Oscar 2006

[Ronny]

A escolha foi muita conservadora ... 

Tiveram essa recepção a um filme estilisticamente violento e subversivo!!! Imaginem...

Ang Lee, comece a temer!

[Jon]

Também não acredito que Sin City ficou de fora!

Pelo jeito, as indicações do Oscar podem ter alguma surpresa... agradável ou não.

[Fernando]

O problema deve ser exatamente esse , um filme que é violento e subversivo até nas opções estéticas , que são as mais acertadas possíveis ...

[haziell]

E o pior é q deve ficar fora pra fotografia tbm, já q dificilmente eles indicarão 2 filmes em preto e branco, o q acho bobagem...a fotografia de Sin City arrebenta.

 

[mp0231]

* Previsões feitas pelo site The Film Experience (apenas indicações)

* Minha opinião (vencedor)

 

-Melhor Filme:

»Munich

»Brockeback Mountain

»Walk The Line

»Good Night and Good Luck

»Crash

 

 

 

fonte: www.thefilmexperience.net

 

[throdo]

Batman Begins chega a ser vergonhoso com Gothan City. Essa é a única razão pela qual não amei o filme. E vendo King Kong depois não pude deixar de pensar no meio do filme: "Isso deixa Gothan City no ralo". Nossa, que NY era aquela. Me perdoem que não gostou mas toda a sequência final ficou perfeita, com a ajuda da belíssima NY (com isso digo que no começo tiveram sim coisas que me incomodaram, mas deixe-me fingir que não vi)!!

E Sin City, o melhor filme do ano até O jardineiro fiel, parece que vai ser esquecido mesmo. É o Kill Bill desse ano!

[Administrator]

E o pior é q deve ficar fora pra fotografia tbm' date=' já q dificilmente eles indicarão 2 filmes em preto e branco, o q acho bobagem...a fotografia de Sin City arrebenta. [/quote']

Mas aquilo tudo foi muito mudado com com ajuda do computador, e a academia tem  muito preconceito com isso. Vide "O retorno do rei"

[Elessar77]

Hoje, 1p.m de Los Angeles, serão anunciados os ganhadores do Satellite Awards. O prêmio não tem influencia na corrida mas é sempre divertido.

[Administrator]

Estranho. Só hoje notei a falta de Sin City, mas não foi surpreendente. Acho que nem a parte da Academia responsável pela categoria de efeitos agüentou a sessão inteira... Não há outra explicação.

[talgufi]

Estranho. Só hoje notei a falta de Sin City' date=' mas não foi surpreendente. Acho que nem a parte da Academia responsável pela categoria de efeitos agüentou a sessão inteira... Não há outra explicação.[/quote']

 Na época do lançamento de Sin City achei que ele se tornaria um dos filmes do ano. Uma pena que sua força caindo com o passar dos meses.

[Ronny]

Como voces ficam sabendo do horário das premiações???

[Sync]

A porcentagem de aprovação do The New World no RT vem crescendo... (será que renascerá da cinzas?) o mesmo acontece com Munich.

[Ronny]

A porcentagem de aprovação do The New World no RT vem crescendo... (será que renascerá da cinzas?) o mesmo acontece com Munich.

E tenho dito!!!

[Ronny]

Hoje' date=' 1p.m de Los Angeles, serão anunciados os ganhadores do Satellite Awards. O prêmio não tem influencia na corrida mas é sempre divertido.[/quote']

E que horas é isso aqui no Brasil???!!!

[mp0231]

Minha lista tá aí, só fiz das principais categorias:

 

MELHOR FILME

Brockeback Mountain

Munich

Walk the Line

Good Night, and Good Luck

King Kong

 

MELHOR DIRETOR

Ang Lee - Brockeback Mountain

Steven Spielberg - Munich

George Clooney - Good Night, and Good Luck

Peter Jackson - King Kong

David Croenenberg - A History of Violence

 

MELHOR ATOR

Philip Seymour Hoffman - Capote

Heath Ledger - Brockeback Mountain

Joaquim Phoenix - Walk the Line

David Strathairn - Good Night, and Good Luck

Terrence Howard - Hustle & Flow

 

MELHOR ATRIZ

Felicity Huffman - Transamerica

Reese Witherspoon - Walk the Line

Charlize Theron - North Country

Joan Allen - The Upside of Anger

Judi Dench - Mrs. Henderson Presents

Keira Knightley - Pride & Prejudice

MELHOR ATOR COADJUVANTE

George Clooney - Syriana

Jake Gyllenhaal - Brokeback Mountain

Matt Dillon - Crash

Kevin Costner - The Upside of Anger

Bob Hoskins - Mrs. Henderson Presents

 

MELHOR ATRIZ COADJUVANTE

Maria Bello - A History of Violence

Gong Li - Memoirs of a Gueisha

Rachel Weisz - The Constant Gardener

Michelle Williams - Brokeback Mountain

Scarlett Johansson - Match Point

 

MELHOR FILME ESTRANGEIRO

Caché - Suíça

Tsotsi - África do Sul

The Promisse - China

Joyeux Noel - França

2 Filhos de Francisco - Brasil

[Pedro Cinéfilo]

 

   Sin City é sencacional, um filme único! Merecia ser indiado ao Oscar de Efeitos Especiais, Direção de Arte, Maquiagem, Edição e Fotografia.

  Se The New World for indicado ao Oscar será uma enorme surpresa, pois o filme está morto até agora. Já Munique é praticamente certeza, mas nunca se sabe... Certeza mesmo só Brokeback Mountain.

[-felipe-]

Wil Ferellrecebeu alguma outra indicação por The producers ou só no GG?

 

[bill]

Só no GG.

Daqui a pouco saem os vencedores do Satellite Awards. Aquele com 700 categorias, 20 atores em cada categoria...

[-felipe-]

 

Can 'Brokeback Mountain' move the Heartland?

 

 

The film has seven Golden Globe nominations, but middle America may have qualms.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Torn apart despite love

 

 

(Kimberley French / Focus Features)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Alone together

 

 

(Kimberley French / Focus Features)

 

 

 

 

 

 

 

 

 

 

 

 RELATED

 

 

 

 

 

 

Men on the range

 

 

 

 

Dec 11, 2005

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A reluctant revisiting of 'Brokeback'

 

 

 

 

Dec 9, 2005

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Heath Ledger: Pretty. Gritty.

 

 

 

 

Nov 20, 2005

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Love, nervousness, commitment

 

 

 

 

Nov 6, 2005

 

 

 

 

 

 

 

 

 

 VIDEO

 

 

 

 

 

 

 

 

 

'Brokeback Mountain' Trailer

 

 

(Focus Features, River Road Entertainment)

 

 

 

 

(Windows Media)

 

 

 

 

 

 

 

 

 

Will it play in Fargo?

Critics love it. Middle America might not.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

By Robert W. Welkos and Elaine Dutka, Times Staff Writers

 

 

 

 

 

 

Review: Kenneth Turan on 'Brokeback Mountain'

 

 

 

 

 

Reader reviews: 'A true American love story!'

 

 

 

 

 

 

 

 

 

 

 

"Brokeback Mountain" seems to have

everything going for it: great reviews, a remarkable opening weekend

and dominance in the first wave of the Hollywood awards season,

underscored Tuesday by seven Golden Globe nominations, the most of any

film.

 

 

 

But there's one important landmark the film has yet to reach — roping in a mass audience.

 

 

 

 

 

 

Over the next several weeks, the movie about two

handsome young cowboys falling in love with each other — dubbed by some

wags the gay "Gone With the Wind" — will be released across the United

States in cities where its themes of repressed sexuality and cultural

intolerance may prove a tougher sell than they have in New York, Los

Angeles and San Francisco, with their concentrations of cineastes and

gay and lesbian populations.

 

 

"Brokeback Mountain's" future in the heartland will offer a

classic test of whether what the movie business considers its best work

will be embraced by audiences whose values may be more conservative

than Hollywood's. In some ways, "Brokeback" could prove a counterpoint

to the phenomenal success of last year's "The Passion of the Christ," a

film disparaged by Hollywood power brokers and many film critics that

still emerged as a blockbuster.

 

 

The controversial cowboy movie, which is rated R in part for its

sexuality, also is hitting theaters at a time when filmmakers and

studio executives are worried they are losing touch with audiences, as

reflected by a yearlong box-office slump.

 

 

At least one national theater owner said he believed "Brokeback

Mountain's" appeal would not be limited to major metropolitan cities.

 

 

"Between the controversy and the reviews, 'Brokeback Mountain' is

becoming a 'must-see' movie of the year," said Jerry Pokorski,

executive vice president and chief film buyer for Pacific Theatres and

ArcLight Cinemas, which has about 400 theaters across the country.

"Maybe in Wichita Falls it will be a different story, but I still

believe that good reviews — and good films — drive the business."

 

 

 

Outside of big cities, movies that generate great reviews don't always play strongly.

 

 

This year, "Capote" attracted consistently good reviews but has

grossed $10.4 million in about 200 theaters. Within movies that have

gay themes, the stronger the sexuality, the weaker the films tend to

perform. Although toned-down gay-themed movies such as "The Birdcage"

and "Philadelphia" were hits, the far more explicit — and Oscar-winning

— transgender drama "Boys Don't Cry" sold $11.5 million in tickets.

 

 

"I really don't think America is ready for a homosexual love story

like this," said Peter Sprigg, vice president for policy at the

conservative Family Research Council in Washington. "I'm sure it has a

great deal of appeal within the Hollywood community itself, which is

already committed to a pro-homosexual ideology, but I can't see it as a

big box-office success."

 

 

Added Dave Bossie, who was the executive producer of the

anti-Michael Moore documentary "Celsius 41.11" and heads the

conservative grass-roots organization Citizens United: " 'Brokeback'

will not only encounter resistance, but empty theaters. My wife and I

watched the trailer in a theater a few days ago and sensed an audible

revulsion to two men passionately embracing and kissing on the big

screen.

 

 

"Blue-collar workers [and] predominantly heterosexual women are

not going to pay to see this story in large numbers. The conservative

audience that made 'The Passion of the Christ' so successful will be

the death knell for 'Brokeback Mountain.' "

 

 

 

A theater owner in Tennessee says early interest has been running high.

 

 

"E-mails are running 50 to 1 in favor of the film — and not just

from" gay and lesbian organizations, said Jeff Kaufman, vice president

of film for Malco Theatres in Memphis, Tenn. The family-owned chain has

about 300 screens in small towns such as Blytheville, Ark.; Owensboro,

Ky.; and Oxford, Miss.

 

 

" 'Brokeback' is a high-quality film, a terrific picture, and

there seems to be broad-based interest," Kaufman said. "A gay theme

certainly didn't hurt 'The Birdcage,' which had great commercial

success."

 

 

On Friday, the film, starring Heath Ledger and Jake Gyllenhaal,

will open on two screens in a theater in Plano, Texas, outside Dallas.

 

 

"We've sold about 40 tickets over the Internet for the Friday

screening, more than for any other movie we are showing, including

'King Kong,' " said Terrell Falk, vice president of marketing and

communications for Cinemark USA Inc., which has about 2,000 screens in

200 theaters, primarily in Utah, Ohio, California and Texas.

 

 

 

Interest in acclaimed titles typically fades once a town's core film fans have come and gone.

 

 

Still, novelist Larry McMurtry, who with co-screenwriter Diana

Ossana adapted Annie Proulx's short story into "Brokeback Mountain,"

says the film's examination of secret love in the wilds of Wyoming

should hold universal appeal.

 

 

 

"People seem to like it — it's striking them in their hearts and in their gut," said McMurtry, the author of "Lonesome Dove."

 

 

 

Robin Glasscock, a bartender at the Proud Cut Saloon in Cody, Wyo., said she planned to go see the movie with her friends.

 

 

"I don't know how this community would respond to it," she said.

"It's a pretty conservative type of place. I certainly hope they

wouldn't be [offended by the movie]. I think it's something they should

see regardless."

 

 

"Brokeback Mountain" will need to get those kinds of intrepid

moviegoers if it is to become a breakout independent film hit on the

order of "March of the Penguins" or "The English Patient."

 

 

The film's producer and distributor, Focus Features, said it was

encouraged that audience surveys showed that ticket buyers in the

opening weekend included a significant (but unspecified) number of

straight men who came with their girlfriends or wives.

 

 

Focus Co-President James Schamus said the stereotype of the

"Middle American who votes Republican and runs screaming from the

theater at the thought of this movie is being exploded as we speak."

 

 

He said: "People keep asking us, 'Is the country ready for

'Brokeback Mountain?' The question should be, 'Are we able to handle

the interest in this movie?' "

 

 

 

The film's director, Ang Lee, said he was surprised by how warmly the film had been received so far.

 

 

"We thought it was going to be split, and some people would like

it and some wouldn't even go to see it, or it would be a laughingstock,

like when they call it 'a gay cowboy' movie," Lee said. "Then when they

see it, they start to embrace it. It's a wonderful turnaround."

 

 

Focus Co-President David Linde said it took time for people to

embrace this kind of movie. By slowly releasing the film, he said,

Focus hopes to build its word-of-mouth.

 

 

"This movie cannot be condensed into one line about gay cowboys,"

Linde said. "In our marketing, we are trying to get across the depth of

the experience."

 

 

 

Not every theater owner is bullish about the film's ultimate prospects.

 

 

"I think 'Brokeback,' like "The Aviator' and 'Rent,' will do

better in the cities, where audiences are more diverse and have more

interest in seeing a film with a narrower focus," said Carlo Petrick,

communications manager for Marcus Theatre Corp., based in Milwaukee.

 

 

"I don't expect a backlash. It's not about turning people off, but

the degree of interest in seeing a love story between two men, if it

comes down to choosing between 'King Kong' and 'Brokeback,' people who

go to the movies to be entertained will probably choose the former."

 

 

 

 

-felipe-38703.838599537

[-felipe-]

 

Só no GG.

Daqui a pouco saem os vencedores do Satellite Awards. Aquele com 700 categorias' date=' 20 atores em cada categoria...

[/quote']

Quais foram os indicados?

 

[Ronny]

Golden Satellite Awards 2005

10TH ANNIVERSARY SATELLITE AWARDS
DECEMBER 17, 2005

Nominations

(For Year Ending December 31, 2005)


Motion Picture, Drama
A History of Violence, New line
Capote, Sony
Brokeback Mountain, Focus Features
Cinderella Man, Universal
Memoirs of a Geisha, Sony
The War Within, Magnola Pictures

Motion Picture, Comedy or Musical
Rent, Sony
Shopgirl, Touchstone
Hustle & Flow, Paramount Classics
Happy Endings, Lions Gate
Walk the Line, Fox
Kung Fu Hustle, Sony

Best Actress, Drama
Charlize Theron, North Country (Warner Bros.)
Julianne Moore, The Prize Winner of Defiance , Ohio (Dreamworks)
Robin Wright Penn, Nine Lives (Magnolia Pictures)
Ziyi Zhang, Memoirs of a Geisha (Sony)
Felicity Huffman, Transamerica (IFC Films/the Weinstein Company)
Toni Collette, In Her Shoes (fox)

Best Actor, Drama
Philip Seymour Hoffman Capote (Sony)
David Strathairn Good Night, and good Luck. (Warner Bros.)
Jake Gyllenhaal Jarhead (Universal)
Tommy Lee Jones the three burials of Melquiades Estrada (Sony)
Heath Ledger Brokeback Mountain (focus features)
Viggo Mortensen A History of violence (new line)

Best Actress, Comedy or Musical
Judi Dench, Mrs. Henderson Presents (Weinsteins)
Joan Allen, The upside of Anger (New Line)
Claire Danes, Shopgirl (touchstone)
Reese Witherspoon, Walk the Line (fox)
Joan Plowright, Mrs. Palfrey at the Claremont (Cineville/Pictures ent.)
Keira Knightley, Pride & Prejudice (Universal)

Actor, Comedy or Musical
Terrence Howard, Hustle & Flow (paramount classics)
Bill Murray, Broken Flowers (Focus Features)
Kevin Costner, The Upside of Anger (New Line)
Joaquin Phoenix, Walk the Line (fox)
Robert Downey jr., Kiss kiss Bang Bang (Warner Bros.)
Cillian Murphy, Breakfast on Pluto (Sony Pictures Classics)

Actress in a Supporting Role, Drama
Frances Mcdormand, North Country (Warner Bros.)
Laura Linney, The Squid and the Whale, (Samuel Goldwyn)
Maria Bello, A History of Violence (New Line)
Gong Li, Memoirs of a Geisha (Sony)
Shirley MacLaine, In Her Shoes (Fox)
Amy Adams, Junebug (sony pictures classics)

Actor in a Supporting Role, Drama
Mickey Rourke, Sin City (Miramax)
Jake Gyllenhaal, Brokeback Mountain (Focus)
Edward Norton, Kingdom of Heaven (Fox)
Peter Sarsgaard, Jarhead (Universal)
Chris Cooper, Capote (Sony)
Danny Huston, The Constant Gardener (Focus Features)

Actress in a Supporting Role, Comedy or Musical
Qiu Yuen, Kung Fu Hustle (Sony)
America Ferrera, The Sisterhood of the Traveling Pants(Warner Bros.)
Michelle Monaghan, Kiss Kiss Bang Bang (Warner Bros.)
Rachel Macadams, The Family Stone (Fox)
Diane Keaton, The Family Stone (Fox)
Rosario Dawson, Rent (Sony Pictures)

Actor in a Supporting Role, Comedy or Musical
Tom Arnold, Happy Endings (Lions Gate Films)
Steve Coogan, Happy Endings (Lions Gate Films)
Jason Schwartzman, Shopgirl (touchstone)
V al Kilmer, Kiss Kiss Bang Bang (warner bros.)
Craig T. Nelson, The Family Stone (fox)
Corbin Bernsen, Kiss Kiss Bang Bang (Warner Bros.)

Motion Picture, Foreign Film
Walk On Water (Samuel Goldwyn), Israel
Innocent Voices (slowhand cinema), mexico
Lila Says (Samuel Goldwyn), France
Mother of Mine (Nordisk Film Theatrical), Finland
2046 (Sony Pictures Classics), China
Turtles Can Fly (Sony Pictures Classics), Iran

Motion Picture, Animated or Mixed Media
Howl's Moving Castle (Buena Vista Pictures)
The Corpse Bride (Warner bros.)
Wallace & Gromit: The Curse of the Were-Rabbit (Dreamworks)
Chicken Little (Buena Vista Pictures)
Chronicals of Narnia: the Lion, the Witch and the Wardrobe (Buena Vista Pictures)

Director
Ang Lee Brokeback Mountain (Focus Features)
George Clooney, Good Night, and Good Luck (Warner Bros.)
James Mangold, Walk the Line (Fox)
Chris Columbus, Rent (Sony Pictures)
Bennet Miller, Capote (Sony)
Rob Marshall, Memoirs of a Geisha (Sony)

Screenplay, Original
Don Roos, Happy Endings (Lions Gate Films)
Noah Baumbach, The Squid and the Whale (Sony Pictures)
George Clooney, Grant Heslov, Good Night, and Good Luck. (Warner Bros.)
Rodrigo Garcia, Nine Lives (Magnolia Pictures)
A yad Akhtar, Joseph Castelo, Tom Glynn, The War Within (Magnolia Pictures)
Paul haggis, Bobby Moresco, Crash (Lions Gate Films)

Screenplay, Adapted
Larry McMurtry/ Diana Ossana, Brokeback Mountain (Focus Features)
D an Futterman, Capote (Sony)
Robin Swicord Memoirs of a Geisha (Sony)
William Broyles Jr., Jarhead (Universal)
Steve Martin, Shopgirl (Touchstone)
Gil Dennis, James Mangold, Walk the Line (Fox)

Original Score
Alberto Iglesias, The Constant Gardner
John Williams, Memoirs of a Geisha
Danny Elfman, The Corpse Bride
Harry Gregson-Williams, Kingdom of Heaven
Robert Rodriquez, Sin City
Gustavo Santaolalla, Brokeback Mountain

Original Song
"A Love that Will Never Grow Old"/Gustavo Santaolalla, Bernie Taupin Brokeback Mountain
"In the Deep"/Bird York Crash
"broken"/Robert Downey Jr., Mark Hudson, Kiss Kiss Bang Bang
"Hustler's Ambition"/Curtis Jackson, Brian Hughes & Frankie Beverly, Get Rich or Die Tryin'
"Magic Works"/Jarvis Cocker, Harry Potter and the Goblet of Fire

Cinematography
Robert Rodriguez, Sin City (Miramax)
Philippe Rousselot, Charlie and the Chocolate Factory (Warner Bros.)
Robert Elswit, Memoirs of a Geisha (Sony)
Cesar Charlone, the Constant Gardener (Focus Features)
Hang-Sang Poon, Kung Fu Hustle (Sony Picture Classics)
Christopher Doyle, 2046 (Sony Pictures Classics)

Visual Effects
Robert Rodriguez, Sin City (Miramax)
Frankie Chung, Kung Fu Hustle (Sony Pictures Classics)
Tom Wood, Kingdom of Heaven (Fox)
John Knoll, Roger Guyett, Rob Coleman, Brian Gernand, Star Wars (Lucas Film/Fox)
Dennis Muren, Pablo Helman, Randal Dutra, Daniel Sudick, War of the Worlds (Dreamworks)

Film Editing
Robert Rodriguez, Sin City (Miramax)
Angie Lam Kung, Fu Hustle (Sony Picture Classics)
W alter Murch, Jarhead (Universal)
Michael Kahn, War of the Worlds (Dreamworks)
Stephen Mirrione, Good Night, and Good Luck. (Warner Bros.)
Geraldine Peroni, David Tichenor Brokeback Mountain (Focus Features)

Sound (mixing & editing)
John Pritchett, Sergio Reyes, Robert Rodriguez, Paula Fairfield - Sin City (miramax)
William Jacobs, Carla Murray, Tom Myers, Christopher Scarabosio, Andy Nelson, Paul "Salty" Brincat - Star Wars (Lucas Film/Fox)
Ben Burt, Matthew Wood, Paul Pirola - Kung Fu Hustle (Sony pictures classics)
Michael Barry, Martin Czembor, Ludovic Henault, Robert Hein: The White Countess (Sony Pictures Classics)
Rob Cavallo, Sally Boldt - Rent (sony)

Art Direction & Production Design
Jeanette Scott, David Hack - Sin City (Miramax)
John Myhre - Memoirs of a Geisha (Sony)
Arthur Max - Kingdom of Heaven (Fox)
Jim Bissell - Good Night, and Good luck. (Warner Bros.)
Gavin Bocquet, Richard Roberts - Star Wars (Lucas Film/Fox)
Luigi Marchione, Vlad Vieru - Modigliani (ifg)

Costume Design
Colleen Atwood - Memoirs of a Geisha (Sony)
Jacqueline Durran - Pride & Prejudice (Universal)
John Bright - The White Countess (Sony Pictures Classics)
Pam Downe Modigliani (Ifg)
Janty Yates Kingdom of Heaven (Fox)
Jany Temime - Harry Potter and the Goblet of Fire (Warner Bros.

[bill]

Postas duas vezes a mesma coisa não dá né

bill38703.8512037037

[Ronny]

Postas duas vezes a mesma coisa não dá né

Chefe, postei porque o Felipe estava meio perdido quanto à premiação!

Nenhum problema aparente, acho eu!!!

E será que Lee e sua gangue leva mais esse prêmio?

Mesmo não sendo prestigiado e tudo mais, é prêmio na bagagem, chapas!!!

Ronny38703.8555902778

[bill]

Essa lista enorme duas vezes é foda

Tava brincando, aliás.

Quanto à premiação, não devem sair muito do esperado. BBM filme drama. Talvez History of Violence. Walk the Line filme mus/com. Hustle & Flow se quiser pegar a onda por causa do Terrence Horward.

[-felipe-]

The producers era nominavel a esse premio? Pq ficou estranho Rent pra melhor filme e The producers não... E várias outras coisas estranhas como Memoirs of a geisha pra drama, Jake pra ator por Jarhead... As surpresas nunca param.