Members Rosie Posted December 30, 2005 Members Report Share Posted December 30, 2005 e eu achando que simpatia tinha que ser uma das principais caracteristicas pra o host do Oscar... Paris Hilton me dá medooo! Quote Link to comment Share on other sites More sharing options...
Members FeCamargo Posted December 30, 2005 Members Report Share Posted December 30, 2005 Fico curioso para saber dos dotes da moça, desde dotes cômicos até senso crítico e conhecimento, mesmo que mínimo, em cinema para apresentar a festa....seria interessante! Quote Link to comment Share on other sites More sharing options...
Members Ronny Posted December 30, 2005 Members Report Share Posted December 30, 2005 Essa foi boa mesmo!!! Quote Link to comment Share on other sites More sharing options...
Members Fernando Posted December 30, 2005 Members Report Share Posted December 30, 2005 Como diria o Nacka , sinal dos tempos ...Paris Hilton apresentando o Oscar ... Até a Madonna seria uma apresentadora melhor . Quote Link to comment Share on other sites More sharing options...
Members Sync Posted December 30, 2005 Author Members Report Share Posted December 30, 2005 Ellen Degeneres!! Daí só faltava a estátua do Oscar vim com sainha para se tornar de vez a festa GLS! OBS: Que maldade minha..... Quote Link to comment Share on other sites More sharing options...
Members Sync Posted December 30, 2005 Author Members Report Share Posted December 30, 2005 O Top 10 do tradcional David Poland do The Hot Button... tem uns filmes estranhos no meio, mas vale apena dar uma olhada: THE TOP TEN OF 2005 10. The 40 Year Old Virgin - 2005 was not really the "Year of the R Rated Comedy "… it was the "Year of The R Rated Movie with a Heart Of Gold." And no comedies heart was bigger than this one's. When The Wedding Crashers lost its footing a bit when the real feelings showed up, Steve Carrell and Catherine Keener duoed up with an ease and grace reminiscent of Woody Allen and Diane Keaton, more so in Sleeper or Love and Death than Annie Hall. Essentially, this was the best Adam Sandler movie ever… perhaps because Sandler - who is very underrated, really - still isn't as mature as Carrell, even though they are of a similar age. Carrell at the center of Spanglish might have stood a chance. In any case, Virgin just flies - and as far broad as it goes, it always seems to find the grain of human truth that makes you suspend your wince and turn it into a smile and a belly laugh. 9. Paradise Now - It is not the most accomplished filmmaking, but in a year of considering why hatred thrives in the world, the film is sublime. Some people are cartoons. Most are not. The wannabe suicide bombers of Paradise Now are not cartoons, though one of them kind of aspires to becoming one. The voice of reason? The terrorist's daughter. Questions, questions, questions. 8. Kingdom of Heaven: Extended Cut - In the tradition of "Untitled," the extended cut of Almost Famous, Ridley Scott's 3-hour (and change) version of Kingdom of Heaven is night and day from the original. Even more than with Cameron Crowe's chopped up work, Fox literally cut out the story of the movie. I was so shocked by what was back in that I had to rent the DVD that is now out to make sure I wasn't crazy. There is some more blood and a touch more sex (though still not intense enough for my tastes, given the story), but what is breathtaking is that every major character in the movie, except perhaps Ghassan Massoud's already brilliant turn as Saladin, is significantly enhanced by the additions. Edward Norton's cameo as The King of Jerusalem now feels like a real performance. Marton Csokas is no longer just a caricature. Liam Neeson's character has history and motivation, not just people telling us how great he was. And even Orlando Bloom's Balian is given greater depth, his despair and his need for forgiveness actually making sense when you see Scott's real vision for the film. They gutted a great film and made us all think it was shallow. Shame on them. At least there is now a chance to correct the mistake. 7. Kung Fu Hustle - Steven Chow is the Asian Steven Spielberg with a much stronger sense of humor. Kung Fu Hustle is old-fashioned and CG progressive, incredibly stupid and yet incredibly human, oddly intimate and completely cartoon epic. The film is loaded with moments that create decades long cults, as people can enjoy the work over and over and over again. 6. The Family Stone - Tom Bezucha wrote and directed this old-fashioned family comedic drama with a mastery of skills mostly forgotten in Hollywood. Either it's silly or it's serious. Either it's sweet or it's sour. Either it's real or unreal. But there is a long history of cinema that was more complex than that. And this is the altar where Bezucha worships. And now, many of us stand in awe of his skill, just the second time behind the camera, walking that tightrope. One of 2005's many Rorschach test movies, either you accept the Stones or you skip them. Me? Loved 'em madly. 5. Grizzly Man - Werner Herzog's brilliant doc, made up mostly of "found footage," plays right into Herzog's genius for extreme characters. No one would believe Tim Treadwell if you made him up. Like "Kitten" Braden in Breakfast on Pluto, Treadwell is the unstoppable force. Nature is the unmoveable object. And Herzog is the man strong enough to love and respect the truths of both. A perfect double feature with My Best Fiend. 4. Munich - Spielberg's least Spielbergian effort is the tea bag in a season of strong coffee. You have to let it steep for a while to experience its true flavors. Rarely has a major film been more victimized by the critics' need to have a strong opinion and to have it now… it is not only the wrong way to look at this movie, it is, amazingly enough, at the heart of what this movie is about. Taking a strong position and not being willing to consider it in greater depth is easy… too easy. Munich is much in the kinship of Apocalypse Now, first best known for its price tag and Brando's excesses and, in time, appreciated as something far more complex and perfect fodder for repeat viewings. What Munich does not have that Coppola's film had are the big moments with such repeatable tag lines. Munich refuses us that satisfaction. Still, upon reflection there is scene after scene that is memorable and unique. But most of all, there is no section of Munich you can watch that will not leave you armed for an intense, perhaps contentious conversation. 3. A History of Violence - Cronenberg's masterwork, this is another film that has been too easily dismissed by some. It is a fable, not a literal story. The small town the Stall's live in is almost exactly as real as William Hurt's brilliant afterburners-raging cameo performance. The two big sex scenes are also way over the top. But every moment of A History Of Violence is about more than what the surface is offering us. And, unlike some films, Cronenberg makes no bones about making that clear. All of our lives play out at different levels of volume. This movie is loud… but its lesson speak to all of our volumes… all the way to mute. 1. It's a tie! There were two movies this year that I loved and they were both kind of doing the same thing, but these two young (at least, career young) directors are working in completely different voices. What Fernando Meirelles does with magical manipulations of images, Arnaud Desplechin does by taking his actors to unexpected places of vulnerability and freedom. That is not to say that Desplechin doesn't handle the camera well or that Meirelles' actors don't thrive… neither would be as good as they are if they didn't have more than one skill… but they are opposite sides of the same mirror. Kings & Queen (Rois et Reine) is a gooey masterpiece, so loaded down with what you expect it to be that when it blossoms, it is one of the great surprises you will have in the cinema. Emmanuelle Devos' Nora is a cold beauty, having "overcome" her youthful whims. Mathieu Amalric's Ismael is a raving madman, convincing enough to be a con man. Nora is on her way to visit her father. Ismael is on the way to the mental hospital. Where could these two be going… and what the hell do they have to do with one another? You don't want the answers. You don't want any of the answers to the many fascinating characters because every reveal is sublime in its own way, better and better the longer the movie goes on, until it reaches one of the great third acts you will ever see in a film about the humanity of people. The Constant Gardener is far more structured, but it is what Meirelles colors outside of the lines that makes it a masterpiece. The movie opens with the death of Rachel Weisz's Tessa Quayle. That's when we start to consider, along with her widower, Ralph Fennes' Justin, what happened to her… how did she come to this end? And as we move forward into the unraveling past, we discover something even more compelling, a love between a man and a woman deeper than either knew. The more he knows, the more he loves… the more he loves, the greater the loss… the greater the loss, the more he loves. And while the structure of the Jeffrey Caine script gives Meirelles the hanger on which to put this fine, intricately tailored suit, it is the detail work that makes it so sublime. Whether it is the intimacy of Tessa wandering though Kenyan crowds being photographed by a hidden camera or the use of computer imagery or the power of private moments between the pregnant Tessa and Justin, the frame is always juicy with more than the surface story being told. Both of these films are ultimately about how we share ourselves, how we share our love and how we learn and evolve and grow even when we think we've got all of the answers about who we are. The greatest power on the earth is not money or politics or fear. It is love… the love we know and the love unexpected. It's so much easier to believe we have the answers. But we do not. We are human. We are flowing. That is our condition. And only we can choose to move forward. That's what so many of the filmmakers on this list ultimately had to say this year. It was unexpected. And I am thankful. Quote Link to comment Share on other sites More sharing options...
Members Administrator Posted December 30, 2005 Members Report Share Posted December 30, 2005 É, gostei dos elogios para Spielberg e tal. Quote Link to comment Share on other sites More sharing options...
Members Elessar77 Posted December 31, 2005 Members Report Share Posted December 31, 2005 a Disputa para apresentar o Oscar está entre Jay Leno e Conan O'Brien de acordo com alguns membros do Oscarwatch. Ellen vem em terceiro. CHICAGO FILM CRITICS NOMINATIONS Best PictureBrokeback MountainCrashGood Night, and Good LuckA History of ViolenceKing KongBest Foreign Language Film2046CacheDownfallKung - Fu HustleOldboyBest DirectorGeorge Clooney: Good Night, and Good LuckDavid Cronenberg: A History of ViolencePeter Jackson: King KongAng Lee: Brokeback MountainSteven Spielberg: MunichBest ScreenplayBrokeback Mountain by Larry McMurtry & Diana OssanaCapote by Dan FuttermanCrash by Paul Haggis & Bobby MorescoGood Night, and Good Luck by George Clooney & Grant HeslovA History of Violence by Josh OlsonBest ActorPhilip Seymour Hoffman - CapoteTerrence Howard - Hustle & FlowHeath Ledger - Brokeback MountainJoaquin Phoenix - Walk the LineDavid Strathairn - Good Night, and Good LuckBest ActressJoan Allen - The Upside of AngerFelicity Huffman - TransamericaKeira Knightley - Pride & PrejudiceNaomi Watts - King KongReese Witherspoon - Walk the LineBest Supporting ActorMatt Dillon - CrashTerrence Howard - CrashPaul Giamatti - Cinderella ManJake Gyllenhaal - Brokeback MountainMickey Rourke - Sin CityDonald Sutherland - Pride & PrejudiceBest Supporting ActressAmy Adams - JunebugMaria Bello - A History of ViolenceScarlett Johansson - Match PointCatherine Keener - CapoteRachel Weisz - The Constant GardenerMichelle Williams - Brokeback MountainBest Original ScoreBatman Begins - Hans Zimmer and James Newton HowardBrokeback Mountain - Gustavo SantaolallaCharlie and the Chocolate Factory - Danny ElfmanKing Kong - James Newton HowardMemoirs of a Geisha - John WilliamsBest CinematographyBrokeback Mountain - Rodrigo PrietoGood Night, and Good Luck - Robert ElswitKing Kong - Andrew LesnieMunich - Janusz KaminskiThe New World - Emmanuel LubezkiPride & Prejudice - Roman OsinBest DocumentaryEnron: The Smartest Guys in the RoomGrizzly ManMad Hot BallroomMarch of the PenguinsMurderballMost Promising PerformerChris "Ludacris" Bridges - Crash and Hustle & FlowGeorgie Henley - The Chronicles of Narnia: The Lion, the Witch and the WardrobeMiranda July - Me and You and Everyone We KnowQ’Orianka Kilcher - The New WorldOwen Kline - The Squid and the WhaleMost Promising DirectorCraig Brewer - Hustle & FlowMiranda July - Me and You and Everyone We KnowBennett Miller - CapotePhil Morrison - JunebugJoe Wright - Pride & PrejudiceElessar7738717.4226388889 Quote Link to comment Share on other sites More sharing options...
Members Alexei Posted December 31, 2005 Members Report Share Posted December 31, 2005 Acabei de ver essa lista lá no Movie City News. Tenho a sensação de que a relação da AMPAS vai ser muito parecida com esta, muito mais do que com a dos Globos de Ouro. Inclusive na categoria Melhor Filme, embora eu ainda não esteja seguro de que Walk the Line vai ficar de fora. Nas categorias Melhor Ator e Melhor Atriz, Creio que a dos Oscars serão praticamente idênticas. Quote Link to comment Share on other sites More sharing options...
Members Administrator Posted December 31, 2005 Members Report Share Posted December 31, 2005 Mas que droga! Novamente Munique ficou de fora do prêmio para Filme em detrimento de A History of Violence ou Crash (óbvio, é um prêmio da crítica). A menção a Spielberg, na categoria de Diretor, poderia ser um indicativo de uma tendência: Spielberg indicado ao DGA e ao Oscar, mas Munique é deixado de lado em Melhor Filme... Quote Link to comment Share on other sites More sharing options...
Members haziell Posted December 31, 2005 Members Report Share Posted December 31, 2005 Caramba, adorei ver 2046 na lista, e A History of Violence ganhando força, podendo este sim fechar a a categoria de Melhor Filme no lugar de Munich. Agora eu duvido muito que o filme The Squid and the Whale seja tão bom assim, vou esperar pra ver. Quote Link to comment Share on other sites More sharing options...
Members Th@t@_patty Posted December 31, 2005 Members Report Share Posted December 31, 2005 Acabei de ver essa lista lá no Movie City News. Tenho a sensação de que a relação da AMPAS vai ser muito parecida com esta' date=' muito mais do que com a dos Globos de Ouro. Inclusive na categoria Melhor Filme, embora eu ainda não esteja seguro de que Walk the Line vai ficar de fora. Nas categorias Melhor Ator e Melhor Atriz, Creio que a dos Oscars serão praticamente idênticas. [/quote'] Eu espero que sim, porquê estou torcendo pela Naomi. Mas acho que a lista mais provável de vir igual é a de Diretores. Quote Link to comment Share on other sites More sharing options...
Members -felipe- Posted December 31, 2005 Members Report Share Posted December 31, 2005 Oscar Ballots Go Out The Academy of Motion Picture Arts andSciences mailed out nominating ballots to 5,798 voting members on Thursday. Members have until 5:00 p.m. on Jan. 21 to complete and return them to PriceWaterhouseCoopers, the accounting firm that traditionally tallies the votes for the Academy. In a statement, the Academy observed that PriceWaterhouseCoopers' staff members verify that there are no duplicate ballots and that none have gone missing. Nominations for this year's Oscars are due to be announced on Tuesday, Jan. 31 at 5:30 a.m. Pacific times (so that they can be covered on the networks' morning shows). Quote Link to comment Share on other sites More sharing options...
Members Historiense Posted December 31, 2005 Members Report Share Posted December 31, 2005 Estão vendo? Venho sempre batendo nessa tecla: o crescimento de Marcas da Violência. O filme não tem tantas "restrições" como Closer, além de estar contando com um campanha poderosíssima de boca a boca, de prêmios de crítica (como Brokeback Mountain) e sessões para os membros da Academia. E como é impossível não se render a sua mensagem que nos remete até mesmo à história dos EUA, dificilmente não será incluído entre os Cinco. Minha dúvida, entretanto, reside na possível indicação de David Cronenberg. É que existe a possibilidade de um diretor mais "out" ocupar uma vaga. Estão esquecendo a desclassificação de Caché na categoria de filme estrangeiro? E se a ala de diretores mais visionários - que elegem os diretores, claro - despejarem seus votos em Michael Haneke? Ou Wong Kar Wai? Ou Fernando Meireles? Sinceramente, a categoria direção só tem dois garantidos, que são Ang Lee e George Clooney. Aguardemos, então, a relação do Sindicato de Diretores, que deverá lançar as indicaçõe de mais dois. A última vaga permanecerá no mais completo obscurantismo. Abração. Quote Link to comment Share on other sites More sharing options...
Members bill Posted December 31, 2005 Members Report Share Posted December 31, 2005 Eu acho que fica assim: Ang LeeGeorge ClooneySteven SpielbergPeter Jackson A última vaga fica entre Meirelles, Allen, Cronenberg e mais alguns. Quote Link to comment Share on other sites More sharing options...
Members Fernando Posted December 31, 2005 Members Report Share Posted December 31, 2005 Também que a disputa dos diretores deve ficar assim . Quote Link to comment Share on other sites More sharing options...
Members Pedro Cinéfilo Posted December 31, 2005 Members Report Share Posted December 31, 2005 King Kong é horrível e se o Oscar indicar Peter Jackson nem assisto a cerimônia... Quote Link to comment Share on other sites More sharing options...
Members bill Posted December 31, 2005 Members Report Share Posted December 31, 2005 Opinião é opinião. Eu gostei do filme. Não é uma obra-prima, mas também não é horrível. Se for indicado pro PGA, DGA e Naomi no SAG, é indicação certa pro Oscar. Quote Link to comment Share on other sites More sharing options...
Members Historiense Posted December 31, 2005 Members Report Share Posted December 31, 2005 Tenho lá minhas inquietações quanto à indicação de Peter Jackson. A Academia está com materiais muito mais sérios em mãos, que, se ignorados, representariam um tachação de "BURRA" à Academia. O que considero mais palpável é uma indicação de King Kong a MELHOR FILME, escamoteando de vez Peter Jackson. Assim sendo, está é minha aposta de quanto a melhor filme: O Segredo de Brockeback Mountain Boa Noite e Boa Sorte Munich Marcas da Violencia A Luta pela Esperança (ou King Kong) Quote Link to comment Share on other sites More sharing options...
Members Fernando Posted December 31, 2005 Members Report Share Posted December 31, 2005 Seria interessante se Woody Allen ficasse com a quinta vaga , seria uma volta triunfal à competição do Oscar .<?:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /> Quote Link to comment Share on other sites More sharing options...
Members Historiense Posted December 31, 2005 Members Report Share Posted December 31, 2005 Seria o máximo. Sobretudo se ele comparecesse mais uma vez à cerimônia, só que indicado dessa vez. Ainda mais se fosse ao lado de grandes diretores, cineastas de grande quilate ou que estão dando orgulho à sétima arte. Olha só que boa seleção: Ang Lee George Clooney Davig Cronenberg Steven Spielberg Woody Allen Quote Link to comment Share on other sites More sharing options...
Members Fernando Posted December 31, 2005 Members Report Share Posted December 31, 2005 Ainda em tempo : desejo um Feliz 2006 a todos os freqüentadores do Fórum Premiações , que todos nós conquistemos tudo o que desejamos conquistar .<?:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /> Quote Link to comment Share on other sites More sharing options...
Members Sync Posted December 31, 2005 Author Members Report Share Posted December 31, 2005 Tenho a impressão que o nome de Steven Spielberg está se tornando mais forte que o próprio Munique. O que vocês acham? Quote Link to comment Share on other sites More sharing options...
Members Administrator Posted December 31, 2005 Members Report Share Posted December 31, 2005 Eu acho que fica assim: Ang LeeGeorge ClooneySteven SpielbergPeter Jackson A última vaga fica entre Meirelles' date=' Allen, Cronenberg e mais alguns. [/quote'] A Academia, nesta categoria, adora fazer algumas seleções "ecléticas", pinçadas diretamente dos queridinhos da crítica. Lembrem-se de David Lynch, o próprio Meirelles, Mike Leigh... Tenho quase abolsuta certeza de que ou Fernando ou Cronenberg serão indicados caso Jackson e/ou Spielberg fiquem enfraquecidos... Quote Link to comment Share on other sites More sharing options...
Members Administrator Posted December 31, 2005 Members Report Share Posted December 31, 2005 Tenho a impressão que o nome de Steven Spielberg está se tornando mais forte que o próprio Munique. O que vocês acham? Eu concordo. Quote Link to comment Share on other sites More sharing options...
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