Beasts and Where to Find Them – Stuart Craig and James Hambidge; Jackie – Jean Rabasse and La La Land – David Wasco (three-way tie)

BEST VISUAL EFFECTS
Winner: The Jungle Book
Runner-up: Doctor Strange

BEST MUSIC SCORE
Winner: La La Land – Justin Herwitz
Runner-up: Jackie – Mica Levi

BEST SOUNDTRACK
Winner: Sing Street
Runner-up: La La Land

BEST SONG
Winner: “Audition (The Fools Who Dream)” – La La Land
Runner-up: “City of Stars” – La La Land

BEST ACTION FILM
Winner: Captain America: Civil War
Runner-up: Doctor Strange

BEST ANIMATED FEATURE
Winner: Zootopia
Runner-up: Kubo and the Two Strings

BEST COMEDY
Winner: Hail, Caesar!
Runner-up: Popstar: Never Stop Never Stopping

BEST DOCUMENTARY FEATURE
Winner: I Am Not Your Negro
Runner-up: Weiner

BEST FOREIGN LANGUAGE FILM
Winner: Elle
Runner-up: The Handmaiden

BEST HORROR / SCIENCE-FICTION FILM
Winner: The Witch
Runner-up: Arrival

BEST SCENE
Winner: La La Land – Opening dance number, “Another Day of Sun”
Runner-up: Hail, Caesar! – “Would that it were so simple.”

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É tão curioso ouvir as pessoas falando de "Manchester By the Sea"! Quando se referem às performances de Casey Affleck e de Michelle Williamns, todos, invariavelmente, levam a mão à cabeça, como se tivessem condoídos dos personagens. Eu não vejo a hora de assistir! E, aliás, é um filme com dinheiro da Amazon, que está gastando a rodo para promover o filme, e fazer seu nome, e, como Best Picture é um prêmio de consenso, se esse for a segunda opção de muita gente, tem chance de ganhar sim,  como foi o caso de "Spotlight".

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Esse Land of Mine da Dinamarca (procurem pelo nome original nas locadoras web) achei um pouco sem sal. Ele até consegue manter a tensão em boa parte do filme mas parece tomar as decisões mais simples sempre e há momentos que não passam de "tearjerkers" da pior espécie. Conhecendo Elle e Fogo ao Mar, diria que é uma tremenda injustiça.

 

Concordo com tudo que você escreveu, caro Imborba. Só que, tendo terminado de assistir, posso calcular que ele tem mais ou menos 99% de chance de ser indicado! É tudo o que a Academia adora! Sem fazer muita pesquisa, creio que será a décima terceira indicação da Dinamarca, incluindo suas 3 vitórias. Nos últimos tempos, então, é uma festa contínua, inclusive neste ano, com o ótimo "A War". É um bom filme, no final das contas, com uma esquema de cor "areia" na Fotografia, que fez tudo ficar interessante. O céu quase nunca azul, quase sempre um branco estourado, resultado em maior destaque aos personagens em frente da câmera. Eu gostei. Faz refletir sobre a crueldade - invertendo o usual papel histórico dos alemães, colocando-os como vítimas (Vítima de Crime de Guerra - já que pelas convenções internacionais, prisioneiros não podem ser explorados dessa maneira).

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Detroit Film Critics Society:

 

BEST PICTURE
LA LA LAND

BEST DIRECTOR
DAMIEN CHAZELLE – LA LA LAND

BEST ACTOR
CASEY AFFLECK – MANCHESTER BY THE SEA

BEST ACTRESS
EMMA STONE – LA LA LAND

BEST SUPPORTING ACTOR
JEFF BRIDGES – HELL OR HIGH WATER

BEST SUPPORTING ACTRESS (tie)
VIOLA DAVIS – FENCES
and
GRETA GERWIG – 20TH CENTURY WOMEN

BEST ENSEMBLE
20TH CENTURY WOMEN

BEST BREAKTHROUGH
KELLY FREMON CRAIG – THE EDGE OF SEVENTEEN – DIRECTOR/WRITER

BEST SCREENPLAY
DAMIEN CHAZELLE – LA LA LAND

BEST DOCUMENTARY
O.J.: MADE IN AMERICA

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