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vai ser um cu digo logo
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Batman:The Dark Knight eh o melhor
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ta vendo hahahaha.Batman 2 vem ai galeraaaaaaaaaaaaaaaaa
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ACHO Q JA TA NA HORA DESSE TOPICO ACABAR NEH,VAMOS TODOS PO bATMAN 2,Q EH O Q INTERESSA AGORA VELHO,EU ACHO.
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http://www.superherohype.com/forums/showthread.php?p=6040839 #post6040839
OA O SITE AI QUEM QUISER VER, UM DOS ULTIMSO POST O CARA DIZ LA
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no forum do superherohype diz q batman ja fez 205 milhoes ao redor do mundo.
e isso mermo
perae minha gente
a bilheteria dos paises do mundo sem o EUA ta 40 milhoes desde a semana
passada eh,quer dizer q ngm foi mais pro cinema,ca porra
kkkkkkkkkkkkkkkk
ja fez 205 PESSOALLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLL
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Tenho novidades em relaçao a Batman 2,q sairam na revisa MovieX.São três:
-Sean Penn está mesmo sendo cogitado para Coringa.Nolan já andou convesando com ele, e ele disse q aceita se gostar do roteiro.
-O uniforme e o batmovel provavelmente continuaram os mesmos.
-Já estao sendo pensandos os viloes secundarios do filme.Provavelmente
serão 2 entre: Victor Zsassz(novamente e axoo q ele sera melhor
desenvolvido), Estripador(se for escolhido sera interpretado por Billy Crudup-de Peixe Grande- e nao usara uniforme), Ventriloquo e Scarface,Cabeça de Metal e Ceifador.
aguardemos entaum
meus votos vao para Ventri e Scar e Zsassz
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Eu axo q a carta ali eh meio q uma coincidencia para o publico,ou
seja,quem esta agindo nas ruas eh Jack Napier,q tem um baralho da
sorte,ai em um de seus crimes,a carta do coringa caiu e foi a unica
pista axada pela policia.ai gordon esta com ela.moral da historia- a
carta ali eh so para o publico ve q vai ser coringa e pah,mas nao q ele
ja seja o coringa,entenderam??
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ouxeeee
gostei velho
Sean Penn para coringa gostei,vo tentar fazer um photoshop com ele pa vber como fica,mas gostei se for ele mesmo
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eu tbm vo abandonar esse topico
pq ja tao avacalhando
me encontrem no Batman 2
adios
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nao pow
o desempenho nao esta tao ruim
comparem cmg--
Star Wars:
estreou num quinta com 15 milhoes ja(a sessao da meia noite da quarta)
e chego ao final se semana e acumulou 56 = 71 nos primeiros 4 dias
Batman Begins:
estreou quarta com 15,chegou na sexta com 39(em tres dias), e somo com 32 do fim de semana= 71 nos primeiros 5 dias
ou seja batman nao esta tao ruim,e vcs tem q contar tbm com o mercado mundial
ao todo a bilheteira mundial dele em 4 dias(q eh o meio termo ja q em
alguns paises ele estreou na quarta,outros na sexta) eh de 113
milhoes de dolares!!
e ele custou 115 milhoes( ou foi 150,nao lembro) ou seja,daqui a duas
semanas no max,ele se paga tranquilo,e ai tem continuaçoes.relaxem
vo ver pela terceira vez essa semana.
flw
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Atores e viloes-
Larry Schulme- Coringa
Mulher gato- Jessica Biel
Mr Freeze- Noah Wyle
Hera Venenosa- Carmem Electra
Duas Caras/Dent-
Charada- Ryan Gosling
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BeLL
O Q DISSE do batman ser o verdadeiro Cavaleiro das trevas
eh pq o bixo eh sombrio,rapido,astuto uma maquina humana
ta lgd
mas nao vou desmintir se essa passagem de Cavleiro das trevas,vai ter ou nao.vo ficar calado
flw
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fELIPEF
defeitos tem,agora confesso a vc q são muitooooooooooo poucos
quase nada
o unico q lembro aqui agora
eh a parte do filme
onde bruce esta prestes a viajar
que eu axei meio morgada e cansativa
mas ai quando ele viaja
tudo muda meu brother
lpz.achoq so tem esse defeito,alem da falta do cabelinho em ciam do ouvido do Ra's,mai eh ninhuma.
e Bell, 17 eh sexta,num vou dizer nada,pq se eu nego,vc morga um
pouco,se eu confirmo vc vira uma pilha,entaum espere,falta pouco.
e adam,Batman eh cruel com os bandidos,demais,deu ate pena de um
deles,onde Batman joga o cara la embaixo e depois puxa com a corda,ai
começa a interrogar ele , da esporro nele,e solta ele denovo kkkkkkkkkk.
flw
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EH NAO.EH sACAnAGEM MINHA.O FILME EH DUCARALHOOOOOOOO
Bale esta perfeito como Batman e Bruce,bem sombrio,sinistro e implacavel com um,playboy,milionario e
mulherengo com o outro.achei duca
Oldman,sem comentarios.ele eh o melhor coadjuvante do filme.os dialogos dele com o Batman são de arrepiar
.pqp,teve um q eu nao vou dizer qual cena e pa,mas eh um q ele ta de
costas so ouvindo a voz do Batman(aparece ate no making of da HBO)
mermaum,naquele ali eu vibrei velho,os dois são uma parceiria ducaralho.
Freeman como Fox- ta muito bom tambem,na principalmente quando ele esta paresentando os equipamentos
para Bruce,sempre tentanto pegar o verdadeiro interesse do playboy,nos objetos.mt bom
Holmes como Rachel-uma gata.a atuação dela eh legal,num eh nada q mude o filme nao,
mas uma presença feminina ja ajuda neh.
Caine como Alfred-Impecavel.Engraçado.Simpático.Pai.Tudo isso resume quem eh alfred no filme.Adorei a atuação de Caine
Cillian Murphy como Crane/Espantalho-UMA PALAVRA.ASSUSTADORRRRRRRR!!!!!!!
Neeson como Ducard-Mentor muito bom,inteligente.eh um segundo pai pa Bruce no começo do filme
ensinando-le coisas q serão uteis para a transformada do homem,em morcego.
Watanabe como Ra's Al Ghul- ..... esperem ate de 17 e vcs verão
Bem,agora sobre o fator tecnico do filme
Efeitos-Muito bons,nada de muito anormal,ja q se trata de um filme com um heroi sem poderes não é mesmo.
Lutas-Rápidas porém prazerosas.É so vc pensar q elas tão sendo
rápidas,pq Batman é foda,e briga pra caraleo.A parte contra os
ninjas(bem aquilo eu chamo de
ninja) no topo de um predio na Gotham mais sombria,eh
ducaralho.primeiro q Batman chega voando, para,troca duas palavrinhas e
voa em ciam do cara,ai meu vei
o pau come,ele quebrea tudinho.São uns 6 caras eu acho, e ele quebra tudo.
Batmovel-Ducacete,porra,que carro vei.Vou pedir para papai noel um desse de natal.Eh uma bala,destroça tudo e é interessante.
Cenários-SEM COMENTARIOS.TODOS ESTAO PERFEITOS.AS MONTANHAS DO HIMALAIA E O LAGO CONGELADO,SÃO SEM DUVIDA O DESTAQUE.
Outra coisa q gostei paca no filme,foi o fato de Batman ser O Cavaleiro
das Trevas mesmo no filme(falando em Cavaleiro da tRevas,tem umas duas
cenas eu acho q foram
tiradas do classico,pelo menos a ideia principal da cena,foi tirada de
la).Digo isso pq,na parte do Porto,no primeiro encontro com os capangas
de Falcone,mermaooo,eh bom demias.
vou contar em detalhes.Os capangas tao fugindo dele.ai o
mroceguinho(estrelinha ninja) de batman quebra as lampadas.ai um dos
capangas se abaixa pa pegar,quando levanta e olha pa cima
.... 17 eh sexta.
A cena do trem é fantástica,e não ta nada de imitando Homem Aranha 2.E o melhor é batman pendurado nos predios.
bem e pa finalizar vo confirmar alguns spoiler,e deixar outros pa vcs confirmarem dia 17
-A mansão Wayne é mesmo incediada.Bruce eh ferido com uma pilastra q cai em cima dele.alfred o pega,e leva-o para a Caverna.
detalhe.eu me emocionei no dialogo no elevador.
-aQUELE homem no bat sinal,eh mesmo falcone.
-prestem atençao para uma ponta de Christopher Nolan,na parte do clube
q tem um restaurante com piscina.Bruce leva duas gatas pra la.e la
dentro quando ele passa em uam das mesas,Nolan está sentado.
-Batcaverna e Batmovel nao são mensionados hora alguma.E sim caverna e The Trumbler,q estava traduzido como o Acrobata.
etc
bem vo la
ta ai minha pequena e singela impreesão
mas q eu axo q vai ser util pa vcs ja q somos todos do mesmo time
flw
begins38515.7103587963
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Gente,to aqui em Sp ainda.vi Batman Begins ontem,e estou decepcionado,o
filme eh do mermo nivel de batman 1.os trailers e tal,e tudo propagando
enganosa.eh uma bosta o filme.sai mt puto do cinema...
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Galerinha
ja to aqui em São Paulo
na ksa do meu tio
so perando pa da 8 horas,pa eu ir pa sessão de Batman
to uma pilha veio
to no pc do meu tio,muito bom por sinal
li essa critica do rubens
so digo uam coisa
esse cara eh gay(para pa reparar o nariz do cara eh foda velho,porra)
vo la
flw
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o cinto ta ao cotnrario
ai eh dose neh veio
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hahahaha
vc eh engraçado Darth
num quer ler nao leia.to cagando e andando pa vc
agora eu vo parar pa escrever certinho pq o titio Darth q le bonitinho.
a vai se lasca porra
begins38511.8073263889
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Galera,acabei de pensar numa hsitoria da porra pa Batman Continues(ou Year TWO,ou Begins 2):
Batman continua na sua intensa luta contra o crime
em Gotham City.Eis q surge um novo vilãochamado Jack Snipr,q
ameaça explodir um fábrica de produtos quimicos.Batman vai na
fabrica,enfrenta seus capangas e encurrala Jack.Numa atitude
desesperada,ele pula do primeiro andar d afabrica,porem acaba caindo em
uma poça ácida.A fabrica explode,e Batman csg fugir,salvando Jack.
Dois meses depois,Jack sai novamente para o crime em
Gotham,desta vez denominado Coringa,e com sede de vingança contra
Batman,no qual,julga ter sido culpado pelo q lhe aconteceu.Depois do
desenrola do filme,Coringa resolve da uma surra em Batman.Ja q ele nao
tem fisico e porte para o Homem Morcego,contrata os serviços do matador
criminoso Bane.Bane tem 2 encontros com Batman de arrepiar.O Pau
come.Porém Batman consegue digamos,vencer.Bane não morre,mas se afasta
para se recuperar da surra q levou no segundo embate.
No final Batman prende o Coringa,porem no julgamento.o vilão se
revolta e diz q tem q fazer com alguem,o q Batman fez com ele.ELe tira
um pote acido do bolso e atira em direçao de Bruce Wayne.Porem Harvey
Dent,grande amigo de Bruce,se joga na frente,ja q v Bruce
desatencioso,procurando algo no bolso.Dent acaba sendo atingido,sendo
levado para o hospital.
As ultimas duas cenas do filme mostram,Dent acordando e olhando para o espelho,fazendo com q a enfermeira desmai.ele diz
-Coringa,Batman,ohh,Gotham City.Todos me pagam!!
w a ultima,mostra o morcegao observando a cidade,quando ve uam loja eh
assaltada,e de longe ele ve,O Chapeleiro Maluco.E da um salto em
direção ao bandido.desce,quebra todos os capangas.pega o Chapaleiro e
diz.
- Quem é voce?
O Maluco responde:
- sou a mais nova mente criminosa de Gothm e vc?
Uma musica de fundo surgi
e O cAVALEIRO das trevas,desfere a frase.
-I'm Batman!!!
e faz gesto como se fosse suspender o vilao,a capa do heroi cobre a cena.e aparece a frase
TO BE CONTINUED...
hahah
digam se nao seria massa
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REVIEW:
BATMAN BEGINS (2005)
Source:David Server - DV-H! Staff
6th June 2005 05:05 PMAs
many of you know, summer movie season is upon us, and here to kick it
off is the Caped Crusader himself, in director Chris Nolan’s Batman Begins.
Many fans and casual filmgoers alike will be curious to see this latest
entry in the bat-franchise, as the last series of Bat-flicks started
with a bang under the genius direction of famed wacko Tim Burton, but
fizzled to a mind-numbingly terrible close with Joel Schumacher’s
dreadful Batman & Robin (the infamous ‘bat-nipples’ are now a thing of legend, so let’s not beleaguer them here…).
Suffice to say, it was time for a reboot, and DC and Warner Brothers
made a series of increasingly clever moves in their attempt to relaunch
the dead franchise. They hired screenwriter (and consummate fanboy)
David Goyer to pen the script. They brought on talented newcomer Chris
Nolan (Memento)
to direct. And last but not least, in a practically unprecedented nod
of approval to fanboy dreamcasting, they selected actor Christian Bale (American Psycho)
to portray the Dark Knight himself, and proceeded to surround him with
A-list actors in the supporting parts. Seems to me there’s no way this
could go wrong. Well, sadly, that’s not entirely true. While Batman Begins
is ambitious in its attempt to create a complex, dark, and realistic
new take on the Batman-mythos, the final product is hit-or-miss, with
enough problems to prevent it from being the definitive take on the
Dark Knight.
The film begins with Bruce Wayne (Christian Bale) traveling abroad as
an enraged adult, blindly seeking vengeance for his parents’ murder
when he was a child. After being freed from a derelict prison in the
Far East, Bruce is recruited by Ducard (Liam Neeson) to join the League
of Shadows, an elite ninja crime-fighting organization headed by the
mysterious Ra’s Al Ghul (Ken Watanabe). After training with the League
and learning the importance of fear, varied combat, and of course,
theatricality, Bruce discovers that the League’s next plan is to
destroy Wayne’s home, Gotham City, as punishment for its unparalleled
corruption. After refusing to join their plot, Bruce quite literally
blows the coop, and returns to Gotham to restore justice and order with
his newfound skills.
Upon arriving, Bruce is greeted by his longtime butler and faithful
servant Alfred Pennyworth (Michael Caine), who resituates Bruce to the
corruption that has flourished in Gotham during his time abroad. We
then begin to meet the remaining cast of characters: Rachel Dawes
(Katie Holmes), assistant DA and Bruce’s former flirtation, Lt. James
Gordon (Gary Oldman), the only good cop left in Gotham, Carmine Falcone
(Tom Wilkinson), the deadly crime-boss who owns most of Gotham, Lucius
Fox (Morgan Freeman), head of the R&D division at Wayne
Enterprises, and Dr. Jonathan Crane (Cillian Murphy), head of
psychiatrics at Arkham Asylum, who is more than he appears to be.
The film is clearly the work of talented craftsmen, but it tries so
hard to squeeze in so much backstory and realism that it squeezes out a
lot of the fun. Batman’s new origin with Ra’s Al Ghul seems rushed, but
at the same time, we already take at least an hour to get to the first
appearance of the Dark Knight in his full costume (it’s worth noting
that Batman himself is in surprisingly little of the film). Some of the
ideas here are great, and deserve more time, such as the emotionally
compelling conflict between Bruce and the sleazy Carmine Falcone, or
the sinister experiments being done behind closed doors at Arkham by
Dr. Crane. Meanwhile, other plots (that later expand to take over the
film), such as the continuing conflict with the League of Shadows,
which de-evolves into a very standard-fare doomsday device cliché, seem
silly and over-the-top by comparison. Ultimately, only half of the
ideas present seem to coalesce within the Batman mythology, while
others seem at best tangential, and at worst, forced and far-fetched. I
imagine a much better, leaner film could have been made with only half
the ideas present in this movie. As it stands, you’re so busy trying to
keep up that the film rarely stops to relish the bits that are meant to
be heart-pounding and entertaining. The film could have retained its
dark and respectful tone without sacrificing the excitement the genre
is known for.
The performances are largely not at fault, as the cast is, as
previously mentioned, top notch. No one is poor in the film, only
underused. Christian Bale’s Bruce Wayne is solid, if somewhat
underwhelming. Personally, I found that in a movie insisting that Bruce
Wayne is the façade and Batman the true underlying personality, Bruce
seemed awfully emotionally balanced and in control. That quibble aside
(one I find to be largely significant to their problematic
characterization), which is admittedly more against the script than the
actor, Bale’s performance as Wayne is heartfelt and well performed. His
Batman is appropriately menacing, despite his brief amount of
screentime. The true strength here comes from the supporting cast.
Michael Caine is great as Alfred Pennyworth, imbuing the famed Butler
with an emotional core rarely seen in other interpretations of the
character. Morgan Freeman also makes a strong impression with his small
role as Lucius Fox, both wry and entertaining in his appearances.
Cillian Murphy is a diabolical delight as the villainous Dr. Crane,
alias The Scarecrow. Truly, his reduced role is the largest crime in
the overstuffed film, as his villain deserved far more time to shine,
be it as his crisp yet slippery Doctor persona, or as the drug-induced
horror that is The Scarecrow himself.
Not everyone is so engaging, however. Gary Oldman sleepwalks his way
through the movie as Lt. Gordon, who basically exists just so he can
become Commissioner in later films. His relationship with Batman is by
the books, and never anything more than standard. Katie Holmes’ Rachel
Dawes is an obviously unnecessary studio-induced love-interest, and she
never feels like anything more. And Liam Neeson’s role is so fragmented
that it’s difficult to appreciate the full weight that it’s meant to
represent.
The movie struggles to place everything in the real world, so much so
that it sometimes forgets to have any fun. While each bat-gadget is
scientifically proven to the point of practically reading you the
instruction manual, they are rarely put to use in scenes that truly get
your blood pumping. In this desperate attempt to situate this new
Batman in the real world, we lose some of the gothic mystery that is
supposed to make Batman such an intriguing character, essentially
demystifying the hero every step of the way. Perhaps Batman was meant
to remain in the shadows, because seeing all the secrets feels like
revealing all of a magician’s tricks.
That’s not to say that the film is completely devoid of enjoyable
moments (such as the revved up Batmobile chase sequence), or even
without one or two truly great ones. In a scene that I can only
describe as superb, Batman takes down his first group of thugs. But
here’s the genius twist: it’s shot from the thugs’ perspective. As
though watching a scene from a horror movie, we see terrified crooks
being yanked into the darkness with a yelp by an unseen force, as
though they are being stalked by some monster, some deadly creature of
the night. This scene is scary, which makes it inspired. With this
scene, we finally understand how crooks in Gotham could ever believe
that they’re being chased by some kind of animal, instead of just some
guy in a bat costume. For a brief moment, the film achieves perfection.
The unfortunate downside to this is that when the fighting finally does
emerge from the shadows for the rest of the movie, it’s overly edited
and largely unsatisfying. While the previous bat-films may have
suffered stiff fight sequences from a restrictive bat-suit, at least we
could see them. Here, the fights are choppy, disappointing, and
unoriginal.
Batman Begins is not a bad film by any stretch, nor is it a bad entry into the Batman
series. While it suffers from some basic structural problems, it has
the potential to kick off an exciting new branch of the franchise,
placing some very talented people in some very key roles for the
planned sequels. And in spite of all my gripes, just the fact that
those involved have so much respect for the material that they’re
working on places it miles ahead of the ghastly Joel Schumacher
atrocities. Some will say that this is the best Batman film to
date, the definitive celluloid take on the Dark Knight. But personally,
I’ll take the distant glances of Michael Keaton’s Bruce Wayne, and the
grimy streets of Burton’s exquisitely gothic Gotham City any day. Of
course, I have no doubt there will be a new threat in this slick new
Gotham before too long, and my interest is certainly piqued enough to
return for the next go-‘round, and another chance to steal the crown
away from the Burton flicks. Have they done it yet? I say they haven’t.
But I’m still eagerly awaiting the next dark night with this new Dark
Knight to prove me wrong.DEVELOPMENT-HELL.COM RATING: 
out of 5
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BATMAN BEGINS
BATMAN BEGINS , USA , 2005, MPAA Rating : PG-13 for intense action
violence, disturbing images and some thematic elements
Superheroes
say much about the culture that spawned them, and so it is with the
various incarnations of Batman. In the 60s, he was a pop icon with more
than a little camp fluttering around his satin go-go boots. In the 80s
and 90s, it was a wallow in excess with sets that duked it out with the
actors for attention and villains that out-cartooned the cartoons on
which they were based. For the millennium, there is BATMAN BEGINS,
wherein the Dark Knight is re-imagined as a ninja warrior going on an
inner journey from the darkness to the, well, if not light exactly, at
least enlightenment, though even that proves to be a murky sort of
place for Bruce Wayne (Christian Bale).
The
darkness is brought on by two traumas to the young Bruce, a rich kid
whose best friend is the maid’s daughter, Rachel (Katie Holmes as the
grown up version), and whose parents are not just the perfect couple
and the perfect parents, they’re also socially responsible. It’s a
quality Bruce has trouble clinging to after falling down a well where
he’s terrified by the bats he’s riled up, and later, when he sees his
parents gunned down in a classic senseless street crime. Fortunately,
Bruce still has the family’s faithful butler, Alfred (Michael Caine as
a dryly witty Jiminy Cricket) to play surrogate father, but it’s not
enough to counter his inner demons. Bruce drifts emotionally and
spatially, eventually ending up in an Asian prison, from which he’s
sprung by a mysterious, and surprisingly nattily attired Brit (Liam
Neeson), who, with the help of a traditionally black-clad ninja troop,
challenges him to confront his fears and turn them to his advantage.
For
a film that is a frank meditation on the difference between anger and
fear, and between justice and revenge, there is refreshingly little
speechifying once Bruce leaves the secret fortress of the League of
Shadows, where he’s trained in the kinds of martial arts designed to
dazzle, debilitate, and defeat any number of enemies. Actually, there’s
refreshingly little there, either. Christopher Nolan, director and
co-writer David S. Goyer, remains true to the action component of the
story, but that doesn’t stop him from elevating it, turning the action
sequences into credible externalizations of Bruce’s inner turmoil. In
fact, using a palette suffused with shadows and a chronology that is
emotionally, if not temporally, true, traversing the inner emotional
landscape rife is a far more dangerous proposition than doing battle
with Gotham’s crime lord, played by Tom Wilkinson as satisfied and sleek as a prosperous sewer rat.
Nolan
and Goyer have also, while not eschewing the fantasy elements involved,
put a sense of the real world into this Batman. Bruce may have the
reflexes of a warrior god, but he hasn’t thought about what happens
when his run-ins with the bad guys lead to a fall from a very high
place. That’s when the cape that doubles as a parachute is added to the
light body armor and other golly gee whiz gadgets dreamed up by Lucius
Fox (Morgan Freeman in self-deprecating Buddha mode), Wayne Enterprises
R&D guy.
There
are a few clunks. It’s virtually impossible to see Neeson training Bale
in the niceties of using a samurai sword and not flash onto his
character in THE PHANTOM MENACE. The evil psychiatrist, Dr. Crane
(Cillian Murphy), who runs the deliciously monikered Arkham Asylum,
looks to be all of 20, and Gary Oldman, decked out in nerd finery circa
1975, is wasted as the essentially bland Sgt Gordon, the one good cop
in Gotham’s otherwise rancid police department.
Bale,
fortunately, is not a clunk. Suitably brawny and with the lips to carry
off the mask, he isn’t asked to chew the scenery with his angst.
Instead, subtlety is the key here and Nolan has Bale make a credible
transition from narcissistic grief to a troubled introspection that
stops just short or actual happiness. Gimlet-eyed behind the mask, with
a voice pitched low into a menacing rasp that his as intimidating as
the ninja star Bruce has modified into a bat shape, or any of the other
weapons in his utility belt. And there is a nice rapport with Caine,
who never coddles his charge, but does fret about things such as coming
up with a credible explanation for the injuries Bruce suffers after a
night of crime fighting.
Much
of the fun of BATMAN BEGINS is watching the pieces fall into place: the
bat cave that becomes the Bat Cave, and the way Bruce’s eyes light up
when he first sees what will become the Batmobile. But along with the
fun, and there's plenty of that, there's a level of sophistication not
seen before in this film franchise, a willingness to ponder the big
questions and to respond to some of them with an answer that is
bittersweet.
My rating:
http://www.killermoviereviews.com/main.php?nextlink=display& amp;dId=586&subLinks=
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Q CONFUSAO MAS ESTUPIDA
BORA CRESCER
E PARAR DE DISCUTIR POR MERDA NEH VELHO
AXO Q VCS TEM MAIS O Q FAZER DOIDO PORRA
O FILME TA VINDO AI
E VCS DISCUTEM SEM ANTES VER A MERDA FO FILME
ACORDEM E PAREM COM ISSO
FLW
Batman Begins
in DC Comics
Posted
vo tentar responder:
1- Ra's não morre.se vcs leem hqs frenquentemente como eu,sabem q ra's
tem o poço de lázaro,q o mantem imortal.Ali no caso ele fico super
ultra mega ferido,mas nao morreu por causa do poço, e ai se ele for
levado novamente para ele,o seu corpo se regenera e ra's esta novo.
e outra coisa q eu li em um dos gibis,q nao sei se eh frenquente
mesmo,eh q ra's tem o poder de mudar de corpo,ou seja,sua alma sai de
um corpo e entra em outro.
Isso se for verdade faz sentido,ja q na minha concepção,ra's eh Ken
Watanabe,mas ele ao morre na luta contra Bruce,sai do seu corpo e entra
em Ducard q esta desacordado.e eu acho q eh o q acontece mermo,pq senao
porra Ken num fez merda nenhuma no filme.segundo meu tio ele eh so um
farçante e Ra's desde o começo eh Ducard,mas se for assim,entaum ra's
no filme num ta nd haver com o do gibi.
entaum fica minha duvida
Ra's eh ducard sempre,ou era Ken Watanabe e foi pro corpo de Ducard??
2.A trilha de Elfman já disse e repito q eh super infantil,e eh TEMA ta
lgd.A nova nao eh épica eh envolvente,por isso muitooo melhor pa mim.
3.Achei super bacana o fato dele PLANAR no filme.pq pare pa pensar,o
cara eh o homem morcego.morcego voa,e ele nunca se quer plano no gibi,o
q eh errado,pq se o cara eh homem morcego ele tenque pelo menos planar
neh veio.gostei ele plana mermo cool
fle