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Sync

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  2. Pablo, Que Nota Você Dá?

    in Críticas e Publicações do Cinema em Cena

    Posted

    OS DEZ PIORES FILMES LANÇADOS COMERCIALMENTE NO BRASIL EM 2005 (EM ORDEM DE MEDIOCRIDADE)


    5) Quarteto Fantástico (EUA' date=' 2005)

     

    Outros dez títulos que merecem menção desonrosa (sem ordem de mediocridade):


    O Fantasma da Ópera (EUA/Inglaterra, 2004) smiley7.gifsmiley7.gifsmiley7.gifsmiley7.gif
    O Massacre da Serra Elétrica (EUA, 2003)

    [/quote']

    smiley5.gifsmiley5.gifsmiley5.gifsmiley5.gifsmiley5.gifsmiley5.gifsmiley5.gif

    Gostei muitooooo desses três filmes:

    Quarteto - ****
    O Massacre - ****
    O Fantasma da Ópera - ****

    Quarteto Fantástico e O Fantasma da Ópera são muito ruins. Mas o Massacre da serra elétrica é interessante!

  3. Oscar 2006

    in Oscar

    Posted

    A propósito' date=' será que nesse ano teremos surpresas tipo Alan Alda, Mike Leigh ou outras como tivemos aos montes ano passado? Será que aqueles candidatos que nós nem cogitamos vão aparecer do nada e levar algumas indicações? [/quote']

    Sem a menor dúvida!!

    Aproveitando: Feliz 2006 para todos!

  6. Oscar 2006

    in Oscar

    Posted

    O Top 10 do tradcional David Poland do The Hot Button... tem uns filmes estranhos no meio, mas vale apena dar uma olhada:

    THE TOP TEN OF 2005

    10. The 40 Year Old Virgin - 2005 was not really the "Year of the R Rated Comedy "… it was the "Year of The R Rated Movie with a Heart Of Gold." And no comedies heart was bigger than this one's. When The Wedding Crashers lost its footing a bit when the real feelings showed up, Steve Carrell and Catherine Keener duoed up with an ease and grace reminiscent of Woody Allen and Diane Keaton, more so in Sleeper or Love and Death than Annie Hall. Essentially, this was the best Adam Sandler movie ever… perhaps because Sandler - who is very underrated, really - still isn't as mature as Carrell, even though they are of a similar age. Carrell at the center of Spanglish might have stood a chance. In any case, Virgin just flies - and as far broad as it goes, it always seems to find the grain of human truth that makes you suspend your wince and turn it into a smile and a belly laugh.

    9. Paradise Now - It is not the most accomplished filmmaking, but in a year of considering why hatred thrives in the world, the film is sublime. Some people are cartoons. Most are not. The wannabe suicide bombers of Paradise Now are not cartoons, though one of them kind of aspires to becoming one. The voice of reason? The terrorist's daughter. Questions, questions, questions.

    8. Kingdom of Heaven: Extended Cut - In the tradition of "Untitled," the extended cut of Almost Famous, Ridley Scott's 3-hour (and change) version of Kingdom of Heaven is night and day from the original. Even more than with Cameron Crowe's chopped up work, Fox literally cut out the story of the movie. I was so shocked by what was back in that I had to rent the DVD that is now out to make sure I wasn't crazy. There is some more blood and a touch more sex (though still not intense enough for my tastes, given the story), but what is breathtaking is that every major character in the movie, except perhaps Ghassan Massoud's already brilliant turn as Saladin, is significantly enhanced by the additions. Edward Norton's cameo as The King of Jerusalem now feels like a real performance. Marton Csokas is no longer just a caricature. Liam Neeson's character has history and motivation, not just people telling us how great he was. And even Orlando Bloom's Balian is given greater depth, his despair and his need for forgiveness actually making sense when you see Scott's real vision for the film. They gutted a great film and made us all think it was shallow. Shame on them. At least there is now a chance to correct the mistake.

    7. Kung Fu Hustle - Steven Chow is the Asian Steven Spielberg with a much stronger sense of humor. Kung Fu Hustle is old-fashioned and CG progressive, incredibly stupid and yet incredibly human, oddly intimate and completely cartoon epic. The film is loaded with moments that create decades long cults, as people can enjoy the work over and over and over again.

    6. The Family Stone - Tom Bezucha wrote and directed this old-fashioned family comedic drama with a mastery of skills mostly forgotten in Hollywood. Either it's silly or it's serious. Either it's sweet or it's sour. Either it's real or unreal. But there is a long history of cinema that was more complex than that. And this is the altar where Bezucha worships. And now, many of us stand in awe of his skill, just the second time behind the camera, walking that tightrope. One of 2005's many Rorschach test movies, either you accept the Stones or you skip them. Me? Loved 'em madly.

    5. Grizzly Man - Werner Herzog's brilliant doc, made up mostly of "found footage," plays right into Herzog's genius for extreme characters. No one would believe Tim Treadwell if you made him up. Like "Kitten" Braden in Breakfast on Pluto, Treadwell is the unstoppable force. Nature is the unmoveable object. And Herzog is the man strong enough to love and respect the truths of both. A perfect double feature with My Best Fiend.

    4. Munich - Spielberg's least Spielbergian effort is the tea bag in a season of strong coffee. You have to let it steep for a while to experience its true flavors. Rarely has a major film been more victimized by the critics' need to have a strong opinion and to have it now… it is not only the wrong way to look at this movie, it is, amazingly enough, at the heart of what this movie is about. Taking a strong position and not being willing to consider it in greater depth is easy… too easy. Munich is much in the kinship of Apocalypse Now, first best known for its price tag and Brando's excesses and, in time, appreciated as something far more complex and perfect fodder for repeat viewings. What Munich does not have that Coppola's film had are the big moments with such repeatable tag lines. Munich refuses us that satisfaction. Still, upon reflection there is scene after scene that is memorable and unique. But most of all, there is no section of Munich you can watch that will not leave you armed for an intense, perhaps contentious conversation.

    3. A History of Violence - Cronenberg's masterwork, this is another film that has been too easily dismissed by some. It is a fable, not a literal story. The small town the Stall's live in is almost exactly as real as William Hurt's brilliant afterburners-raging cameo performance. The two big sex scenes are also way over the top. But every moment of A History Of Violence is about more than what the surface is offering us. And, unlike some films, Cronenberg makes no bones about making that clear. All of our lives play out at different levels of volume. This movie is loud… but its lesson speak to all of our volumes… all the way to mute.

    1. It's a tie! There were two movies this year that I loved and they were both kind of doing the same thing, but these two young (at least, career young) directors are working in completely different voices. What Fernando Meirelles does with magical manipulations of images, Arnaud Desplechin does by taking his actors to unexpected places of vulnerability and freedom. That is not to say that Desplechin doesn't handle the camera well or that Meirelles' actors don't thrive… neither would be as good as they are if they didn't have more than one skill… but they are opposite sides of the same mirror.

    Kings & Queen (Rois et Reine) is a gooey masterpiece, so loaded down with what you expect it to be that when it blossoms, it is one of the great surprises you will have in the cinema. Emmanuelle Devos' Nora is a cold beauty, having "overcome" her youthful whims. Mathieu Amalric's Ismael is a raving madman, convincing enough to be a con man. Nora is on her way to visit her father. Ismael is on the way to the mental hospital. Where could these two be going… and what the hell do they have to do with one another? You don't want the answers. You don't want any of the answers to the many fascinating characters because every reveal is sublime in its own way, better and better the longer the movie goes on, until it reaches one of the great third acts you will ever see in a film about the humanity of people.

    The Constant Gardener is far more structured, but it is what Meirelles colors outside of the lines that makes it a masterpiece. The movie opens with the death of Rachel Weisz's Tessa Quayle. That's when we start to consider, along with her widower, Ralph Fennes' Justin, what happened to her… how did she come to this end? And as we move forward into the unraveling past, we discover something even more compelling, a love between a man and a woman deeper than either knew. The more he knows, the more he loves… the more he loves, the greater the loss… the greater the loss, the more he loves. And while the structure of the Jeffrey Caine script gives Meirelles the hanger on which to put this fine, intricately tailored suit, it is the detail work that makes it so sublime. Whether it is the intimacy of Tessa wandering though Kenyan crowds being photographed by a hidden camera or the use of computer imagery or the power of private moments between the pregnant Tessa and Justin, the frame is always juicy with more than the surface story being told.

    Both of these films are ultimately about how we share ourselves, how we share our love and how we learn and evolve and grow even when we think we've got all of the answers about who we are. The greatest power on the earth is not money or politics or fear. It is love… the love we know and the love unexpected. It's so much easier to believe we have the answers. But we do not. We are human. We are flowing. That is our condition. And only we can choose to move forward. That's what so many of the filmmakers on this list ultimately had to say this year. It was unexpected. And I am thankful.

  11. Oscar 2006

    in Oscar

    Posted

    Brokebackmoutain perde a liderança para Marcas da Violência, no ranking dos críticos.

    Com 184 listas computando (é pouco ainda) veja como esta a lista:

     

    R

    TITLE

    L

    #1

    01

    A HISTORY OF VIOLENCE

    98

    21

    02

    BROKEBACK MOUNTAIN

    76

    14

    03

    THE SQUID AND THE WHALE

    64

    6

    04

    CAPOTE

    62

    5

    05

    GOOD NIGHT, AND GOOD LUCK.

    60

    2

    06

    GRIZZLY MAN

    55

    4

    07

    2046

    50

    12

    08

    CACHÉ

    45

    5

    09

    KING KONG

    44

    6

    10

    KINGS AND QUEEN

    42

    7

    11

    THE WORLD

    36

    6

    12

    TROPICAL MALADY

    36

    2

    13

    MUNICH

    33

    5

    14

    SYRIANA

    31

    2

    15

    THE CONSTANT GARDENER

    31

    -

    16

    THE HOLY GIRL

    30

    -

    17

    LAST DAYS

    29

    4

    18

    CRASH

    29

    3

    19

    HEAD-ON

    28

    3

    20

    MYSTERIOUS SKIN

    27

    3

    21

    NOBODY KNOWS

    26

    1

    22

    WALLACE & GROMIT: THE CURSE OF THE WERE-RABBIT

    25

    1

    23

    MATCH POINT

    24

    2

    24

    THE NEW WORLD

    22

    4

    25

    ME AND YOU AND EVERYONE WE KNOW

    22

    -

  14. Oscar 2006

    in Oscar

    Posted

    Nunca NINGUÉM aki no forúm já penssou na possibilidade de Brokeback Mountain ser um Sideways? Não é crítico que vota no Oscar!

    Viram?? Não tá nada decidido ainda não!

    Isso já está sendo discutido aqui e' date='  para ser sincero , eu sempre tive minhas dúvidas quanto ao Oscar de melhor filme .Aposto mais em melhor ator e roteiro adaptado do que em melhor filme e diretor . O vencedor de melhor filme nao é o que realmente seja o melhor filme do ano , e sim aqueles que o pessoal da Academia quer afirmar como valor máximo de produção de sua indústria .  

    [/quote']

    Mas a pergunta é: qual ?

  15. Oscar 2006

    in Oscar

    Posted

    Nunca NINGUÉM aki no forúm já penssou na possibilidade de Brokeback Mountain ser um Sideways? Não é crítico que vota no Oscar!

    Se pegarmos os filmes mais elogiados de cada ano (dos mais recentes é claro), eles nunca vencem o oscar. Veja essa relação tirada do site  http://www.criticstop10.net

    Em 2004, o 3 filmes mais elogiados do ano foram:

    1- Sidways, 2-Brilho Eterno e 3-O Aviador. Menina ganhou

    Em 2003, foram:

    1-Encontros e Desencontros, 2-Retorno do Rei (venceu), 3-Sobre meninos

    Em 2002:

    1-Longe do Paraíso, 2-E sua mãe também, 3-Adaptação (Chicago venceu)

    Em 2001:

    1-Ghost World, 2-Cidade dos Sonhos, 3-Amnésia (Uma mente brilhante venceu)

    Nesse ano:

    1-Brokeback mountain, 2-History of Violence e 3- Capote

     

    Viram?? Não tá nada decidido ainda não!

  16. Oscar 2006

    in Oscar

    Posted

    Trecho da Crítica do NY TIMEs do Munich:

    WITH his latest film, "Munich," Steven Spielberg forgoes the emotional bullying and pop thrills that come so easily to him to tell the story of a campaign of vengeance that Israel purportedly brought against Palestinian terrorists in the wake of the 1972 Olympics. An unsparingly brutal look at two peoples all but drowning in a sea of their own blood, "Munich" is by far the toughest film of the director's career and the most anguished. Mr. Spielberg has been pummeling audiences with his virtuosity for nearly as long as he has been making movies; now, he tenders an invitation to a discussion.

    Eu naum sou um espert em InglÊs, então alguém poderia me dizer (resumidamente é claro) o que eles acharam do filme?

  19. Rebelde

    in TV Aberta

    Posted

    Tipo.... to chokado com o sucesso dessa novelinha aí.... o grupo que canta as músicas tá fazendo muito sucesso.

    Não assisto... pego de vez em quando para ver umas meninas gost*** com sainhas curtas....smiley4.gif

  20. Oscar 2006

    in Oscar

    Posted

    Para mim: Match Point, O Jardineiro Fiel, Crash e nem King Kong serão indicados.

    Serão eles:

    Brokeback Mountain

    Munich (vencedor) - sim, eu ainda não engoli o BBM!

    Good Night, and Good Luck

    Walk the Line

    Marcas da Violência

    PS: Sem querer me gabar ou me axar....smiley9.gif... eu nos últimos 4 anos acertei os finalistas.smiley9.gif

    Sync38701.1518981481

  21. Oscar 2006

    in Oscar

    Posted

    Não sabia q a SKY tinha E!' date=' achei q fosse só na TVA e DirecTV.
    Eu tenho NET, então vou ter q ver pela internet mesmo, se passar no site do E!.
    [/quote']

    Eles passam AO VIVO?

    Qual é o site?

     

  22. Oscar 2006

    in Oscar

    Posted

    Washington Area
    Film Critics Awards

    Nominations: December 9, 2005
    Awards: December 12, 2005

    Best Actor
    Phillip Seymor Hoffman  Capote

    Best Actress
    Reese Witherspoon Walk the Line

    Best Supporting Actor
    Paul Giamatti - Cinderella Man

    Best Supporting Actress
    Amy Adams - Junebug

    Best Director
    Steven Spielberg  Munich smiley32.gif

    Best Original Screenplay
    Paul Haggis and Bobby Moresco  - Crash

    Best Adapted Screenplay
    Dan Futterman - Capote

    Best Film
    Munich/Universal smiley32.gif

    Best Foreign Film
    Kung Fu Hustle/Sony Pictures Classic

    Best Animated Feature
    Wallace & Gromit in The Curse of the Were-Rabbit/DreamWorks

    Best Documentary
    Enron: The Smartest Guys in the Room/Magnolia Pictures

    Best Breakthrough Performance
    Terrence Howard - Hustle & Flow

    Best Ensemble
    Crash/Lions Gate

    Best Art Direction
    The Chronicles of Narnia: The Lion, the Witch and the Wardrobe/Buena Vista

    [/quote']

    Aaaaeeee!!! Primeiros prêmios importantes para Munique!!smiley32.gif

    Falando nele: ninguém mais critica ele no RT. O filme tá com 6 críticas desde de sexta-feira!

    Sync38699.0036805556

  23. Oscar 2006

    in Oscar

    Posted

     

        The Squid and the Wale pode surpreender e levar o Oscar de roteiro' date=' afinal, ganhou roteiro no NYFCC, no National Board of Review e no LAFCA, ganhou melhor filme no NYFCO, entrou no Top 10 do AFI, foi indicado para roteiro no Critic´s Choice e no Washington Area Critics. Surpreendente! É quase certeza no Oscar de roteiro e deve ganhar... e o trailler é ótimo, parece ser um filme muito bom!

    [/quote']

    Onde vc pegou o trailer?

     

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