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Jack Ryan

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  1. Critics' Choice TV Awards: 'Game of Thrones' and 'Breaking Bad' Tie for Best Drama, 'Big Bang Theory' Wins Best Comedy
    Tatiana Maslany scores upset for "Orphan Black" role

     

    screenshot2013-06-11at11849am.png
    Published: June 10, 2013 @ 9:39 pm
    By Tim Molloy

    On a night of several ties at the 3rd Annual Critics' Choice Television Awards, HBO's "Game of Thrones" and AMC's "Breaking Bad" were both named Best Drama Series and CBS's "Big Bang Theory" won for Best Comedy Series.

    CBS's "Big Bang Theory" led the night with three awards: Kaley Cuoco tied for Best Supporting Actress in a Comedy with Eden Sher of ABC's "The Middle," and Simon Helberg won for Best Supporting Actor in a Comedy.

    Also read: Critics' Choice TV Awards: The Complete List of Winners

    The night's other tie came in the Best Reality Series category, where A&E's "Duck Dynasty" tied Sundance's "Push Girls."

    screenshot2013-06-11at11528am-300x213.pnPerhaps the biggest surprise of the night was Tatiana Maslany (left), who won Best Actress in a Drama Series for BBC's "Orphan Black." She beat actresses including last year's winner, Claire Danes. Bryan Cranston had his second consecutive win for Best Actor in a Drama Series for "Breaking Bad."

    Louis C.K. won for Best Actor in a Comedy Series for FX's "Louie," and Julia Louis-Dreyfus won for Best Actress in a Comedy Series for HBO's "Veep."

    Elisabeth Moss was named Best Actress in a Movie or Miniseries for Sundance's "Top of The Lake," and Michael Douglas won Best Actor in a Movie or Miniseries for "Behind the Candelabra." Presenters Josh Gad and Aubrey Plaza jokingly mispronounced his name, pretending that the category's nominees -- who also included Matt Damon and Al Pacino -- were all relative unknowns.

    Here's the full list of nominees and winners, with winners in bold:

    BEST COMEDY SERIES
    The Big Bang Theory – CBS
    Louie – FX
    The Middle – ABC
    New Girl – FOX
    Parks and Recreation – NBC
    Veep – HBO

    BEST ACTOR IN A COMEDY SERIES
    Don Cheadle (House of Lies) – Showtime
    Louis C.K. (Louie) – FX
    Jake Johnson (New Girl) – FOX
    Jim Parsons (The Big Bang Theory) – CBS
    Adam Scott (Parks and Recreation) – NBC
    Jeremy Sisto (Suburgatory) – ABC

    BEST ACTRESS IN A COMEDY SERIES 
    Laura Dern (Enlightened) – HBO
    Zooey Deschanel (New Girl) – FOX
    Lena Dunham (Girls) – HBO
    Sutton Foster (Bunheads) – ABC Family
    Julia Louis-Dreyfus (Veep) – HBO
    Amy Poehler (Parks and Recreation) – NBC

    BEST SUPPORTING ACTOR IN A COMEDY SERIES
    Max Greenfield (New Girl) – FOX
    Simon Helberg (The Big Bang Theory) - CBS
    Alex Karpovsky (Girls) – HBO
    Adam Pally (Happy Endings) – ABC
    Chris Pratt (Parks and Recreation) – NBC
    Danny Pudi (Community) – NBC

    BEST SUPPORTING ACTRESS IN A COMEDY (tie)
    Carly Chaikin (Suburgatory) – ABC
    Kaley Cuoco (The Big Bang Theory) – CBS
    Sarah Hyland (Modern Family) – ABC
    Melissa Rauch (The Big Bang Theory) – CBS
    Eden Sher (The Middle) – ABC
    Casey Wilson (Happy Endings) – ABC

    BEST GUEST PERFORMER IN A COMEDY SERIES  
    Melissa Leo (Louie) – FX
    David Lynch (Louie) – FX
    Bob Newhart (The Big Bang Theory) – CBS
    Patton Oswalt (Parks and Recreation) – NBC
    Molly Shannon (Enlightened) – HBO
    Patrick Wilson (Girls) – HBO

    BEST DRAMA SERIES (tie)
    The Americans – FX
    Breaking Bad – AMC
    Downton Abbey – PBS
    Game of Thrones – HBO
    The Good Wife – CBS
    Homeland – Showtime

    BEST ACTOR IN A DRAMA SERIES
    Bryan Cranston (Breaking Bad) – AMC
    Damian Lewis (Homeland) – Showtime
    Andrew Lincoln (The Walking Dead) - AMC
    Timothy Olyphant (Justified) – FX
    Matthew Rhys (The Americans) – FX
    Kevin Spacey (House of Cards) – Netflix

    BEST ACTRESS IN A DRAMA SERIES
    Claire Danes (Homeland) – Showtime
    Vera Farmiga (Bates Motel) – A&E
    Julianna Margulies (The Good Wife) – CBS
    Tatiana Maslany (Orphan Black) – BBC America
    Elisabeth Moss (Mad Men) – AMC
    Keri Russell (The Americans) – FX

    BEST SUPPORTING ACTOR IN A DRAMA SERIES
    Jonathan Banks (Breaking Bad) – AMC
    Nikolaj Coster-Waldau (Game of Thrones) – HBO
    Michael Cudlitz (Southland) – TNT
    Noah Emmerich (The Americans) – FX
    Walton Goggins (Justified) – FX
    Corey Stoll (House of Cards) – Netflix

    BEST SUPPORTING ACTRESS IN A DRAMA SERIES
    Jennifer Carpenter (Dexter) – Showtime
    Emilia Clarke (Game of Thrones) – HBO
    Anna Gunn (Breaking Bad) – AMC
    Regina King (Southland) – TNT
    Monica Potter (Parenthood) – NBC
    Abigail Spencer (Rectify) – Sundance

    BEST GUEST PERFORMER IN A DRAMA SERIES
    Jim Beaver (Justified) – FX
    Jane Fonda (The Newsroom) – HBO
    Martha Plimpton (The Good Wife) – CBS
    Carrie Preston (The Good Wife) – CBS
    Diana Rigg (Game of Thrones) – HBO
    Jimmy Smits (Sons of Anarchy) – FX

    BEST MOVIE OR MINISERIES
    American Horror Story: Asylum – FX
    Behind the Candelabra – HBO
    The Crimson Petal and the White – Encore
    The Hour – BBC America
    Political Animals – USA
    Top of the Lake – Sundance

    BEST ACTOR IN A MOVIE OR MINISERIES
    Benedict Cumberbatch (Parade's End) – HBO
    Matt Damon (Behind the Candelabra) – HBO
    Michael Douglas (Behind the Candelabra) – HBO
    Toby Jones (The Girl) – HBO
    Al Pacino (Phil Spector) – HBO
    Dominic West (The Hour) – BBC America

    BEST ACTRESS IN A MOVIE OR MINISERIES
    Angela Bassett (Betty & Coretta) – Lifetim
    Romola Garai (The Hour) – BBC America
    Rebecca Hall (Parade's End) – HBO
    Jessica Lange (American Horror Story: Asylum) – FX
    Elisabeth Moss (Top of the Lake) – Sundance
    Sigourney Weaver (Political Animals) – USA

    BEST SUPPORTING ACTOR IN A MOVIE OR MINISERIES
    James Cromwell (American Horror Story: Asylum) – FX
    Peter Mullan (Top of the Lake) – Sundance
    Zachary Quinto (American Horror Story: Asylum) – FX
    Sebastian Stan (Political Animals) – USA
    David Wenham (Top of the Lake) – Sundance
    Thomas M. Wright (Top of the Lake) – Sundance

    BEST SUPPORTING ACTRESS IN A MOVIE OR MINISERIES
    Ellen Burstyn (Political Animals) – USA
    Sienna Miller (The Girl) – HBO
    Sarah Paulson (American Horror Story: Asylum) – FX
    Lily Rabe (American Horror Story: Asylum) – FX
    Imelda Staunton (The Girl) – HBO
    Alfre Woodard (Steel Magnolias) – Lifetime

    BEST REALITY SERIES (tie)
    Duck Dynasty – A&E
    The Moment – USA
    Pawn Stars – History Channel
    Push Girls – Sundance
    Small Town Security – AMC
    Wild Things with Dominic Monaghan – BBC America

    BEST REALITY SERIES – COMPETITION   
    Chopped – Food Network
    Face Off – Syfy
    Shark Tank – ABC
    So You Think You Can Dance – FOX
    Survivor – CBS
    The Voice – NBC 

    BEST REALITY HOST 
    Tom Bergeron (Dancing With the Stars) – ABC
    Cat Deeley (So You Think You Can Dance) – FOX
    Gordon Ramsay (Hell’s Kitchen/Masterchef) – FOX
    RuPaul (RuPaul’s Drag Race) – Logo
    Ryan Seacrest (American Idol) – FOX
    Kurt Warner (The Moment) – USA

    BEST TALK SHOW
    Conan – TBS
    The Daily Show With Jon Stewart – Comedy Central
    The Ellen DeGeneres Show – Warner Brothers Television Distribution
    Jimmy Kimmel Live! – ABC
    Late Night with Jimmy Fallon – NBC
    Marie – Hallmark Channel

    BEST ANIMATED SERIES
    Adventure Time – Cartoon Network
    Archer – FX
    Phineas and Ferb – Disney Channel
    Regular Show – Cartoon Network
    The Simpsons – FOX
    Star Wars: The Clone Wars – Cartoon Network

    CRITICS’ CHOICE TELEVISION ICON AWARD
    Recipient: Bob Newhart

     

    Matéria do The Wrap.

  2. Lançados no Brasil em 2013

     
    Nota 9
     
    01. Django Livre (Django Unchained, Quentin Tarantino, 2012)
     
    Nota 8
     
    02. A Hora Mais Escura (Zero Dark Thirty, Kathryn Bigelow, 2012)
    03. As Sessões (The Sessions, Ben Lewin, 2012)
    04. Pietá (Pieta, Kim Ki-duk, 2012)
    05. Ferrugem e Osso (De rouille et d'os, Jacques Audiard, 2012)

    06. O Lado Bom da Vida (Silver Linings Playbook, David O. Russel, 2012)
    07. Amor é Tudo o que Você Precisa (Den skaldede frisør, Susanne Bier, 2012)
    08. Hitchcock (idem, Sasha Gervasi, 2012)
    09. O Amante da Rainha (En kongelig affaere, 2012)
    10. Killer Joe - Matador de Aluguel (Killer Joe, William Friedkin, 2011)
    11. Amor (Amour, Michael Haneke, 2012)
    12. A Feiticeira da Guerra (Rebelle, Kim Nguyen, 2012)
    13. O Vôo (Flight, Robert Zemeckis, 2012)
    14. Lincoln (idem, Steven Spielberg, 2012)
    15. Sete Psicopatas e um Shih Tzu (Seven Psycopaths, Martin McDonagh, 2012)


    Nota 7
     
    16. O Segredo da Cabana (The Cabin in the Woods, Drew Goddard, 2012)
    17. O Mestre (The Master, Paul Thomas Anderson, 2012)
    18. Atrás da Porta (The Door, István Szabó, 2012)
    19. Oz: Mágico e Poderoso (Oz the Great and Powerful, Sam Raimi, 2013)
    20. Sem Segurança Nenhuma (Safety Not Guaranteed, Colin Trevorrow, 2012)
    21. Anna Karenina (idem, Joe Wright, 2012)
    22. Searching for Sugar Man (idem, Malik Bendjelloul, 2012)
    23. Expedição Kon Tiki (Kon-Tiki, Joachim Ronning & Espen Sandberg, 2012)

    24. A Parte dos Anjos (The Angel's Share, Ken Loach, 2012)

    25. Meu Namorado é um Zumbi (Warm Bodies, Jonathan Levine, 2013)
    26. Indomável Sonhadora (Beasts of the Southern Wild, Benh Zeitlin, 2012)
    27. A Negociação (Arbitrage, Nicholas Jarecki, 2012)
    28. Os Miseráveis (Les Misérables, Tom Hooper, 2012)
    29. A Caça (Jagten, Thomas Vinterberg, 2012)
    30. Homem de Ferro 3 (Iron Man 3, Shane Black, 2013)
    31. Jack Reacher - O Último Tiro (Jack Reacher, Christopher McQuarrie, 2012)
    32. Oblivion (idem, Joseph Kosinski, 2013)
    33. João e Maria: Caçadores de Bruxas (Hansel & Gretel: Witch Hunters, Tommy Wirkola, 2013)
    34. Detona Ralph (Wreck-it Ralph, Rich Moore, 2012)
    35. Mama (idem, Andrés Muschietti, 2013)
    36. Caça aos Gangsters (Gangster Squad, Ruben Fleischer, 2013)
    37. Professor Peso Pesado (Here Comes the Boom, Frank Coraci, 2012)


    Nota 6
     

    38. Jack - O Caçador de Gigantes (Jack the Giant Slayer, Bryan Singer, 2013)

    39. O Último Desafio (The Last Stand, Kim Jee-woon, 2013)
    40. Amigos Inseparáveis (Stand Up Guys, Fisher Stevens, 2013)

    41. A Garota (The Girl, Julian Jarrold, 2012)

    42. Além das Montanhas (Dupe dealuri, Cristian Mungiu, 2012)
    43. Martha Marcy May Marlene (idem, Sean Durkin, 2011)
    44. Um Família em Apuros (Parental Guidance, Andy Fickman, 2012)

    45. A Fuga do Planeta Terra (Escape from Planet Earth, Cal Brunker, 2013)

     

    Nota 5
     
    46. Duro de Matar: Um Bom Dia para Morrer (A Good Day to Die Hard, John Moore, 2013)

    47. O Massacre da Serra Elétrica 3D - A Lenda Continua (Texas Chainsaw 3D, John Luessenhop, 2013)

    48. Bem-Vindo aos 40 (This is 40, Judd Apatow, 2012)
    49. Descobrindo o Amor (Damsels in Distress, Whit Stillman, 2011)

     

    Nota 4
     
    50. Amanhecer Violento (Red Dawn, Dan Bradley, 2012)

     

    Nota 3

    51. Depois de Lúcia (Después de Lucía, Michel Franco, 2012)

    Lançados mundialmente em 2013

    Nota 7
     
    01. Oz the Great and Powerful (Sam Raimi, 2013)
    02. Iron Man 3 (Shane Black, 2013)
    03. Oblivion (Joseph Kosinski, 2013)
    04. Warm Bodies (Jonathan Levine, 2013)
    05. Hansel & Gretel: Witch Hunters (Tommy Wirkola, 2013)
    06. Mama (Andrés Muschietti, 2013)
    07. Gangster Squad (Ruben Fleischer, 2013)

    08. Jack the Giant Slayer (Bryan Singer, 2013)

    09. The Last Stand (Kim Jee-woon, 2013)

    10. Escape from Planet Earth (Cal Brunker, 2013)

    11. A Good Day to Die Hard (John Moore, 2013)

    12. Texas Chainsaw 3D (John Luessenhop, 2013)


    Lançamento não confirmado no Brasil
     
    7 Caixas (7 Cajas, Juan Carlos Maneglia & Tana Schembori, 2012)

    Aí Vem o Diabo (Ahí va el diablo, Adrián García Bogliano, 2012)

    The Battery (idem, Jeremy Gardner, 2012)
    Big Ass Spider (sem título no Brasil, Mike Mendez, 2013)
    Cartas para Angel (Kirjad Inglile, Sulev Keedus, 2011)
    A Casa de Tolerância (The Seasoning House, Paul Hyett, 2012)
    Cockneys vs Zombies (sem título no Brasil, Matthias Hoene, 2012)
    Desejo (Crave, Charles de Lauzirika, 2012)

    Esquecendo a Garota (Forgetting the Girl, Nate Taylor, 2012)
    Eu Declaro Guerra (I Declare War, Jason Lapeyre & Robert Wilson, 2012)

    A Excursão (Der Ausflug, Mathieu Seiler, 2012)
    Exit Humanity (idem, John Geddes, 2011)
    Girl in Progress (sem título no Brasil, Patricia Riggen, 2012)
    Graceland (idem, Ron Morales, 2012)

    The Human Race (ainda sem título no Brasil, Paul Hough, 2013)

    Lobos de Arga (idem, Juan Martínez Moreno, 2011)

    Resolução (Resolution, Juston Benson & Aaron Moorhead, 2012)

    A Segunda Morte (La segunda muerte, Santiago Fernández Calvete, 2012)
    Você Prometeu (Du hast es versprochen, Alex Schmidt, 2012)
    Won't Back Down (sem título no Brasil, Daniel Barnz, 2012)

  3. Acho que é meio inevitável isso das alucinações serem mais presentes... Até prq o problema dele tá piorando, então não achei que atrapalha o desenvolvimento da história não...

     

    Eu imaginei que o final da temporada seria sobre ele se perdendo nas alucinações. Do jeito que vai, no último ele não vai ser capaz de levantar.

  4. Sensacional o último episódio da terceira temporada. Perdeu um pouco só de ritmo com a parte do Theon - e, por falar nisso, tudo o que aconteceu com o Theon na temporada inteira poderia ter sido resumido em uns poucos minutos em um ou dois episódios; foi de longe a parte mais chata. Em compensação, tramas que tinham sido pouco interessantes durante a temporada esquentaram finalmente:

     

     

    A Arya matando o carinha foi foda, e o Bran finalmente parece ter algum propósito.

     

     

    Mas o melhor veio de onde seria mais óbvio.

     

     

    A começar pela conversa entre Varys e Shae, muito bem conduzida, mostrando profundamente a natureza de ambos os personagens. O mesmo pode ser dito da conversa entre Tyrion e Cersei.

    Muito triste a despedida do Jon e da Ygritte.

    A Melisandre "salvando" o Davos foi legal tb.

    Em segundo lugar no ranking de coisas mais foda do episódio, a reunião em Kings Landing foi excelente. O Joffrey sendo humilhado de todos os lados e a conversa entre pai e filho foram memoráveis.
    Mas, mais uma vez, o melhor não vem de Westeros. A Dany tinha amigos, servos, dragões, exércitos. Agora ela tem um povo. Nasceu a rainha.

     

  5. O filme está prestes a estrear. E pensar que já faz seis meses que saiu esse:

     

     

    E toda a empolgação de ter uma ideia mais concreta do que seria MoS, e "será que essa a trilha?" e "a quantos milhões de views vai chegar?" e tantos outros papos.

     

    "My father believed that if the world found out who I really was, they'd reject me. He was convinced that the world wasn't ready. What do you think?"

  6. Lançados no Brasil em 2013
     
    Nota 9
     
    01. Django Livre (Django Unchained, Quentin Tarantino, 2012)
     
    Nota 8
     
    02. A Hora Mais Escura (Zero Dark Thirty, Kathryn Bigelow, 2012)
    03. As Sessões (The Sessions, Ben Lewin, 2012)
    04. Pietá (Pieta, Kim Ki-duk, 2012)
    05. Ferrugem e Osso (De rouille et d'os, Jacques Audiard, 2012)

    06. O Lado Bom da Vida (Silver Linings Playbook, David O. Russel, 2012)
    07. Amor é Tudo o que Você Precisa (Den skaldede frisør, Susanne Bier, 2012)
    08. Hitchcock (idem, Sasha Gervasi, 2012)
    09. O Amante da Rainha (En kongelig affaere, 2012)
    10. Killer Joe - Matador de Aluguel (Killer Joe, William Friedkin, 2011)
    11. Amor (Amour, Michael Haneke, 2012)
    12. A Feiticeira da Guerra (Rebelle, Kim Nguyen, 2012)
    13. O Vôo (Flight, Robert Zemeckis, 2012)
    14. Lincoln (idem, Steven Spielberg, 2012)
    15. Sete Psicopatas e um Shih Tzu (Seven Psycopaths, Martin McDonagh, 2012)


    Nota 7
     
    16. O Segredo da Cabana (The Cabin in the Woods, Drew Goddard, 2012)
    17. O Mestre (The Master, Paul Thomas Anderson, 2012)
    18. Atrás da Porta (The Door, István Szabó, 2012)
    19. Oz: Mágico e Poderoso (Oz the Great and Powerful, Sam Raimi, 2013)
    20. Sem Segurança Nenhuma (Safety Not Guaranteed, Colin Trevorrow, 2012)
    21. Anna Karenina (idem, Joe Wright, 2012)
    22. Searching for Sugar Man (idem, Malik Bendjelloul, 2012)
    23. Expedição Kon Tiki (Kon-Tiki, Joachim Ronning & Espen Sandberg, 2012)

    24. A Parte dos Anjos (The Angel's Share, Ken Loach, 2012)

    25. Meu Namorado é um Zumbi (Warm Bodies, Jonathan Levine, 2013)
    26. Indomável Sonhadora (Beasts of the Southern Wild, Benh Zeitlin, 2012)
    27. A Negociação (Arbitrage, Nicholas Jarecki, 2012)
    28. Os Miseráveis (Les Misérables, Tom Hooper, 2012)
    29. A Caça (Jagten, Thomas Vinterberg, 2012)
    30. Homem de Ferro 3 (Iron Man 3, Shane Black, 2013)
    31. Jack Reacher - O Último Tiro (Jack Reacher, Christopher McQuarrie, 2012)
    32. Oblivion (idem, Joseph Kosinski, 2013)
    33. João e Maria: Caçadores de Bruxas (Hansel & Gretel: Witch Hunters, Tommy Wirkola, 2013)
    34. Detona Ralph (Wreck-it Ralph, Rich Moore, 2012)
    35. Mama (idem, Andrés Muschietti, 2013)
    36. Caça aos Gangsters (Gangster Squad, Ruben Fleischer, 2013)
    37. Professor Peso Pesado (Here Comes the Boom, Frank Coraci, 2012)


    Nota 6
     

    38. Jack - O Caçador de Gigantes (Jack the Giant Slayer, Bryan Singer, 2013)

    39. O Último Desafio (The Last Stand, Kim Jee-woon, 2013)
    40. A Garota (The Girl, Julian Jarrold, 2012)
    41. Além das Montanhas (Dupe dealuri, Cristian Mungiu, 2012)
    42. Martha Marcy May Marlene (idem, Sean Durkin, 2011)
    43. Um Família em Apuros (Parental Guidance, Andy Fickman, 2012)

    44. A Fuga do Planeta Terra (Escape from Planet Earth, Cal Brunker, 2013)


    Nota 5
     
    45. Duro de Matar: Um Bom Dia para Morrer (A Good Day to Die Hard, John Moore, 2013)

    46. O Massacre da Serra Elétrica 3D - A Lenda Continua (Texas Chainsaw 3D, John Luessenhop, 2013)

    47. Bem-Vindo aos 40 (This is 40, Judd Apatow, 2012)
    48. Descobrindo o Amor (Damsels in Distress, Whit Stillman, 2011)

     

    Nota 4
     
    49. Amanhecer Violento (Red Dawn, Dan Bradley, 2012)

     

    Nota 3

    50. Depois de Lúcia (Después de Lucía, Michel Franco, 2012)

    Lançados mundialmente em 2013

    Nota 7
     
    01. Oz the Great and Powerful (Sam Raimi, 2013)
    02. Iron Man 3 (Shane Black, 2013)
    03. Oblivion (Joseph Kosinski, 2013)
    04. Warm Bodies (Jonathan Levine, 2013)
    05. Hansel & Gretel: Witch Hunters (Tommy Wirkola, 2013)
    06. Mama (Andrés Muschietti, 2013)
    07. Gangster Squad (Ruben Fleischer, 2013)

    08. Jack the Giant Slayer (Bryan Singer, 2013)

    09. The Last Stand (Kim Jee-woon, 2013)

    10. Escape from Planet Earth (Cal Brunker, 2013)

    11. A Good Day to Die Hard (John Moore, 2013)

    12. Texas Chainsaw 3D (John Luessenhop, 2013)


    Lançamento não confirmado no Brasil
     
    7 Caixas (7 Cajas, Juan Carlos Maneglia & Tana Schembori, 2012)

    Aí Vem o Diabo (Ahí va el diablo, Adrián García Bogliano, 2012)

    The Battery (idem, Jeremy Gardner, 2012)
    Big Ass Spider (sem título no Brasil, Mike Mendez, 2013)
    Cartas para Angel (Kirjad Inglile, Sulev Keedus, 2011)
    A Casa de Tolerância (The Seasoning House, Paul Hyett, 2012)
    Cockneys vs Zombies (sem título no Brasil, Matthias Hoene, 2012)
    Desejo (Crave, Charles de Lauzirika, 2012)

    Esquecendo a Garota (Forgetting the Girl, Nate Taylor, 2012)
    Eu Declaro Guerra (I Declare War, Jason Lapeyre & Robert Wilson, 2012)

    A Excursão (Der Ausflug, Mathieu Seiler, 2012)
    Exit Humanity (idem, John Geddes, 2011)
    Girl in Progress (sem título no Brasil, Patricia Riggen, 2012)
    Graceland (idem, Ron Morales, 2012)

    The Human Race (ainda sem título no Brasil, Paul Hough, 2013)

    Lobos de Arga (idem, Juan Martínez Moreno, 2011)

    Resolução (Resolution, Juston Benson & Aaron Moorhead, 2012)

    A Segunda Morte (La segunda muerte, Santiago Fernández Calvete, 2012)
    Você Prometeu (Du hast es versprochen, Alex Schmidt, 2012)
    Won't Back Down (sem título no Brasil, Daniel Barnz, 2012)

  7. Visto o episódio 11. Foi o que menos gostei até agora.

     

     

    Houve um excesso de alucinações do Will, a ponto de a estória não fluir bem, e várias saídas malucos do roteiro pra criar as situações. Pelo menos algumas dessas situações foram bem boas.

     

  8. Matéria muito legal da Variety, pra quem tá com o inglês em dia:

     

    wb-man-of-steel.jpg
    Warner Bros. Sets Bar High for Latest – and Priciest – Incarnation of Superman
    JUNE 6, 2013 | 03:00PM PT Motion picture group prexy Jeff Robinov predicts 'Man of Steel' will be studio's highest performer ever
    dave_mcnary.jpg?resize=70%2C94
    •  

    Superman is carrying the weight of the world on his back as he flies into theaters June 14.

    SEE MORE: From the June 4, 2013 issue of Variety

    There’s strong industry buzz that “Man of Steel,” yet another bigscreen incarnation of the iconic DC Comics superhero, will be one of the summer’s biggest hits.

    SEE ALSO: “Man of Steel” on Track for $100 Million Debut

    Warner Bros. motion pictures group president Jeff Robinov went so far as to predict it will be the studio’s highest performer ever. That would mean the 3D movie, which cost about $225 million to produce and another $150 million to market and release around the globe, would have to top the $1.3 billion cume for “Harry Potter and the Deathly Hallows: Part 2″ and the $1 billion-plus each earned by four other Warner releases, “The Dark Knight,” “The Dark Knight Rises,” “The Hobbit: An Unexpected Journey” and “The Lord of the Rings: The Return of the King.”

    The potential business impact of a “Man of Steel” windfall could be profound for Warner Bros., which needs to build new franchises that can yield the kind of reliable profi ts that sprang from the now-retired “Harry Potter” movie series.

    If “Man of Steel,” starring Henry Cavill, becomes a blockbuster, it would move the Burbank studio one giant leap closer to preparing the ground for its longplanned all-star superhero pic “Justice League,” which could match the box office prowess of “Marvel’s The Avengers.” That 2012 Disney release, featuring Iron Man, Captain America, the Hulk and Thor, amassed $1.5 billion worldwide.

    Warner could fi nally fully exploit its DC Comics library beyond Batman and Superman, and bring to the screen such characters as Aquaman, the Flash, Wonder Woman and another Green Lantern — whose costly 2011 predecessor flopped.

    Expectations are that Warner will release a “Justice League” film within the next four years, with the timing dependent on whether a second “Man of Steel” would go first.

    Robinov acknowledges the pic will establish the tone and feel for the upcoming DC movies. “The plan is for a universe that will allow for other DC characters,” he explains. “Chris Nolan’s Batman trilogy was set very much in an isolated universe and done as a stand-alone without other superheroes.”

    Robinov says that Nolan, a producer on “Man of Steel,” came up with the idea for a new Superman during discussions about “Inception.”

    “(Nolan) said that he and David Goyer had come up with a way of doing the Superman story that wouldn’t exclude the future possibility of including the other DC characters,” recalls Robinov. “So Chris and David delivered a draft that did that.”

    Once Zack Snyder came aboard to direct “Man of Steel,” the director told the studio, ‘I know what to do with the movie,’says Robinov. “So you’ll see both of their hands on it in a very collaborative way.”

    Snyder could use a hit. While his 2007 film “300″ was a surprise box office triumph, each of his past three movies — “Sucker Punch,” “Legends of the Guardians: The Owls of Ga’Hoole” and “Watchmen” — have missed badly.

    This is Warner’s second reboot of Superman in seven years, following the disappointing perf of director Bryan Singer’s expensive “Superman Returns,” which took in just $391 million globally.

    “It had a lot of emotion, but not enough action sequences,” says Robinov.

    The exec says that “Man of Steel” has a good mix of emotion and action. “(It has) a very fresh feel, and it takes you into the DC universe with the introduction of Krypton at the start of the film and the introduction of DC villains,” he says. “It’s a world that you have not seen before.”

    The plot centers on the young Clark Kent learning of his powers and extraterrestrial origins, his quest to find out why he was sent to Earth and the discovery that the hero in him must emerge if he is to save the world from annihilation and become the symbol of hope for mankind.

    Unlike the “Dark Knight” movies, whose vengeance-seeking central character spends much time battling his own darkest impulses, Superman is more sympathetic. “Superman’s character is still about goodness,” says Deborah Snyder, one of the film’s four producers (she’s also married to the helmer). “I don’t think that goes out of style. There’s a morality, a wholesomeness that’s ingrained in this character.”

    But that squeaky-clean image required a reconsideration — something more in line with the struggles of an Everyman to whom audiences can relate.

    “We’ve seen him portrayed in the past as this kind of goodie two-shoes, Boy Scout character that didn’t feel very realistic,” says Deborah Snyder, who produced the picture with Nolan and his wife Emma Thomas, and Charles Roven.

    “He’s trying to figure out who he is and what his place is in the world. He’s emotionally vulnerable. These are the things that humanize him,” Snyder adds.

    The filmmakers took a realistic approach to the visual effects, moving away from the highly stylized, digitally enhanced visuals of Snyder’s “300″ and “Watchmen” and toward something that more reflected the human side of the movie’s hero.

    “Zack always said it’s ironic that this is the most realistic film that he’s ever made and it’s Superman,” says Snyder. “A lot of times before, we would be on a complete greenscreen stage, and we used very few set pieces and the rest we did in the computer. Whereas in this film, we tried to incorporate more live-action plates. It was always about using something real.”

    With the opening in sight, Superman supporters are fired up.

    “For years, people in the business have been saying Superman isn’t relevant because he’s not hip and edgy like some other characters are — which is really short-sighted,” says producer Daniel Alter (“Hitman,” “Apparition”). “His story is the most iconic. You just have to go back to the source material and reboot it a little more modern and gritty for today’s audiences, and you’re going to get a film that if it delivers, will launch a bigger universe than any other superhero movie.”

    Now all Superman needs to do is fly — really high.

  9. Sim Jack, mas isso acontece porque são desconsiderados os dois piores resultados. Mesmo quem zera a corrida acaba não se dando tão mal, se for bem nas outras corridas.

     

    Sim, eu sei, Brown, não participo do bolão, mas de tempos em tempos dou uma olhada nos resultados, sei como funciona.

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