SergioB.

London Film Critics Circle Awards Film of the Year “Call Me by Your Name” “Dunkirk” “The Florida Project” “Get Out” “God’s Own Country” “Lady Bird” “Loveless” “Phantom Thread” “The Shape of Water” “Three Billboards Outside Ebbing, Missouri” Foreign Language Film of the Year “Aquarius” “Elle” “The Handmaiden” “Loveless” “Raw” British/Irish Film of the Year “Dunkirk” “God’s Own Country” “Lady Macbeth” “Paddington 2” “Three Billboards Outside Ebbing, Missouri” Documentary of the Year “Human Flow” “I Am Not Your Negro” “Jane” “78/52” “The Work” Director of the Year Luca Guadagnino, “Call Me by Your Name” Christopher Nolan, “Dunkirk” Sean Baker, “The Florida Project” Guillermo del Toro, “The Shape of Water” Martin McDonagh, “Three Billboards Outside Ebbing, Missouri” Screenwriter of the Year James Ivory, “Call Me by Your Name” Jordan Peele, “Get Out” Greta Gerwig, “Lady Bird” Paul Thomas Anderson, “Phantom Thread” Martin McDonagh, “Three Billboards Outside Ebbing, Missouri” Actress of the Year Annette Bening, “Film Stars Don’t Die in Liverpool” Sally Hawkins, “The Shape of Water” Isabelle Huppert, “Elle” Frances McDormand, “Three Billboards Outside Ebbing, Missouri” Florence Pugh, “Lady Macbeth” Actor of the Year Timothée Chalamet, “Call Me by Your Name” Daniel Day-Lewis, “Phantom Thread” Daniel Kaluuya, “Get Out” James Franco, “The Disaster Artist” Gary Oldman, “Darkest Hour” Supporting Actress of the Year Lily Gladstone, “Certain Women” Holly Hunter, “The Big Sick” Allison Janney, “I, Tonya” Lesley Manville, “Phantom Thread” Laurie Metcalf, “Lady Bird” Supporting Actor of the Year Willem Dafoe, “The Florida Project” Hugh Grant, “Paddington 2” Woody Harrelson, “Three Billboards Outside Ebbing, Missouri” Sam Rockwell, “Three Billboards Outside Ebbing, Missouri” Michael Stuhlbarg, “Call Me by Your Name” British/Irish Actress of the Year Emily Beecham, “Daphne” Judi Dench, “Victoria & Abdul”/”Murder on the Orient Express” Sally Hawkins, “The Shape of Water”/”Maudie”/”Paddington 2” Florence Pugh, “Lady Macbeth” Saoirse Ronan, “Lady Bird”/”Loving Vincent” British/Irish Actor of the Year Daniel Day-Lewis, “Phantom Thread” Colin Farrell, “The Killing of a Sacred Deer”/”The Beguiled” Daniel Kaluuya, “Get Out” Josh O’Connor, “God’s Own Country” Gary Oldman, “Darkest Hour”/”The Space Between Us” Young British/Irish Performer of the Year Harris Dickinson, “Beach Rats” Tom Holland, “The Lost City of Z”/”Spiderman: Homecoming” Noah Jupe, “Wonder”/”Suburbicon”/”The Man With the Iron Heart” Dafne Keen, “Logan” Fionn Whitehead, “Dunkirk” Breakthrough British/Irish Filmmaker of the Year Alice Birch, screenwriter, “Lady Macbeth” Simon Farnaby, screenwriter, “Paddington 2″/”Mindhorn” Francis Lee, writer-director, “God’s Own Country” Rungano Nyoni, writer-director, “I Am Not a Witch” William Oldroyd, director, “Lady Macbeth” Technical Achievement of the Year “Baby Driver,” Darrin Prescott and Jeremy Fry, stunts “Blade Runner 2049,” Dennis Gassner, production design “Dunkirk,” Hans Zimmer, music “God’s Own Country,” Joshua James Richards, cinematography “Lady Macbeth,” Holly Waddington, costume design “The Lost City of Z,” Darius Khondji, cinematography “The Love Witch,” Emma Willis, makeup and hairstyling “Paddington 2,” Pablo Grillo, visual effects “Phantom Thread,” Mark Bridges, costume design “Star Wars: The Last Jedi,” Ben Morris, visual effects

Sasha Stone, por mais criticada que possa ser, trouxe uma sensação que eu também tinha: Os homens têm gostado mais de "I, Tonya" do que de "Lady Bird", o que explicaria a maior onda de prêmios do primeiro no Critics` Choice, e o avanço consistente de Allisson Janney.

Chama a minha atenção o pouco carinho do sindicato à "Okja".

2018 VES Nominations: Outstanding Visual Effects in a Photoreal Feature Blade Runner 2049 John Nelson Karen Murphy Mundell Paul Lambert Richard Hoover Gerd Nefzer Guardians of the Galaxy Vol. 2 Christopher Townsend Damien Carr Guy Williams Jonathan Fawkner Dan Sudick Kong: Skull Island Jeff White Tom Peitzman Stephen Rosenbaum Scott Benza Michael Meinardus Star Wars: The Last Jedi Ben Morris Tim Keene Eddie Pasquarello Daniel Seddon Chris Corbould War for the Planet of the Apes Joe Letteri Ryan Stafford Daniel Barrett Dan Lemmon Joel Whist Outstanding Supporting Visual Effects in a Photoreal Feature Darkest Hour Stephane Naze Warwick Hewitt Guillaume Terrien Benjamin Magana Downsizing James E. Price Susan MacLeod Lindy De Quattro Stéphane Nazé Dunkirk Andrew Jackson Mike Chambers Andrew Lockley Alison Wortman Scott Fisher Mother! Dan Schrecker Colleen Bachman Ben Snow Wayne Billheimer Peter Chesney Only the Brave Eric Barba Dione Wood Matthew Lane Georg Kaltenbrunner Michael Meinardus Outstanding Visual Effects in an Animated Feature Captain Underpants David Soren Mark Swift Mirielle Soria David Dulac Cars 3 Brian Fee Kevin Reher Michael Fong Jon Reisch Coco Lee Unkrich Darla K. Anderson David Ryu Michael K. O’Brien Despicable Me 3 Pierre Coffin Chris Meledandri Kyle Balda Eric Guillon The LEGO Batman Movie Rob Coleman Amber Naismith Grant Freckelton Damien Gray The LEGO Ninjago Movie Gregory Jowle Fiona Chilton Miles Green Kim Taylor

Sim, e nem é pelas canções. É muito anacrônico. Uma pletora de clichês. Os primeiros 10 minutos então são pavorosos.

Quando a Twentieth Century Fox anunciou que "The Greatest Showman" não tinha pretensões ao Oscar, todo mundo recolheu as fichas. Mas eu não pensei que fosse um filme tão terrível assim. O Musical é o gênero mais odiado pela maioria das pessoas, e a cada "La La Land" que consegue furar esse bloqueio subjetivo, chegam 10 drogas como essa para reforçá-lo. Conservo apenas a indicação a Canção: "This is me".

As pessoas do meu convívio sempre puxam papo sobre cinema, ainda mais nessa época do ano pré-Oscar. Só que duas coisas que a pessoa não pode falar perto de mim é que determinado filme é ruim por que é "lento", nem que ele é "superestimado". Não estou conseguindo mais evitar o emoticon de revirar os olhos. Não seja um cuzão na vida!

Weekend Results 1. Jumanji: Welcome to the Jungle – $27.03 million 2. The Post – $18.6 million 3. The Commuter – $13.45 million 4. Insidious: The Last Key – $12.13 million 5. The Greatest Showman – $11.8 million 6. Star Wars: The Last Jedi – $11.27 million 7. Paddington 2 – $10.62 million 8. Proud Mary – $10 million 9. Pitch Perfect 3 – $5.65 million 10. Darkest Hour – $4.52 million

Zach Heltzel‏Conta verificada @zachheltzel 13 de jan Mais Worst Movies of 2017: 1. who fucking cares 2. there's no point 3. to calling out 4. movies for being bad 5. just don't watch them 6. people worked hard 7. don't be a dick 8. filmmaking is hard 9. don't waste time on negativity 10. BRIGHT 83 respostas1.936 retweets8.304 curtiram Responder 83 Retweetar

Estou lendo a edição mais recente da Editora Aleph. Tem posfácio da lavra do tradutor, entrevista com o Philip K. Dick, e outras notas sobre o filme.

Estou lendo o "Androides sonham com ovelhas elétricas?" que deu origem a tudo, e está sendo maravilhoso perceber aqui e ali os elementos constitutivos dos filmes. Vejo esse Oscar de Fotografia como uma disputa tripla entre "The Shape of Water", "Dunkirk", e "Blade Runner 2049". Vale lembrar que nas cédulas dos votantes da Academia não aparecem os nomes dos fotógrafos, só os filmes, por isso é importante a campanha dos filmes lembrar os votantes qual o sujeito por trás das lentes, e contar sua história: por exemplo, um cara aí tem13 indicações ao Oscar e nunca ganhou. Estou falando de lembrar, porque depois da enquete que fizeram com a Meryl Streep pedindo pra ela citar quais foram suas indicações e ela não soube responder (inclusive errou qual foi a primeira vez em que foi indicada), não duvido de mais nada. Nem quem vota no Oscar, nem quem é vencedor de Oscar, é Oscarmaníaco.

Eu vi. Muito bem realizado, muito bem atuado, muito pesado. Uma mistura de estilos de filmar que desagrada: de animação a estilo documental a filmagem convencional.

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Georgia Film Critics Association Winners Picture: Lady Bird Director: Greta Gerwig Actor: Daniel Kaluuya Actress: Saoirse Ronan Supporting Actor: Willem Dafoe Supporting Actress: Laurie Metcalf Original Screenplay: Get Out Adapted Screenplay: The Disaster Artist Cinematography: Dunkirk Production Design: Blade Runner 2049 Original Score: Dunkirk Original Song: Remember Me Ensemble: Three Billboards Outside Ebbing, Missouri Foreign Film: The Square Breakthrough: Jordan Peele Animated Film: Coco Documentary: Jane

Tô vendo todos, como nos últimos 12, 13 anos, mas "Call Me by Your Name" continua de longe o mais bonito... Que pisão de cinema, 30 anos depois: "Maurice", 1987, direção James Ivory. E essa belezura de 2017.

Critics Choice Awards: FILM BEST PICTURE The Shape of Water BEST ACTOR Gary Oldman, Darkest Hour BEST ACTRESS Frances McDormand, Three Billboards Outside Ebbing, Missouri BEST SUPPORTING ACTOR Sam Rockwell, Three Billboards Outside Ebbing, Missouri BEST SUPPORTING ACTRESS Allison Janney, I, Tonya BEST YOUNG ACTOR/ACTRESS Brooklynn Prince, The Florida Project BEST ACTING ENSEMBLE Three Billboards Outside Ebbing, Missouri BEST DIRECTOR Guillermo del Toro, The Shape of Water BEST ANIMATED FEATURE Coco BEST ACTION MOVIE Wonder Woman BEST COMEDY The Big Sick BEST ACTOR IN A COMEDY James Franco, The Disaster Artist BEST ACTRESS IN A COMEDY Margot Robbie, I, Tonya BEST SCI-FI OR HORROR MOVIE Get Out BEST FOREIGN LANGUAGE FILM In the Fade BEST SONG Remember Me from Coco BEST SCORE Alexandre Desplat, The Shape of Water BEST ORIGINAL SCREENPLAY Jordan Peele, Get Out BEST ADAPTED SCREENPLAY James Ivory, Call Me By Your Name BEST CINEMATOGRAPHY Roger Deakins, Blade Runner 2049 BEST PRODUCTION DESIGN Paul Denham Austerberry, Shane Vieau and Jeff Melvin, The Shape of Water BEST EDITING (TIE) Paul Machliss and Jonathan Amos, Baby Driver Lee Smith, Dunkirk BEST COSTUME DESIGN Mark Bridges, Phantom Thread BEST HAIR AND MAKEUP Darkest Hour BEST VISUAL EFFECTS War for the Planet of the Apes

Nathaniel Rogers escreveu o histórico de substituições do DGA em relação ao lineup do Oscar, nos últimos anos: "2016: Garth Davis lost his spot for Lion (DGA) to Mel Gibson for Hacksaw Ridge(Oscar)2015: Ridley Scott lost his spot for the Martian (DGA) to Lenny Abrahamson on Room (Oscar)2014: Clint Eastwood lost his spot for American Sniper (DGA) to Bennet Miller for Foxcatcher (Oscar)2013: Paul Greengrass lost his spot for Captain Phillips (DGA) to Alexander Payne for Nebraska (Oscar)2012: A CRAZY YEAR. Only two of the DGA's choices made it to the Oscar shortlist (Spielberg & Lee) while the other mainstream nominees were replaced by scrappier indie and foreign film choices2011: David Fincher lost his spot for Dragon Tattoo (DGA) to Terrence Malick for Tree of Life (Oscar)2010: Christopher Nolan lost his spot for Inception (DGA) to the Coen Bros for True Grit (Oscar)". Alguém aí deve sair. Quem?

"Coco", como era de se esperar, é lindo! Tecnicamente, um triunfo. Como crítica ao trabalho da Pixar, ao longos dos anos, eu o acho apenas um pouco rebarbativo. Sempre uma defesa incansável dos ...valores. E o formulaico apoio cômico dos animais. Eu sou mais cínico, ou não tão criança assim... "Remember me", Oscar de canção. Não só é bonita, elaborada para ganhar, mas é ainda núcleo do filme.

DGA Nominations: GUILLERMO del TORO The Shape of Water (Fox Searchlight Pictures) Mr. del Toro’s Directorial Team: Unit Production Manager: J. Miles Dale Production Manager: Dennis Chapman First Assistant Director: Pierre Henry Second Assistant Director: Tyler Delben This is Mr. del Toro’s first DGA Award nomination GRETA GERWIG Lady Bird (A24) Ms. Gerwig’s Directorial Team: Unit Production Managers: Lila Yacoub, Danielle Blumstein, Jamin O’Brien (New York Crew) First Assistant Directors: Jonas Spaccarotelli, Cedric Vara (New York Crew) Second Assistant Director: Brendan Lee, Dana Zolli (New York Crew) Second Second Assistant Directors: Lillian Awa, Teri Barber This is Ms. Gerwig’s first DGA Award nomination. MARTIN McDONAGH Three Billboards Outside Ebbing, Missouri (Fox Searchlight Pictures) Mr. McDonagh’s Directorial Team: Unit Production Manager: Bergen Swanson Assistant Unit Production Manager: Peggy Robinson First Assistant Director: Peter Kohn Second Assistant Director: Paula Case Second Second Assistant Director: Spencer Taylor This is Mr. McDonagh’s first DGA Award nomination. CHRISTOPHER NOLAN Dunkirk (Warner Bros.) Mr. Nolan’s Directorial Team: Unit Production Managers: David Witz, Christine Raspillere (France Unit), Chris Brock (UK Unit), Nicky Tüske (Netherlands Unit) First Assistant Directors: Nilo Otero, William Pruss (France Unit), Willem Quarles van Ufford (Netherlands Unit) Second Assistant Director: Eric Lasko, Nicolas Baldino (France Unit), Alexis Chelli (France Unit), Clément Comet (France Unit) Second Second Assistant Director: Alina Gatti This is Mr. Nolan’s fourth DGA Feature Film Award nomination. He was previously nominated for Inception in 2010, for The Dark Knight in 2008, and for Memento in 2001. JORDAN PEELE Get Out (Universal Pictures) Mr. Peele’s Directorial Team: Unit Production Managers: Marcei A. Brown, Rick A. Osako (Fairhope Unit) First Assistant Director: Gerard DiNardi Second Assistant Directors: Ram Paul Silbey, Marc Newland (Fairhope Unit), Jack McKenna (New York Unit) Second Second Assistant Director: Maggie Ballard Location Manager: Kurt Enger (New York Unit) This is one of two DGA Award nominations this year for Mr. Peele. He is also nominated in the First-Time Feature Film category for Get Out. The nominees for OUTSTANDING DIRECTORIAL ACHIEVEMENT OF A FIRST-TIMEFEATURE FILM DIRECTOR FOR 2017 are (in alphabetical order): GEREMY JASPER Patti Cake$ (Fox Searchlight Pictures) Mr. Jasper’s Directorial Team: Unit Production Manager: Sara Blechman First Assistant Director: Inna Braude Second Assistant Director: Natasha Rivera Second Second Assistant Director: Lucas Isabella Additional Second Second Assistant Director: Alice Johnson This is Mr. Jasper’s first DGA Award nomination. WILLIAM OLDROYD Lady Macbeth (Roadside Attractions) Mr. Oldroyd’s Directorial Team: Production Manager: Robert K. Harm Unit Manager: Eugene Galbrath First Assistant Director: George Every Second Assistant Director: Richard Stanley Jan Harris This is Mr. Oldroyd’s first DGA Award nomination. JORDAN PEELE Get Out (Universal Pictures) Mr. Peele’s Directorial Team: Unit Production Managers: Marcei A. Brown, Rick A. Osako (Fairhope Unit) First Assistant Director: Gerard DiNardi Second Assistant Directors: Ram Paul Silbey, Marc Newland (Fairhope Unit), Jack McKenna (New York Unit) Second Second Assistant Director: Maggie Ballard Location Manager: Kurt Enger (New York Unit) This is one of two DGA Award nominations this year for Mr. Peele. He is also nominated in the Feature Film category for Get Out. TAYLOR SHERIDAN Wind River (Acacia Entertainment) Mr. Sheridan’s Directorial Team: Unit Production Manager: Christopher H. Warner First Assistant Director: Nicholas Harvard Second Assistant Director: Jason Altieri Second Second Assistant Director: Kristina Massie This is Mr. Sheridan’s first DGA Award nomination. AARON SORKIN Molly’s Game (STX Entertainment) Mr. Sorkin’s Directorial Team: Unit Production Managers: Lyn Lucibello-Brancatella, Stuart M. Besser, Michael Beugg (Los Angeles Unit) Assistant Unit Production Manager: Bart Lipton (Los Angeles Unit) First Assistant Director: Walter Gasparovic Second Assistant Directors: Penny Charter, Travis Rehwaldt (New York Unit), Paula Case (Los Angeles Unit) Second Second Assistant Directors: Conor Griff (New York Unit), Drew Ritson (New York Unit), Bryan Snodgrass (Los Angeles Unit) Location Manager: Dena Ghieth (New York Unit)

Alliance of Women Film Journalists Winners: Best Film: The Shape of Water Best Director: Guillermo del Toro — The Shape of Water Best Screenplay, Original: Get Out — Jordan Peele Best Screenplay, Adapted: Call Me Your Name — James Ivory Best Documentary: Faces, Places — Agnes Varda and JR Best Animated Film: Coco and Loving Vincent (Tie) Best Actress: Frances McDormand — Three Billboards Outside Ebbing, Missouri Best Actress in a Supporting Role: Laurie Metcalf — Lady Bird Best Actor: Gary Oldman — Darkest Hour Best Actor in a Supporting Role: Willem Dafoe — The Florida Project Best Ensemble Cast – Casting Director: Mudbound — Billy Hopkins and Ashley Ingram Best Cinematography: Roger Deakins — Blade Runner 2049 Best Editing: Lee Smith — Dunkirk Best Non-English-Language Film: The Square EDA FEMALE FOCUS AWARDS These awards honor WOMEN only. Best Woman Director: Greta Gerwig — Lady Bird Best Woman Screenwriter: Greta Gerwig — Lady Bird Best Animated Female: Parvana — The Breadwinner Best Breakthrough Performance: Brooklynn Prince – The Florida Prioject Outstanding Achievement by A Woman in The Film Industry: Rose McGowan, Ashley Judd and all who spoke out against sexual harrassment

Iowa Film Critics Association (IFCA) awards MOVIE •“Lady Bird” •(Runners up: “Dunkirk” and “The Shape of Water”) DIRECTOR •Greta Gerwig, “Lady Bird” •(Runners up: Christopher Nolan, “Dunkirk,” and Guillermo del Toro, “The Shape of Water”) ACTOR •Gary Oldman, “The Darkest Hour” •(Runners up: Timothee Chalamet, “Call Me By Your Name,” and James Franco, “The Disaster Artist”) ACTRESS •Saoirse Ronan, “Lady Bird” •(Runners up: Sally Hawkins, “The Shape of Water,” and Frances McDormand, “Three Billboards Outside Ebbing, Missouri”) SUPPORTING ACTOR •Willem Dafoe, “The Florida Project” •(Runners up: Armie Hammer, “Call Me By Your Name,” and Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”) SUPPORTING ACTRESS •Laurie Metcalf, “Lady Bird” •(Runners up: Mary J. Blige, “Mudbound,” and Holly Hunter, “The Big Sick”) ANIMATED FILM •“Coco” •(Runners up: “Ferdinand” and “Lego Batman”) DOCUMENTARY •“Jane” •(Runners up: “Faces Places” and “City of Ghosts”) SCORE •“Three Billboards Outside Ebbing, Missouri” • (Runners up: “The Post” and “The Shape of Water”) SONG •“Remember Me,” “Coco” •(Runners up: “Mystery of Love,” “Call Me By Your Name,” and “Evermore,” “Beauty and the Beast.” Best Movie Yet to Open in Iowa ”Call Me By Your Name”

Dei risadas homéricas com "The Disaster Artist". Recomendadíssimo. Vejo o filme em Roteiro Adaptado e, nesse momento, lutando pela concorrida quinta vaga de Ator. Entre a cara de bravo do Denzel e a constante coragem pra se arriscar sempre do James Franco, claro, fico com o James Franco.

"Darkest Hour", "Victoria & Abdul" e "The Post" fora! Nossa! DGA amanhã.

COSTUME DESIGNERS GUILD AWARDS Excellence in Contemporary Film “Get Out” (Nadine Haders) “I, Tonya” (Jennifer Johnson) “Kingsman: The Golden Circle” (Arianne Phillips) “Lady Bird” (April Napier) “Three Billboards Outside Ebbing, Missouri” (Melissa Toth) Excellence in Period Film “Dunkirk” (Jeffrey Kurland) “The Greatest Showman” (Ellen Mirojnick) “Murder on the Orient Express” (Alexandra Byrne) “Phantom Thread” (Mark Bridges) “The Shape of Water” (Luis Sequeira) Excellence in Sci-Fi / Fantasy Film “Beauty and the Beast” (Jacqueline Durran) “Blade Runner 2049” (Renée April) “Star Wars: The Last Jedi” (Michael Kaplan) “Thor: Ragnarok” (Mayes C. Rubeo) “Wonder Woman” (Lindy Hemming)

CINEMA AUDIO SOCIETY AWARDS Motion Picture — Live Action Baby Driver Production Mixer – Mary H. Ellis, CAS Re-recording Mixer – Julian Slater, CAS Re-recording Mixer – Tim Cavagin Scoring Mixer – Gareth Cousins, CAS ADR Mixer – Mark Appleby Foley Mixer – Glen Gathard Dunkirk Production Mixer – Mark Weingarten, CAS Re-recording Mixer – Gregg Landaker Re-recording Mixer – Gary Rizzo, CAS Scoring Mixer – Alan Meyerson, CAS ADR Mixer – Thomas J. O’Connell Foley Mixer – Scott Curtis Star Wars: The Last Jedi Production Mixer – Stuart Wilson, CAS Re-recording Mixer – David Parker Re-recording Mixer – Michael Semanick Re-recording Mixer – Ren Klyce Scoring Mixer – Shawn Murphy ADR Mixer – Doc Kane, CAS Foley Mixer – Frank Rinella The Shape of Water Production Mixer – Glen Gauthier Re-recording Mixer – Christian T. Cooke, CAS Re-recording Mixer – Brad Zoern, CAS Scoring Mixer – Peter Cobbin ADR Mixer – Chris Navarro, CAS Foley Mixer – Peter Persaud, CAS Wonder Woman Production Mixer – Chris Munro, CAS Re-recording Mixer – Chris Burdon Re-recording Mixer – Gilbert Lake, CAS Scoring Mixer – Alan Meyerson, CAS ADR Mixer – Nick Kray Foley Mixer – Glen Gathard Motion Picture — Animated Cars 3 Original Dialogue Mixer – Doc Kane, CAS Re-recording Mixer – Tom Meyers Re-recording Mixer – Michael Semanick Re-recording Mixer – Nathan Nance Scoring Mixer – David Boucher Foley Mixer – Blake Collins Coco Original Dialogue Mixer – Vince Caro Re-recording Mixer – Christopher Boyes Re-recording Mixer – Michael Semanick Scoring Mixer – Joel Iwataki Foley Mixer – Blake Collins Despicable Me 3 Original Dialogue Mixer – Carlos Sotolongo Re-recording Mixer – Randy Thom, CAS Re-recording Mixer – Tim Nielson Re-recording Mixer – Brandon Proctor Scoring Mixer – Greg Hayes Foley Mixer – Scott Curtis Ferdinand Original Dialogue Mixer – Bill Higley, CAS Re-recording Mixer – Randy Thom, CAS Re-recording Mixer – Lora Hirschberg Re-recording Mixer – Leff Lefferts Scoring Mixer – Shawn Murphy Foley Mixer – Scott Curtis The Lego Batman Movie Original Dialogue Mixer – Jason Oliver Re-recording Mixer – Michael Semanick Re-recording Mixer – Gregg Landaker Re-recording Mixer – Wayne Pashley Scoring Mixer – Stephen Lipson Foley Mixer – Lisa Simpson Motion Picture — Documentary An Inconvenient Sequel: Truth to Power Production Mixer – Gabriel Monts Re-recording Mixer – Kent Sparling Re-recording Mixer – Gary Rizzo, CAS Re-recording Mixer – Zach Martin Scoring Mixer – Jeff Beal Foley Mixer – Jason Butler Eric Clapton: Life in 12 Bars Re-recording Mixer – Tim Cavagin Re-recording Mixer – William Miller ADR Mixer – Adam Mendez, CAS Gaga: Five Feet Two Re-recording Mixer – Jonathan Wales, CAS Re-recording Mixer – Jason Dotts Jane Production Mixer – Lee Smith Re-recording Mixer – David E. Fluhr, CAS Re-recording Mixer – Warren Shaw Scoring Mixer – Derek Lee ADR Mixer – Chris Navarro, CAS Foley Mixer – Ryan Maguire Long Strange Trip Production Mixer – David Silberberg Re-recording Mixer – Bob Chefalas Re-recording Mixer – Jacob Ribicoff