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Oscar 2010: Indicados e Previsões


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Tudo em nome da audiência, dos anunciantes, das exibidoras e produtoras de Hollywood. E quer saber? Pra mim está ótimo! Este ano foi uma das melhores premiações da Academia que já assisti, com o Hugh no comando. Se a intenção é aperfeiçoar mais ainda essa idéia do Oscar como tv show, eu apoiarei totalmente. Afinal, são os milhões de expectadores no mundo que podem no dia seguinte dar bilheteria pros filmes premiados, né?

 

 

 

 

 

E que venham mais blockbusters pra premiação! 16.gif

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Este artigo, postado no Awards Daily, vale a pena ser lido - os filmes mais ferrados pela Academia, "cientificamente" rankeados:

 

The 10 Most Unhappy Films Today

 

by Eric Beck

So, my first reaction to the news when I read it on AwardsDaily was

“Well, they must really want to pump up the box office for 5 more

films.” My second reaction was “Damn it, why couldn’t they have done

this last year so Dark Knight could have been nominated?” Which of

course made me think – does Dark Knight make the list of the 10 worst

snubs in Oscar history?

I looked at films based on a few criteria:

  • 1 – How did it actually do at the Oscars? Did the Academy like the film enough to give it major nominations, just not picture?
  • 2 – How did it do with the major guilds? The DGA

    always has been and still is the best indicator of what gets a Best

    Picture nomination. And I also checked the WGA – those are the best two

    indicators because they have been around the longest.

  • 3 – How did it do at the Globes? Though less

    important in recent years, the Globes are still a big indicator and

    some films really get out of the starting gate because of a Globe nom

    (the two most prominent examples that come to mind are The Crying Game

    and In the Name of the Father).

I didn’t give as much weight to the Critics awards, because as more

awards have started to come around, the Oscars have paid less attention

to all of them. From 1935-1991 only two NYFC winners weren’t nominated

and they were both foreign films (Day for Night and Amarcord), but

since 1992, a whopping 6 winners failed to get nominated. And while it

used to just be a Foreign bias, since 1986, 10 films have won at least

2 of the big 6 Critics awards and failed to get a nomination, so they

just aren’t that respected by the Academy anymore.

The other thing I did was eliminate Foreign films. The Academy has

long shown a reluctance to nominate Foreign films, so for the purposes

of this list, I ignored them.

And this is not a perfect indicator. Almost certainly all of these

films would have been nominated if there had been 10 Best Picture

nominees from 1945-2008, but we can’t be certain. After all, My Man

Godfrey was nominated for Director, Screenplay and all 4 acting awards

in a year (1936) when there were 10 nominees and still failed to get a

Best Picture nomination. Instead, Libeled Lady got a BP nomination and

no others.

Also-rans:

  • Lili – 1953
  • Sabrina – 1954
  • In Cold Blood – 1967
  • When Harry Met Sally – 1989
  • Do the Right Thing – 1989
  • Leaving Las Vegas – 1995
  • Amistad – 1997
  • Dreamgirls – 2006
  • The Dark Knight – 2008

All of those films would have been likely nominated, but they just

missed out on the Top 10 list. Lili and Sabrina both won the WGA and

Screenplay from the Globes, but failed to get Picture noms from the

Globes. In Cold Blood failed to get Director or Screenplay from the

Globes. When Harry Met Sally and Do the Right Thing didn’t get Director

from the Oscars (and Do the Right Things is the only one of those to

fail to get a DGA nom). Amistad, Dreamgirls and Dark Knight all got

Academy love, but not in Director or Screenplay and Dark Knight was

snubbed by the Globes (though loved by the Guilds). And Leaving Las

Vegas fell just off the list, in spite of a whole lot of support. Also,

I should mention Laura, which in 1944 got 5 Oscar nominations,

including Director and Screenplay, but it pre-dates the Guilds and was

at a time when the Globes only had winners, not nominees.

10 – Close Encounters of the Third Kind – 1977

Nominated for 8 Oscars (9 if you include it’s special award),

including Best Director. Nominated by the DGA, WGA and ACE. Nominated

for Picture, Director and Screenplay at the Globes.

9 – I Want to Live – 1958

I personally hate this film, but it belongs here. Nominated for 6

Oscars, including Director and Screenplay and won Best Actress.

Nominated by DGA and WGA and nominated for Picture and Director at the

Globes.

8 – Some Like It Hot – 1959

Similar to the last film. Nominated for 6 Oscars including Director

and Screenplay. Nominated for DGA and won WGA. Won Best Picture –

Comedy at the Globes.

7 – East of Eden – 1955

Nominated for 4 Oscars including Director and Screenplay. Nominated

by DGA and WGA. No Director nomination from the Globes, but won Best

Picture – Drama. One of only two films to win Best Picture – Drama and

not get a BP nomination (the other is The Cardinal).

6 – Thelma and Louise – 1991

Stunned when it was passed over for Beauty and the Beast. Still,

nominated for 6 Oscars. Nominated by DGA, won WGA. Nominated for

Picture at the Globes, and thought it didn’t get a Globe Director

nomination, it won Best Screenplay.

5 – Almost Famous – 2000

The only one in the Top 10 not nominated for Best Director at the

Globes, but the only one to win Best Screenplay. Won BSFC and CFC.

Nominated by the DGA, WGA, PGA and SAG and won ACE. Nominated for the

BFCA. Nominated for Screenplay at the Globes and won Best Picture –

Comedy. Passed over for Chocolat, a film it beat at the Globes.

4 – They Shoot Horses Don’t They – 1969

The all-time winner for non BP nominees with 9 nominations,

including Director, Screenplay, Editing and 3 acting nominations

(winning Supporting ACtor). Won NBR. Nominated by DGA and WGA.

Nominated for Picture and Director at the Globes.

3 – The Player – 1992

Only three Oscar nominations, but Director and Screenplay were among

them. First English language winner of NYFC to not get nominated at the

Oscars. Nominated for DGA and ACE. Won WGA. Nominated for Director and

Screenplay at the Globes. Won Picture – Comedy.

2 – Being John Malkovich – 1999

Passed over for The Green Mile. Only three Oscar nominations, but

got Director and Picture. Nominated for PGA, DGA, WGA, SAG and won ACE.

Nominated for BFCA. Nominated for Picture and Screenplay at the Globes.

1 – Hud – 1963

In my point system, the most successful film in Oscar history to not

get nominated (320 points). Nominated for 7 Oscars, including Director,

Screenplay and Actor. Won Best Actress, Best Supporting Actor and Best

Cinematography. Nominated for DGA and ACE. Won WGA. Nominated for

Picture and Director at the Globes. Passed over for Cleopatra, the

single worst Best Picture nominees in Oscar history.

 

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Stumping for Molina in ‘An Education’

Posted by Kristopher Tapley · 10:04 am · June 30th, 2009

 

 

Alfred%20Molina%20in%20An%20EducationI’m late to the table in some sense given that Lone Sherfig’s “An Education” dazzled audiences

five months ago at the Sundance Film Festival.  But after catching the

film last night, I was left with one mission: spread the word on Alfred

Molina.

Most of the end-of-year awards talk will surely surround Carey

Mulligan’s absolutely peerless and incredibly refined leading

performance, as well it should.  She won’t need much of a boost into

the Oscar race when people get a load of what she has to offer here. 

But I’m circling the wagons for Molina, whose portrayal of a concerned

father of the era is, not to put too fine a point on it, the work of a

master.

Molina has no showy moment.  He has nothing you would say represents

a classic “Oscar clip.”  But truly, when has he?  This is an actor,

still without proper recognition from the Academy, who has delivered

time after time, from “Boogie Nights” to “Frida” (his one brush with

the derby) to “The Hoax” and even blockbuster fare such as “Spider-Man

2.”  And in “An Education,” he’s at the top of his game.  I was more

affected by his subtle additions to the film than I expected and that,

I’d say, is the hallmark of an accomplished supporting performance.

Continue reading »

 

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Kathryn Bigelow Triumphs with Hurt Locker


Author: Sasha Stone


30
Jun





the-hurt-locker_1231882171_640w.jpg


Clocking in with a 91% Metacritic rating,
with a film that will surely become one of the best of the year, it is
time to start taking Ms. Bigelow, and her moody, brilliant war film,
seriously.  We were already taking it seriously last year when it was
pulled from the roster.  Many films wouldn’t be able to withstand that
bump in its release date; this one does.  It might just turn out that
Bigelow stands a chance at not just being nominated for director, but
actually winning. 
It’s too soon to tell, of course, so this is all
just gunsmoke in a sandstorm but hey, what else is there to do.


The Hurt Locker features, among other
things, great ensemble work from its three leads, Jeremy Renner (steals
the show), Anthony Mackie and Brian Geraghty.  Other than Renner, who
some of you might remember as Jeffrey Dahmer (thank god this role
erases that memory), these are mostly no-names, working actors but not
stars.  Funnily enough, stars do make an appearance but in cameos –
Ralph Fiennes, Guy Pearce…


65th+Venice+Film+Festival+Hurt+Locker+Photocall+7z6EYbo8aMXl.jpg


The film is a slow burn. It is, by a long way, the best of Bigelow’s
career.  I’m writing a different piece on Bigelow so I’ll save my
thoughts for that but it’s important to note how far she has come as an
artist; sometimes getting panned repeatedly can lead to good stuff.


Finally, it’s ironic that Bigelow will be in direct competition with
her ex-husband, Jim Cameron.  She was married to Cameron during T2 when
he began an affair with Linda Hamilton, whom he eventually had a child
with, etc.  Bigelow and Cameron both have major films out this year.




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THE HURT LOCKER, que aqui no Brasil já tem em dvd sob o título GUERRA AO TERROR, definitivamente é o melhor filme do ano, so far.

 

Assisti há umas duas semanas e fui completamente arrebatado. Bigelow tem o tino e o senso. O roteiro é estupendo. Finalmente a temática da guerra americana ao "horror" terrorista ganha alta reverberancia cinematografica. Jeremy Renner e Anthony Mackie são minhas primeiras torcidas para os Oscar de atuação. Renner principalmente, está soberbo.

Com a expansão da categoria de Melhor Filme para 10 títulos, torço veementemente pelo filme.

 

ASSISTAM O QUANTO ANTES!

 

___

 

Damon farejando Oscar no trailer de THE INFORMANT. E como esse cara tentou a sorte depois de GÊNIO INDOMÁVEL...

O que seria engraçado? Damon indicado e DiCaprio esnobado; Damon faturando o Oscar e acumulando dois.

Sim, eu sou do tempo em que havia certa rivalidade entre ambos, potencializada pelo "duelo" pela indicação ao Oscar (Leo por TITANIC; Damon por GÊNIO), vencido por Damon.
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Já vi The Hurt Locker também e, embora não tenha um entusiamo tão grande, admito que achei o resultado ótimo. Falando em Jeremy Renner, quando vi as primeiras notícias sobre o filme achei que o ator em questão seria o belga Jeremie Renier, constante colaborador dos irmãos Dardenne, e fui ver o filme com toda expectativa, dopois vi que o ator era outro.06

 

Pelo trailer, acho que o tom leve e mais cômico do filme do Soderbergh não dê muito pra Damon querer ganhar um Oscar (parece que todo mundo que faz um filme quer ganhar um Oscar06). Damon vem com Eastwood por aí, acho que é uma opção mais viável.
saulomeri2009-07-01 13:34:01
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Falando em Jeremy Renner' date=' quando vi as primeiras notícias sobre o filme achei que o ator em questão seria o belga Jeremie Renier, constante colaborador dos irmãos Dardenne, e fui ver o filme com toda expectativa, dopois vi que o ator era outro.[/quote']

 

Quando o filme começou a bombar ainda ano passado, achei o msm. "O que diabos Renier tá fazendo numa produçao americana?". 06

Renner é o típico coadjuvante que identificamos nos filmes sem saber exatamente de onde. Mas ao menos pra mim, isso muda agora com THE HURT LOCKER.

 

 

Pelo trailer' date=' acho que o tom leve e mais cômico do filme do Soderbergh não dê muito pra Damon querer ganhar um Oscar (parece que todo mundo que faz um filme quer ganhar um Oscar06). Damon vem com Eastwood por aí, acho que é uma opção mais viável.
[/quote']

Saulo, a questão aqui é menos o filme e mais a categoria de interpretação. Damon em The Informant é o astro fisicamente transformado (e o mais relevante: engordado para a produção) e adotando outro sotaque. Que o diga o próprio Leo DiCaprio, indicado pelo inferior Diamante de Sangue e não por Os Infiltrados, o filme do ano.

Antes de Eastwood, no qual será coadj, Damon terá grandes chances por Green Zone, a nova empreitada de Paul Greengrass no campo da guerra ao terror, mas dessa vez em plena zona "inimiga". Aliás, o caso de Damon esse ano me remete ao de DiCaprio em 2007: acredito que ele irá concorrer por THE INFORMANT enquanto seus outros filmes irão disputar os maiores prêmios, o que de certa forma o desfavorecerá.

 

________

 

Estupendo poster de Precious, título, aliás, pelo qual tenho adquirido certa simpatia. Essa Mo´Nique tá vindo com cara de imbatível.

 

________

 

A boa notícia do dia:

 

Indie 'Kids' adopts cast

Bening' date=' Moore, Ruffalo set to star in film

Annette%20Bening

Bening

Julianne%20Moore

Moore

Mark%20Ruffalo

Ruffalo

 

Annette Bening, Julianne Moore, Mark Ruffalo, Josh Hutcherson and Mia Wasikowska are set to star in "The Kids Are All Right."

Director Lisa Cholodenko ("High Art") begins shooting today from the script she co-wrote with Stuart Blumberg.

Pic revolves around a brother and sister (Hutcherson, Wasikowska) who set out to find their same-sex parents' sperm donor, who totally upsets their family dynamic once he enters their lives. Bening and Moore play the parents, and Ruffalo plays the donor.

Inferno Intl. is handing international sales on the film. Jeffrey Levy-Hinte of Antidote Films is producing with Plum Pictures' Celine Rattray and Daniela Taplin-Lundberg, UGC PH's Philippe Hellmann and Gilbert Films' Gary Gilbert and Jordan Horowitz.[/quote']

Ronny2009-07-01 15:34:29
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Esse Precious me causa uma sensação muito estranha, simplesmente não consigo levar o filme a sério...06

Posso até morder minha língua, mas é que no momento a indústria de cinema parece estar tendo recaídas com esses temas, e não posso deixar de rir quando imagino o quão longe eles podem ir atrás de boas críticas e prêmios...06
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Mia Wasikowska 08, Annete Bening e Julianne Moore juntas! 13 Onde eu compro o ingresso!!!??? 06

 

...

 

Esse Precious me soa tão cachorro... à lá Trash - No Pinico... 06. Não devia ter lembrado desse troço cinematográfico... me deu náusea... 06

FeCamargo2009-07-01 17:11:53

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Tb não acho que as chances do Damon sejam diminuídas pelo fato de o filme não ser um dramão, como se pensava. Aliás, será que é essa descontração toda como vão tentar vender? Vai saber... 

 

Não sabia dessa rivalidade com o DiCaprio. :DD
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RIP

 

Karl-Malden-with-Vivien-L-001.jpg

 

Karl Malden | 1912-2009

 

Um grande ator e o último remanescente de um clássico, particularmente um dos filmes de minha vida, UMA RUA CHAMADA PECADO, pelo qual ele venceu seu único Oscar, de melhor ator coadjuvante. Aliado com Marlon Brando e Elia Kazan, ajudou a mudar a face da interpretação no cinema. O trio voltou a fazer história em SINDICATO DE LADRÕES, pelo qual Malden recebeu sua segunda e derradeira indicação ao Oscar - e Brando finalmente conquistou o seu primeiro careca.

Um formidável ator que definitivamente cravou com grande talento seu nome na história do cinema.

 

É sempre triste dá adeus aos últimos cânones da era de ouro, gente que ajudou a moldar o cinema enquanto linguagem e tudo o mais. E a despeito de tudo isso, entrou para o nosso imaginário de maneira mais pessoal, carinhosa até.
Ronny2009-07-02 15:56:30
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